16th century
Edward II, National TheatreThursday, 05 September 2013
Shallow in its cartoonish whizz through the tergiversations of a troubled reign, hugely energetic in its language and structured storytelling, Marlowe’s horrible history is never less than compelling and challenging at the National. It may have... Read more... |
Proms Saturday Matinee 1/Proms Chamber Music 2Tuesday, 23 July 2013
Yes it’s Wagner Week at the Proms, and just up the road in the Royal Albert Hall there are dwarves and giants enough to rival Comic Con, and enough noise to silence any objection and obliterate all competition. Even the greatest of musical excess... Read more... |
Gloriana, Royal OperaFriday, 21 June 2013
Britten’s coronation opera, paying homage less to our own ambiguous queen than to the private-public tapestries of Verdi’s Aida and Don Carlo, is not the rarity publicity would have you believe, at least in its homeland. English National Opera... Read more... |
A Midsummer Night's Dream, Shakespeare's GlobeFriday, 31 May 2013
Midsummer’s Eve may still be a month away and the evenings more bracing than balmy, but despite a serious chill still in the air the Globe Theatre yesterday proved yet again that it exists in its own microclimate. It’s a theatre and a company made... Read more... |
The Tudors Season, BBC TwoFriday, 24 May 2013
Is the BBC taking dictation from the Gradgrindian brain of Michael Gove? According to the education secretary’s latest wacky diktat, what the nation’s children want is facts facts facts. Plus, in the teaching of history, lots of stuff about... Read more... |
Mahan Esfahani, Wigmore Hall/Joseph Reuben, Petersham HouseMonday, 06 May 2013
Old instruments have found young champions this week in two very different concerts and contexts. In the Wigmore Hall, Mahan Esfahani continued his persuasive rehabilitation of the harpsichord, showcasing not only the expressive range of the... Read more... |
The Tempest, Shakespeare's GlobeFriday, 03 May 2013
A thunder sheet booms, a didgeridoo hums distantly, a model ship rears and pitches its way forward through the waves of groundlings and suddenly we find ourselves washed up on the shores of the Globe for another season. All eyes may be on the newly... Read more... |
Two Gentlemen of Verona, Tobacco Factory, BristolSunday, 14 April 2013
In spite of a text that feels at times like Shakespeare by numbers, Andrew Hilton’s tightly-knit company has once again pulled off an evening of captivating theatre. As in other productions from Shakespeare at the Tobacco Factory, the casting is... Read more... |
Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars, Victoria & Albert MuseumSunday, 10 March 2013
Jewels, gold, silver, arms and armour, silks, embroideries, tapestries and lace: the world of the very rich and very powerful royals – and merchants – in Russia and Britain half a millennia ago is set out in glittering array in the V&A’s latest... Read more... |
theartsdesk in Lille: Flemish Landscape Fables - Bosch, Bles, Brueghel and BrilMonday, 24 December 2012
If hell doesn’t exist for us in the 21st century, at least not in the literal rather than the Sartrean sense, than how should we read the fabulous visions of 16th-century Flemish artists such as Hieronymus Bosch? As proto-Surrealism? As the... Read more... |
Yuletide Scenes 5: Hunters in the SnowSunday, 23 December 2012
The great Flemish painter Pieter Bruegel the Elder was instrumental in developing landscape painting as a genre in its own right. Hunters in the Snow, 1565, is one of five surviving paintings (Bruegel painted six) in his cycle depicting The Labours... Read more... |
Julius Caesar, Donmar WarehouseWednesday, 05 December 2012
There’s no ignoring gender in Julius Caesar. Whether it’s Portia’s “I grant I am a woman” speech, an enfeebled Caesar likened to a “sick girl”, or Cassius raging against oppression – “our yoke and sufferance make us womanish” – the issue is written... Read more... |
