tue 23/04/2024

21st century

Mlima's Tale, Kiln Theatre review - simple, powerful tale about the rape of Africa

The work of the double Pulitzer-winning Black American dramatist Lynn Nottage has thankfully become a fixture in the UK. After its award-winning production of Sweat, the Donmar will stage the UK premiere of her Clyde’s next month, and MJ the...

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It's Headed Straight Towards Us, Park Theatre review - indigestible mix of fact and fiction

An impressive performance by Samuel West as one of two warring hams stuck on-set in a trailer over a not-so-dormant volcano in Iceland, endlessly waiting to shoot their scene and go home, tended by a young runner whose woke values soon clash with...

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Fremont review - lovely wry portrait of an Afghan refugee looking for love

A cameo by Jeremy Allen White wouldn’t usually excite interest, but the star of Disney+’s The Bear is big box-office now, so his presence in Fremont, however brief, will probably guarantee it an audience. There the curious will also find a gem from...

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Lie With Me review - a bittersweet enchantment

The English title of Olivier Peyon’s new movie is a rather hackneyed pun that not only doesn’t work in the original language but also manages to convey exactly the wrong meaning. Arrête avec tes Mensonges is a faintly Almodóvarian love story about...

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theartsdesk at the Buxton International Festival - bel canto in the High Peak

Bellini’s La Sonnambula is the highspot of a four-show lyric theatre bill at the Buxton International Festival this year, and demonstrates again how beautifully suited the small Matcham opera house in the High Peak is to mid-19th century bel canto...

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A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

The revolution in the title of AJ Yi’s new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when China’s stewardship was increasingly restricting their civil liberties. The music on the playlist serves as an...

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Carrie Mae Weems: Reflections for Now, Barbican review - going from strength to strength on an epic journey

Carrie Mae Weems is the first live black artist to have a solo show at New York’s Guggenheim Museum, yet she is hardly known here at all. So the Barbican’s retrospective is timely, especially since, at 70, Weems is making her best work yet.The...

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Capturing the Moment, Tate Modern review - the glorious power of painting

Billed as “a journey through painting and photography”, Capturing the Moment reveals many ways in which artists have responded to photography – either by taking up the camera themselves, as did Candida Höffer, Andreas Gursky, Louise Lawler and...

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Requiem, Opera North review - partnership and diversity

Innovation is always a risky business. Opera North’s vision and ambition for this production is to create, in effect, a new genre: a combination of staged choral-orchestral performance with contemporary dance.Partnership and diversity are the buzz...

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Lapwood, Hallé, Niemeyer, Bridgewater Hall, Manchester review - light and fiery Poulenc concerto

“Let the organ thunder!” is the sentiment a lot of us will associate with an orchestral concert featuring the king of instruments. The Hallé’s programme with Anna Lapwood as soloist (repeating, from her BBC Proms debut with them in 2021, the Saint-...

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Pamfir review - a retired Ukrainian smuggler is forced to do one last job

It's fair to say that Pamfir, Ukrainian director Dmytro Sukholytkyy-Sobchuk's first feature, has been slightly overtaken by events.Set in the Carpathian mountains, on Ukraine's border with Romania, and filmed in the days and weeks leading up to the...

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Grenfell by Steve McQueen, Serpentine Gallery review - a stirring memorial for the tower block inferno

The fire which engulfed Grenfell Tower in London’s North Kensington on 14 June, 2017, with a death toll of 72, is still under investigation. The dead were largely recent immigrants to the UK. The tragedy, it’s clear now, was caused by an unholy...

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