1930s
The Merchant of Venice 1936, Criterion Theatre review - radical revamp with a passionate agendaMonday, 26 February 2024
It’s an unhappy time to be staging Shakespeare’s problematic play, given its antisemitic content, so hats off to adaptor-director Brigid Larmour and actor Tracy-Ann Oberman for persevering with this updated version, now in the West End. Their... Read more... |
Dear Octopus, National Theatre - period rarity is a real pleasureFriday, 16 February 2024
Sisters are doing it for themselves, just as families as a whole are, too, on the London stage these days. Dear Octopus follows Till the Stars Come Down and The Hills of California as the third domestic drama I've seen in the last 10 days and... Read more... |
Kin, National Theatre review - heartfelt show makes its demands, but yields its rewardsWednesday, 17 January 2024
Waiting in the National Theatre’s foyer on press night, a space teeming with people speaking different languages, boasting different heritages – London in other words – news came through that leading members of the government had resigned because... Read more... |
The Boys in the Boat review - a Boy’s Own true story told in formulaic styleFriday, 12 January 2024
Seabiscuit, Creed, Rocky, The Full Monty, Chariots of Fire… George Clooney’s latest directorial project is in the same vein as these earlier films, but swap Seabiscuit et al for a rowing eight. All have a format film-makers love because they... Read more... |
She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updatedThursday, 23 November 2023
Oliver Goldsmith was a literary all-rounder – novelist, poet and playwright – remembered chiefly for one example of each discipline, respectively The Vicar of Wakefield, "The Deserted Village" and, of course, above all, She Stoops to... Read more... |
A Voyage Round My Father, Theatre Royal, Bath review - Rupert Everett excels in a play showing its ageSaturday, 07 October 2023
Like theatre itself, the law finds its voice in stories, performance and spectacle. Any law student will, from that very first induction lecture, become suffused in a culture that is informed by and in turn informs theatre, some classes more like an... Read more... |
Ruisi, Hallé, Elder, Bridgewater Hall, Manchester review - returning to Ravel’s gloriesFriday, 06 October 2023
Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect.... Read more... |
Blu-Ray: Partie de CampagneMonday, 18 September 2023
Partie de Campagne (1946), while not being one of French cinema giant Jean Renoir’s best-known films, unfinished and just under 40 minutes long, is still regarded as an important if not essential example of the director’s multi-faceted and often... Read more... |
Ainadamar, Welsh National Opera review - hits hard without breaking groundMonday, 11 September 2023
I find it hard to know quite what to make of Ainadamar, Argentinian composer Osvaldo Golijov’s one-act opera about the life and death of the Spanish poet Federico Garcia Lorca, who was murdered in unknown circumstances – probably by Nationalist... Read more... |
Blu-ray: Thieves Like UsTuesday, 22 August 2023
Thieves Like Us, Robert Altman’s 1974 evocation of 1930s Mississippi, wasn’t a commercial hit on its original release, even though Pauline Kael called it a masterpiece.This Depression-era tale of a trio of hapless bank-robbers was shot on... Read more... |
Osborne, BBC Philharmonic, Glassberg, Bridgewater Hall, Manchester review - energy and virtuosityMonday, 19 June 2023
The BBC Philharmonic ended its 2022-23 season in Manchester with a programme that might have been chosen as a showpiece for virtuosity.There was orchestral virtuosity in the form of Rachmaninov’s Symphonic Dances, pianistic virtuosity in the shape... Read more... |
42nd Street, Sadler's Wells review - musical extravaganza will knock your socks offThursday, 15 June 2023
There are better musicals in town, but can you find me a more spectacular show in a more comfortable theatre? I doubt it. Not that Jonathan Church's new production at Sadler's Wells is flawless. It's a 90-year-old blockbuster so, for all its... Read more... |
