16th century
First Person: Robert Hollingworth on I Fagiolini's 'Leonardo - Shaping the Invisible'Friday, 26 April 2019Leonardo da Vinci died 500 years ago on 2 May this year. We all know he was a painter, sculptor, architect, engineer, pioneer of flight and anatomist – yet according to Vasari, Leonardo’s first job outside Florence was as a result of his musical... Read more... |
Mary Queen of Scots review - Saoirse Ronan and Margot Robbie excelSaturday, 19 January 2019Very much a woman of today, the Catholic Stuart heroine (Saoirse Ronan) of Mary Queen of Scots frequently hacks her way out of a thicket of power-hungry males, enjoys it when her English suitor Lord Darnley (Jack Lowden) goes down on her, and is... Read more... |
Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court caseThursday, 29 November 2018Forget the cloak in the puddle. Never mind potatoes and tobacco. The children's book cliché of Sir Walter Raleigh (or Ralegh as he seems to have preferred in an age of changeable spelling) represents little of the real man and is at best misleading... Read more... |
Classical CDs Weekly: Josquin, Calidore String Quartet, Ronn McFarlaneSaturday, 03 November 2018Josquin: Missa Gaudeamus, Missa L’ami Baudichon The Tallis Scholars/Peter Phillips (Gimell)That music composed in the 14th and 15th centuries can be enjoyed and performed today is mind-boggling. As is looking at one of Josquin des Préz’s... Read more... |
Emilia, Shakespeare's Globe review - polemic disguised as a playThursday, 16 August 2018It feels like Michelle Terry’s first summer season at the Globe has been building up to Emilia for a while now. The theme is Shakespeare and race, so Othello was something of a given. It's joined by The Winter’s Tale, as if the Emilias of these two... Read more... |
Elizabeth, Barbican review - royal romance under scrutinyThursday, 17 May 2018Everyone knows that Elizabeth I was a monarch of deep intelligence and sharp wit. Fewer know how good she was at the galliard. This was a virile, proud, demandingly athletic dance, usually performed by the men at courtly gatherings, and the fact... Read more... |
Classical CDs Weekly: Collins, Gershwin, In EchoSaturday, 14 April 2018David Collins: Violin Sonatas Duo Ardoré (Sheva)There's little biographical information to be found online about British composer David Collins, other than that he was born in 1953, studied at the RNCM and has only recently started to compose full... Read more... |
Classical CDs Weekly: Tchaikovsky, Fred Hersch, Sheku Kanneh-MasonSaturday, 24 February 2018Tchaikovsky: Symphony No. 6 MusicAeterna/Teodor Currentzis (Sony)There's a left field vintage recording of Tchaikovsky's Pathétique conducted by Otto Klemperer, a reading totally devoid of hysteria, complete with a laughably slow third movement... Read more... |
Mary Stuart, Duke of York's Theatre review - superb teamwork from Juliet Stevenson and Lia Williams in Schiller's thrillerFriday, 26 January 2018Casting decisions do not usually make gripping theatre. But in Robert Icke’s version of Friedrich Schiller’s 1800 political thriller, newly transferred from the Almeida to the West End, settling the question of which of two actresses will play the... Read more... |
The Encounter, National Portrait Gallery review - dazzlingly evocative drawingsFriday, 14 July 2017As a line flows or falters, registering each slight change in pressure, pause, or occasional reworking, it seems to offer a glimpse into the mind of the artist at work. The line is the instrument of the artist’s eye, the often unpolished,... Read more... |
Michelangelo: Love and Death review - how to diminish a colossusTuesday, 13 June 2017As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment. Michelangelo... Read more... |
Michelangelo's Madonna and ChildSunday, 16 April 2017Michelangelo's Taddei tondo, which depicts the Madonna and Child with the Infant St John in a rocky landscape, is the only Michelangelo marble in Britain. Currently one of the stars of the National Gallery's Michelangelo & Sebastiano show, it is... Read more... |