thu 12/12/2024

21st century

Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry,...

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Rimini review - crooner without a conscience

The cartoonist Gerald Scarfe – or his equally mordant forebear George Cruikshank – couldn’t have drawn a seedier Eurotrash excrescence than the crooner, Richie Bravo, who dominates Ulrich’s Seidl’s Rimini.A hasbeen still purveying his Eighties-style...

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Hold Me Tight review - Vicky Krieps mesmerises

Mathieu Amalric's Hold me Tight (Serre moi fort) keeps springing surprises. Perhaps the first is the title. It sounds like an invitation to settle down with the popcorn to enjoy a light French film dealing with intimacy. Not even...

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Patti Smith: A Book of Days review - adding to Insta's debris

On April Fool’s Day, in 1978, the godmother of American punk, Patti Smith, jumped offstage at the Rainbow Theatre in London halfway through a version of “The Kids Are Alright” and started dancing in the crowd. Her vertiginous feat was also a leap of...

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Here, Southwark Playhouse review - award-winning kitchen sink drama goes down the drain

The kitchen sink drama has been a standby of English theatre for 70 years or more, but not always with an actual sink on stage. But there it is, in an everyday home that harbours a secret or two in Clive Judd’s debut play, the winner of the 2022...

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BBC Philharmonic, Kaziboni, Manchester review - music of the future?

Is Artificial Intelligence pointing the way to musical composition in the future? The BBC Philharmonic, conductor Vimbayi Kaziboni and colleagues at the Royal Northern College of Music made a case for it in this concert.The highlight of the...

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London Film Festival 2022 - the winners and the losers

The London Film Festival ended with the announcement of assorted prizes, all well-deserved. My colleague Demetrios Matheou has already written here about the Chilean political thriller, 1976, which won Best First Feature, and we’ll be writing...

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Orpheus, Opera North review - cross-cultural opera in action

Within its own aspirations, Orpheus is a complete triumph. “Monteverdi reimagined”, as Opera North subtitled it from the start, is an attempt to unite (and contrast, and compare, and cross-fertilise) early baroque opera with South Asian classical...

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Blu-ray: Nitram

Nitram is an object lesson in how to make a responsible film about a mass shooting, right down to not using the fame-seeking perpetrator’s real name as the title but the mocking ananym given to him by bullies at school.Scriptwriter Shaun Grant...

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Anaïs in Love review - she wants what she wants

It’s 2022’s art-house image du jour – a self-absorbed 30-year-old running to get what she wants, irrespective of the long-term consequences to herself or anyone else.Watching the pell-mell scurry of Anaïs Demoustier’s title character in Anaïs in...

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Our Eternal Summer review - tragedy taps authentic teenage emotions in Marseille

The French seaside has been the setting for all kinds of summer holiday capers. We are used to the idea that this is a place where young people set about finding out who they are. At the top of the quality spectrum are Éric Rohmer’s well-observed...

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Tasting Notes, Southwark Playhouse review - whining in the wine bar

LJ's dream has come true - she has her very own wine bar. Unfortunately for us, it turns into a bit of a nightmare.This new musical open on a nostalgic 70s vibe. Tables and chairs fill almost all of Southwark Playhouse's smaller space, a set that...

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