TV
Ralph Moore
It’s a fairly big deal to be interviewing Stan Lee. Generations have been enthralled by his work, from the 1960s comics The Amazing Spider-Man and The Uncanny X-Men – which came to the UK first as US imports and later as black and white reprints via Marvel UK – to the more colourful world of Doctor Strange via The Incredible Hulk and Daredevil. Almost four decades on, the co-creator of Spider-Man (reclusive Spider-Man artist and co-creator Steve Ditko, 89, is alive and well too) and all those heroes and villains has now achieved a global level of fame and notoriety that he never quite Read more ...
Jasper Rees
Can something be gained in translation? From its title The Swingers promises much. Much more than the original Dutch title Nieuwe Buren, which the caption in the opening credit sequence translates as The Neighbours. Someone in syndication has asked themselves the question: who the hell watches Dutch TV dramas called The Neighbours (aside from captive Dutch audiences)? And made the decision to pep things up for the international audience.It’s a bold change. Will the show come good on the promise of what in the patriarchal 1970s they used to call wife-swapping? Channel 4 is positioning it as Read more ...
David Nice
Those of us who saw the first, 1977 TV adaptation of Alex Haley's Roots in our teens still remember the shock and horror at its handling of a subject about which we knew little, American slavery. We know a lot more now, but the visceral reaction to inhumanity and injustice is no less strong. That's thanks to the high production values of the latest version, its gift for finding the right actors, and the often giddying cinematography of an honourable mainstream parallel to a towering masterpiece among movies, 12 Years a Slave.Roots, originally commissioned by the History Channel, may be more Read more ...
Mark Sanderson
A screaming comes across the sky. It has happened before, but there is nothing to compare it to now…One of the many ironies of Gravity’s Rainbow, Thomas Pynchon’s massive novel partly set in 1940s London, is that what follows these opening lines (760 pages in the original edition) actually occurs in the blink of an eye: the time it takes for the falling bomb to hit the sitting ducks in a picturehouse audience. Viewers of The Halcyon have known a bomb explodes at a party to celebrate the luxury hotel’s 50th year in November 1940 ever since the first episode eight weeks ago. Tonight we learned Read more ...
Saskia Baron
Slipped out in the Storyville slot without much fanfare, Life, Animated is the Oscar-nominated documentary which won a theatrical release and rave reviews in the US and UK last year. It’s a horribly clichéd word, but heart-warming is the best way to describe this tale of a young autistic man, Owen Suskind, who learnt to speak via his passion for Disney animations.We first see Owen in home movie footage, a chatty toddler play-acting Peter Pan with his dad. But soon after that footage was shot, he lost all his speech and began to display other worrying signs – problems with motor control, Read more ...
Adam Sweeting
“What if the Germans had won the war?” has been a recurring theme in fiction, from Noel Coward’s Peace in Our Time to Philip K Dick’s The Man in the High Castle and Robert Harris’s Fatherland. There was even a predictive pre-war “future history” version, in the form of Katherine Burdekin’s 1937 novel, Swastika Night.In SS-GB, tellified from Len Deighton’s novel by writers Neal Purvis and Robert Wade (who’ve written all the recent Bond movies), it’s November 1941. The RAF’s famous “Few” having failed to stem the Nazi onslaught – the blackly-ironic opening sequence showed us a Spitfire flown by Read more ...
Liz Thomson
“I’m not necessarily the ‘I’ in my songs” declared Tom Waits in James Maycock's documentary, its title a tipping of the proverbial hat to another artist who, in his 69 years on earth, inhabited many roles.Tom Waits has mostly kept journalists at arm’s length and he’s never been one to talk about his private life, so producer/director Maycock (whose subjects have included Yehudi Menuhin and Yoko Ono) relied on archives for this rewarding 60-minute film. But he found plenty of other figures prepared to speak intelligently about his work, and in some cases about the man.Role-playing is a way of Read more ...
Mark Sanderson
Tasmania, Down Under is like Canvey Island (although somewhat larger): everyone knows where it is but no one wants to go there. The Kettering Incident reveals why: the bleak but beautiful landscape is blasted by Antarctic gales and the natives, with few exceptions, are ugly devils, resentful of strangers and quarrelsome with their neighbours. And that’s just the humans.This eight-part “supernatural” drama began with a shot of a column of rock thrusting out of the sea between a V-shaped cleft in cliffs. Alas, what followed was also a load of cock. We’ve seen it all before, many times.This is Read more ...
Jasper Rees
Two years ago BBC Four had a film about a year in the life of Scafell Pike. Arriving at glacial pace is the sequel: Life of a Mountain: A Year on Blencathra. The star this time round is more of a best supporting character actor than a headline performer. It’s only the 18th highest of England’s peaks. As one photographer explained, you can’t get a decent shot of all of its five-felled south-facing expanse. For a long time it even had the wrong name imposed on it: Saddleback, on account of the dipping ridge between its peaks. Alfred Wainwright, who still has the final word on these things in Read more ...
Jasper Rees
Some know him only as Lord Varys the scheming eunuch, spymaster to the king of the Seven Kingdoms. Game of Thrones fans may be less familiar with Conleth Hill's other career as a nimble. light-footed stage actor of staggering range and skill whose name, mystifyingly, is less celebrated than his talents deserve. That is about to change. Hill is George to Imelda Staunton’s Martha in a new West End production of Edward Albee's Who’s Afraid of Virginia Woolf?Staunton has sufficient clout at the box office that she was allowed to nominate her sparring partner. She chose wisely. Hill was a jobbing Read more ...
Saskia Baron
Television audiences love seeing familiar faces in different contexts – whether it’s actors exploring their ancestry in Who Do You Think You Are? or politicians awkwardly busting their moves on Strictly. But there’s always a risk that the camera will reveal more than you’d like. For a political journalist like Andrew Marr, famous for hard-hitting interviews on his Sunday show, allowing director Liz Allen to make a film about his quest to recover fully from the stroke that almost killed him in 2013, required careful consideration.Liz Allen (pictured below) is an award-winning observational Read more ...
Adam Sweeting
Despite having been a rock star since the late Seventies, Chrissie Hynde seems to be an introverted, elusive sort of person. If this Arena profile was anything to go by, she lives as a virtual recluse, positively revelling in solitariness. Like the film, her last album was called Alone.“I spend all my time alone,” we saw her telling Sandra Bernhard, evidently a close friend. “I have nothing else to do. It’s my choice, I like it.” Well good for her, and it does mean she has plenty of time to pursue her recently-found passion for painting (which she’s pretty good at, too). But it didn’t really Read more ...