TV
Adam Sweeting
Who can explain the mystery of the solitary wolf who has taken up residence on an archipelago off Vancouver Island – the Discovery and Chatham Islands to be precise – and has developed his own unique hunting methods while patrolling his self-contained personal turf? His behaviour runs totally contrary to the close family bonding typical of wolves, but if anybody can shed some light it’s wildlife photographer and environmentalist Cheryl Alexander, who (as we saw in this BBC Four film) has been carefully studying Takaya (it means “wolf” in the language of the indigenous Songhees people) for the Read more ...
Tom Baily
Boris Pahor is the oldest known survivor of the Nazi concentration camps. In this program, the 106-year-old recounts his experiences as a political refugee and prisoner to the Nazis during their rule in his native Slovenia. As a study of one individual, The Man Who Saw Too Much is a graceful attempt to itemise the totality of the Holocaust by viewing it through an especially enlightening lens.Pahor was captive at the Natzweiler camp, which was a comparatively small concentration camp located in the Vosges mountains in Alsace. Its site was chosen because of its proximity to a granite quarry Read more ...
Adam Sweeting
It’s claimed that the current world tour of Tutankhamun’s extraordinary treasures will be the last, but they said that about Frank Sinatra too. Whatever, the boy-pharaoh’s life and legend will retain their unprecedented mystique, but no thanks to this first of three programmes fronted by pop-historian Dan Snow.Obviously Channel 5 doesn’t want to vanish down a black hole of academic obscurity, but cluttering up the scenery with three ill-matched presenters treading on each other’s feet while burbling inanities was not the perfect solution. Snow always has an invisible bubble over his head Read more ...
Adam Sweeting
Beware the asteroid Horus! It’s 60km wide and it’s hurtling towards Earth at incalculable speed. Scientists say, with unfeasible precision, that the impact point will be La Rochelle in France, and it’s going to destroy all of western Europe.It’s terrifying, so it’s strange that this new series from Sky Deutschland (showing on Sky Atlantic) is so flat and uninvolving. The eight days of the title is the time left until armageddon arrives, and the story concerns a group of people (whose interconnections are gradually revealed) and how they respond to imminent extinction.The Steiner family have Read more ...
Adam Sweeting
The first series of The Sinner in 2017 starred Jessica Biel as a disturbed woman who seemingly inexplicably stabbed a man to death on a beach, then could remember nothing about the crime. This second season on BBC Four finds Biel on board as executive producer, but this time the story is of a young boy who seemingly inexplicably poisons a couple, and admits to doing it.The common thread is detective Harry Ambrose, who’s called in to help out on the new case by Heather Novack (Natalie Paul), the daughter of Harry’s old police buddy Jack Novack (Tracy Letts). Last time around we saw Harry Read more ...
Jasper Rees
Ken Burns is the closest American television has to David Attenborough. They may swim in different seas, but they both have an old-school commitment to an ethos that will be missed when it’s gone – the idea that television is a place to communicate information with a sober sense of wonder. Burns’s field is American history in all its breadth and depth. Last time round it was a lapidary decalogue of documentaries about the Vietnam War. That had such an impact that, for his latest, BBC Four have promoted his name to the title to create a forgivable misnomer: Country Music by Ken Burns.The Read more ...
Adam Sweeting
This year marks the 50th anniversary of Ken Loach’s film Kes, and the 51st of A Kestrel for a Knave, the Barry Hines novel it was based on. The story of Barnsley boy Billy Casper who finds an escape from his painful home life and brutal schooling by training a wild kestrel has resonated down the decades, and the film is regarded as a classic of British cinema, even if the Americans couldn’t understand its Yorkshire accents. According to Greg Davies, English teacher turned comic, it feels even more vital today, in an increasingly divided and inequitable world.For this BBC Four film, Davies Read more ...
Markie Robson-Scott
“Talking cures and exploring the darkness of men’s souls – are you sure this is a career for a gentleman?” This is Vienna, 1906. Freud is exerting an influence, to the disapproval of many, including the father of cool-as-a-cucumber Max Liebermann (Matthew Beard).Max, a British-Jewish doctor, is a Freud acolyte. He is also working in the neurology department of a Viennese hospital where electro-convulsive therapy is still the order of the day. “We don’t change our working practices every time some Jewish doctor publishes a book,” scoffs the hospital director (anti-Semitism lurks everywhere in Read more ...
Adam Sweeting
Although it conforms to a realistic chronology of events, this third season of Peter Morgan’s remarkable voyage around the House of Windsor (on Netflix) has the feel of a sequence of standalone dramas, linked together by its interrelated characters and their shared history. The action commences in the mid-Sixties, and there’s been a changing of the guard among the cast. Because the bar has been set so high, all the new players act their socks off, and among a raft of brilliant performances, Tobias Menzies as the Duke of Edinburgh, Helena Bonham Carter as Princess Margaret (pictured below) and Read more ...
Jill Chuah Masters
Channel 4’s The Accident closed with a bang and a whimper. Jack Thorne provided a definitive answer to his series’ central question, but his characters and subplots petered out in the meantime.Over four episodes, this series examined the fallout of a fatal explosion, in a town cloaked by the long shadows of Grenfell and Aberfan. Each episode centred on a kind of reckoning: between old friends, husbands and wives, mothers and widows. But its core tension, as tonight’s episode hammered home, was the standoff between a broken-hearted community and a corporation unmoved by their loss.The finale Read more ...
Tom Baily
Once again the whodunit becomes the whoforgedit in the newest installment of the Britain’s Lost Masterpieces series. Host and art historian Bendor Grosvenor introduces us to what is one of the most beautiful he’s ever seen: a Madonna and Child believed to have been done by Sandro Botticelli, one of the members of “painting’s Premier League”. Much sleuthing is needed to verify the work, and to satisfy Grosvenor’s appetite.Social historian Emma Dabiri delves into the background of the work’s previous owner, the wealthy Gwendoline Davies, who bequeathed it to Cardiff Art Gallery in 1952. Davies Read more ...
Adam Sweeting
A tip of the hat to Julia Ormond for boldly going where many an actress might have chosen not to. In this new six-parter by Marnie Dickens, she plays Julia Day, a mother of three who’s just divorced her husband and is turning 60. Dickens’s objective, we may surmise, was to drive away the fog of invisibility which can descend irrationally upon mature women, however capable they may be, and demonstrate that age can indeed be just a number.Julia has reached a turning point, and is brooding over roads taken or not taken, and what her life is worth. As she puts it in a voice-over, “daughter, wife Read more ...