18th century
Christmas Oratorio, Trinity College Choir, OAE, Layton, St John's Smith SquareMonday, 23 December 2013
Not every Yuletide fixture need be commercial and routine. Certainly St John’s annual Christmas Festival packs them in, but why wouldn’t it when the voices for the last two events, backed up by no less than the Orchestra of the Age of Enlightenment... Read more... |
Bach B minor Mass, Clare College Choir, Aurora Orchestra, Collon, Kings PlaceSunday, 22 December 2013
Nothing tests small-hall acoustics better than that most exuberant of holies, the Sanctus from Bach’s B minor Mass. After one of the year’s big disappointments, the blowsy sound coming from chamber ensembles in the Barbican/Guildhall School’s new... Read more... |
BBC Singers, St James's Baroque, Hill, Temple ChurchSaturday, 21 December 2013
There’s a reason why many people think Handel and, particularly his Messiah, is dull. Relatively easy to play, his music is incredibly difficult to perform well. Take this Temple Winter Festival outing with choral expert David Hill conducting the... Read more... |
Georgians Revealed, British LibrarySunday, 10 November 2013
The Georgians are in our marrow, and two of them in particular. The dawn of the age gave us Handel, who came over from Hanover with George I. Then at the sunset came the ever-exalted Jane Austen, who dedicated Emma in mock deference to the bloated... Read more... |
The Magic Flute, English National OperaFriday, 08 November 2013
There’s a scene in Mozart’s most metaphysical opera which Ingmar Bergman, creator of what is still the richest of all Magic Flutes, describes as “at the outermost limit of life”. Hero Tamino seems to have reached a point of no return and no going... Read more... |
Assassin's Creed IV: Black FlagThursday, 31 October 2013
It's the disease most feared among all mainstream videogame franchises – featuritis. That is, the endless quest for some new marketing tick box addition dreamed up to ensure the fans keep coming back. That, sadly, appears to be the rapidly looming... Read more... |
The Male Nude, Wallace CollectionWednesday, 30 October 2013
It is amazing how perceptions and attitudes change. Think of a nude and the chances are you will imagine a naked woman since, nowadays, the female body virtually monopolises the genre; naked men scarcely make an appearance in mainstream culture.... Read more... |
Houghton Revisited: The Walpole CollectionSaturday, 21 September 2013
What is the extraordinary, crowd-drawing appeal of a picture collection reunited, for a short time only, with its original surroundings? Well, for a start, this is no modest assembly of old masters, and Houghton Hall's elaborately crafted ensemble... Read more... |
Le nozze di Figaro, Royal OperaTuesday, 17 September 2013
Revivals, especially at Covent Garden, too often wrong-foot high expectations. This one should have shone, with two known treasures among the cast (Lucy Crowe and Luca Pisaroni), an experienced Mozart conductor in John Eliot Gardiner and a handsome-... Read more... |
Paul Bunyan/The Secret Marriage, British Youth Opera, Peacock TheatreThursday, 12 September 2013
It’s raining Bunyans, and since Britten’s early American operetta with its sights originally set on Broadway teems with song and invention that can’t be a bad thing. A fortnight after Welsh National Youth Opera commandeered Stephen Fry to voice-over... Read more... |
The Flames of Paris, Bolshoi Ballet, Royal Opera HouseMonday, 19 August 2013
The Bolshoi left it till last to be most itself, to dance a ballet that is truly of its blood, its seed - its closing on Alexei Ratmansky's The Flames of Paris will leave much happiness in the memory to override the problematic productions of... Read more... |
Hippolyte et Aricie, Glyndebourne Festival OperaSunday, 30 June 2013
Jean-Philippe Rameau wrote Hippolyte et Aricie in 1733 at the age of 50. It was his first opera and his greatest. In its five acts, its visits to the woods of Diana, the groves of Venus, the fires of Pluto and the domestic meltdown in the house... Read more... |
