19th century
Il trovatore, Royal Opera review - heaven and hellFriday, 23 June 2023
The trouble with Trovatore, Verdi’s sometimes barrel-organish, slightly middle-aged troubadour, isn’t so much the silly shocker of a plot, triggered by a gypsy so crazed with vengeance that she throws her own baby on a bonfire by mistake, as the... Read more... |
Götterdämmerung, Longborough Festival review - from the hieratic to the mundane and backTuesday, 30 May 2023
Götterdämmerung is not only the grandest of Wagner’s Ring operas, it is also the most varied. Siegfried’s journey down the Rhine transports him in a short quarter-hour from the hieratic world of the Norns and the World Ash to the soap-opera of the... Read more... |
The Pearl Fishers, Opera North review - focus on the mysteryWednesday, 17 May 2023
The Pearl Fishers is very much a mid-19th century Romantic opera, with a plot that’s basically a love triangle set in an exotic location. Its writers, Michel Carré and Eugène Cormon, were not the greatest of plot inventors, and after hearing the... Read more... |
Ghosts, Abbey Theatre, Dublin review - creating tension from desolationWednesday, 10 May 2023
Church and law are enemies of promise in Ibsen’s tragedy-without-catharis. You can see why this devastating attack on, among other things, the syphilitic sins of the fathers being visited on the hopeful young created a ruckus in the 1880s. It’s... Read more... |
Prohaska, Hallé, Bloxham, Bridgewater Hall, Manchester review - a sure hand at the helmFriday, 05 May 2023
Getting on for 27 years ago, Thomas Adès’ These Premises Are Alarmed was one of the pieces commissioned by the Hallé for a premiere in the opening series of concerts at the new Bridgewater Hall, conducted by Kent Nagano.Now that Adès, then their... Read more... |
Lapwood, Hallé, Niemeyer, Bridgewater Hall, Manchester review - light and fiery Poulenc concertoFriday, 28 April 2023
“Let the organ thunder!” is the sentiment a lot of us will associate with an orchestral concert featuring the king of instruments. The Hallé’s programme with Anna Lapwood as soloist (repeating, from her BBC Proms debut with them in 2021, the Saint-... Read more... |
Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023Wednesday, 19 April 2023
As any archaeologist knows, digging up a sarcophagus is a nailbiting business. How small are the chances that inside the shredded linen wrappings will lie a recognisable body with some vestiges of its former life upon it?Enough DNA and bone to... Read more... |
Godland review - a sly sagaSaturday, 08 April 2023
Iceland’s soul lies in its interior, a forbidding heartland which overwhelms 19th century Danish priest Lucas (Elliott Crosset Hove) on his ill-considered posting to this colonial backwater.Director Hlynur Pálmason showed his talent for snapping... Read more... |
Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestroTuesday, 04 April 2023
When Berthe Morisot organised the first Impressionist exhibition in 1874, along with Monet, Degas, Renoir and co, she’d already exhibited at the Paris Salon for a decade – since she was 23. That’s not bad for someone refused entry to art school... Read more... |
Great Expectations, BBC One review - modernised, muddied and muddledMonday, 27 March 2023
There’s no point in being upset with the writer Steven Knight for doing what he usually does; even so, many viewers will find what he has done with Charles Dickens’s Great Expectations far too Peaky for their tastes. Knight’s role is described... Read more... |
Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves lessWednesday, 01 March 2023
It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical".On leaving the theatre... Read more... |
LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroicsMonday, 13 February 2023
So it turns out there isn’t a problem with Richard Strauss’s Ein Heldenleben (A Hero’s Life), a stroppy mock-epic I thought couldn’t ever love again, when constantly singing phrases from Antonio Pappano and the LSO turn it into an hallucinogenic... Read more... |
