TV
David Nice
In her surprisingly self-revealing collection of essays and interviews Frantumaglia (Neapolitan dialect word for a disquieting jumble of ideas), the writer who calls herself Elena Ferrante often ponders the metamorphosis from novel to film. “The real problem for a director,” she writes, “is to find solutions, the language with which to get the truth of the film from that of the book, to put them together without one ruining the other and dissipating its force.” Her trusted collaborator Saverio Costanzo achieved that in his fluid, poetic-gritty adaptation of My Brilliant Friend, the first of Read more ...
Anonymous
The eyes have it in Alan Bennett's Talking Heads, which is in no way to discount this venerable writer's gift for words. Time and again in this vaunted series of dramatic solos, ten of which have now been remade alongside two new ones, a character will interrupt a thought only to be seen peering at us or into the middle distance or directly into the dark heart of psychic disturbance. Now 86, Bennett anatomises lovelessness and despair with a mastery second to none, and the timing of these as we emerge from lockdown tallies directly with a collection of people who themselves know a thing or Read more ...
Adam Sweeting
Singing in a choir can be terrific therapy for anxiety, depression or loneliness, but one of the cruellest effects of the coronavirus is the way it has restricted normal human interaction. The notion of social distancing might have been designed to sabotage the proximity and togetherness which is so much a part of collective singing.However, choir supremo Gareth Malone (now sporting a shaggy lockdown hairstyle) doesn’t give up easily, so he’s made the best of what technology has to offer to create an online facsimile of the choir-singing experience. He’s the first to admit that hooking up a Read more ...
Adam Sweeting
It fell out of the sky in the summer of 1947, and crashed on a ranch near Roswell, New Mexico. UFO-logists and conspiracy fanatics insist it was an alien spacecraft, but the US Air Force says it was a meteorological balloon.For the purposes of this entertaining, if slight, new US drama series (on ITV2), the object was a flying saucer, and unknown to the locals, unearthly survivors from the crash have been living among them ever since. The secrets of the past begin to unravel when Liz Ortecho (Jeanine Mason) returns to this “sleepy cowboy town” and starts re-establishing contact with her old Read more ...
Adam Sweeting
Rather like David Suchet’s Poirot, the world will always think of Raymond Burr as the doughty defence lawyer Perry Mason, whom he played in nine TV series and 26 TV movies between 1957 and 1993. But Burr’s Mason existed before the age of the prequel, which now brings us HBO’s impressively-mounted back story of the battling attorney (showing on Sky Atlantic).The original Perry Mason novels by Erle Stanley Gardner told readers next to nothing about Mason’s history and background, so creators Ron Fitzgerald and Rolin Jones had a huge canvas to splash about on when they devised their new show. Read more ...
Joseph Walsh
Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Over the course of seven years, and apparently 200 drafts of the first episode alone, Catton has eloquently distilled her 848-page novel The Luminaries into six 60-minute episodes for the BBC. In the process, she’s stripped away the novel’s structure and a lot of its detail to create something more appropriate for a visual medium. The result is spectacular, but very different from the original Read more ...
Marina Vaizey
Tut in colour, and he is! The new painstaking technique of colourising vintage black and white photographs and film was touchingly exploited in this documentary for BBC Four to narrate the most thrilling and best-known archaeological discovery ever made, that of the tomb of the boy king Tutankhamun in Egypt’s Valley of the Kings in 1922.The news went worldwide, a 5,000-year-old burial bringing some sunshine to a world traumatised by World War One and the Spanish flu. The newly-coloured images made the narrative of this awesome discovery feel stunningly immediate. The charming Oxford Read more ...
Davide Abbatescianni
After the success of the sci-fi crime drama 1983 (2018), another Polish original series has landed at Netflix. The Woods, directed by Leszek Dawid and Bartosz Konopka, is a six-part mystery thriller adapted from Harlan Coben’s novel, set in two main time spans: 1994 and 2019. The story centres on the Warsaw prosecutor Paweł Kopiński (Grzegorz Damięcki), who is still grieving the loss of his sister Kamila (Martyna Byczkowska) 25 years earlier, when she walked into the woods at a summer camp and was never seen again.In 2019, the discovery of a homicide victim – presumably Artur Perkowski, a boy Read more ...
Adam Sweeting
The poisoning of Sergei and Yulia Skripal with the nerve agent novichok in 2018 was one of the more bizarre episodes in recent memory, a kind of delayed-action echo of the Cold War. Sergei, a former Russian military intelligence officer who acted as a double agent for Britain’s MI6 in the 1990s and early 2000s, had relocated to the UK in 2010 under a spy exchange agreement and was living in Salisbury, but evidently never felt entirely safe. As he was quoted as saying in this BBC One dramatisation of the affair, “Putin’s gonna get me”.Typically of the goings-on in the worlds of espionage and Read more ...
Adam Sweeting
Setting his third series of A House Through Time in Bristol (BBC One) was a stroke of inspired prescience for historian and presenter David Olusoga. His chosen house, Number 10 Guinea Street, had been built in 1718 by the slave-trafficking Captain Edmund Saunders, at a time when Bristol was becoming one of the leading slaving ports in Britain.The recent furore over the statue of the city’s most notorious slaver, Edward Colston, which was hurled into the river Avon by Black Lives Matter protesters, was a lurid reminder of how the legacy of slavery continues to burn a hole through time. Current Read more ...
Tom Baily
“Never get rattled”. For some, it might sound like a trite self-help mantra. For Hillary Rodham Clinton, it was an essential daily memo and a practical self-affirmation. In recent public memory, she is the political figure who has been rattled the most, often with sinister intent. The four-part Hillary (Sky Documentaries, 11 June) delves into that life of rattles, placing her biography alongside an in-depth account of the most bewildering election campaign in history.Series director Nanette Burstein gives Hillary centre stage to recount her life the way she saw and felt it. Each episode Read more ...
Markie Robson-Scott
The first series of What We Do in the Shadows, Jemaine Clement and Taika Waititi’s mockumentary about vampires in Staten Island (a TV spin-off from their cult New Zealand-located film) was a joy, and although it’s a hard act to follow, it’s delicious to be reacquainted with these timeless Transylvanian transplants and their mission to conquer the Americas. At least, that’s what their master, a crumbling vampire baron, has told them to do. Trouble is, as Laszlo (plummy-voiced Matt Berry; Toast of London, The IT Crowd) noted in the last series, the New World is “fucking massive”. Best stick to Read more ...