16th century
Classical CDs Weekly: Josquin, Calidore String Quartet, Ronn McFarlaneSaturday, 03 November 2018
Josquin: Missa Gaudeamus, Missa L’ami Baudichon The Tallis Scholars/Peter Phillips (Gimell)That music composed in the 14th and 15th centuries can be enjoyed and performed today is mind-boggling. As is looking at one of Josquin des Préz’s... Read more... |
Emilia, Shakespeare's Globe review - polemic disguised as a playThursday, 16 August 2018
It feels like Michelle Terry’s first summer season at the Globe has been building up to Emilia for a while now. The theme is Shakespeare and race, so Othello was something of a given. It's joined by The Winter’s Tale, as if the Emilias of these two... Read more... |
Elizabeth, Barbican review - royal romance under scrutinyThursday, 17 May 2018
Everyone knows that Elizabeth I was a monarch of deep intelligence and sharp wit. Fewer know how good she was at the galliard. This was a virile, proud, demandingly athletic dance, usually performed by the men at courtly gatherings, and the fact... Read more... |
Classical CDs Weekly: Collins, Gershwin, In EchoSaturday, 14 April 2018
David Collins: Violin Sonatas Duo Ardoré (Sheva)There's little biographical information to be found online about British composer David Collins, other than that he was born in 1953, studied at the RNCM and has only recently started to compose full... Read more... |
Classical CDs Weekly: Tchaikovsky, Fred Hersch, Sheku Kanneh-MasonSaturday, 24 February 2018
Tchaikovsky: Symphony No. 6 MusicAeterna/Teodor Currentzis (Sony)There's a left field vintage recording of Tchaikovsky's Pathétique conducted by Otto Klemperer, a reading totally devoid of hysteria, complete with a laughably slow third movement... Read more... |
Mary Stuart, Duke of York's Theatre review - superb teamwork from Juliet Stevenson and Lia Williams in Schiller's thrillerFriday, 26 January 2018
Casting decisions do not usually make gripping theatre. But in Robert Icke’s version of Friedrich Schiller’s 1800 political thriller, newly transferred from the Almeida to the West End, settling the question of which of two actresses will play the... Read more... |
The Encounter, National Portrait Gallery review - dazzlingly evocative drawingsFriday, 14 July 2017
As a line flows or falters, registering each slight change in pressure, pause, or occasional reworking, it seems to offer a glimpse into the mind of the artist at work. The line is the instrument of the artist’s eye, the often unpolished,... Read more... |
Michelangelo: Love and Death review - how to diminish a colossusTuesday, 13 June 2017
As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment. Michelangelo... Read more... |
Michelangelo's Madonna and ChildSunday, 16 April 2017
Michelangelo's Taddei tondo, which depicts the Madonna and Child with the Infant St John in a rocky landscape, is the only Michelangelo marble in Britain. Currently one of the stars of the National Gallery's Michelangelo & Sebastiano show, it is... Read more... |
First Person: 15 years of Tenebrae, a lifetime of choral musicTuesday, 11 April 2017
Having just celebrated a birthday the wrong side of 50 years of age I confess to regularly pinching myself when I dare to look back and see the higgledy-piggledy route my life has taken to bring me to the present day, as we celebrate 15 years of... Read more... |
CD: Jethro Tull - The String QuartetsWednesday, 22 March 2017
On Jethro Tull's classic "Songs from the Wood" Ian Anderson promised "all things refined". And refined the band certain has been. Musically educated, too. For 40-odd years they have specialised in baroque rock and minstrel ballads all served up... Read more... |
Michelangelo & Sebastiano, National GalleryThursday, 16 March 2017
The story of two characters whose friendship ended in bitter enmity is juicy enough for a typical spring blockbuster and yet this is an exhibition with a serious and scholarly bent. While the National Gallery is no stranger to academic exhibitions... Read more... |
