mon 13/05/2024

indie

Conchúr White, St Pancras Old Church review - side-stepping the past to embrace the future

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the band he fronted. This evening, a mention of having been here before is absent. Nothing in the body...

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Album: Kings Of Leon - Can We Please Have Fun

The buildup to this album offered quite a bit of hope. The promo blurb with it talks about “cutting loose, trying new things… hark[ing] back to their gritty origins… freed from any expectations.” Most glaringly, it says it’s “the album the band says...

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CVC, Concorde 2, Brighton review - they have the songs and they have the presence

The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party. There’s a moment tonight, for instance, midway through the evening, when guitarists David Bassey and...

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Nadine Shah, SWG3, Glasgow review - loudly dancing the night away

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes a crowd member was cutting, before confirming it wouldn’t be happening on this evening either. You’d...

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Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s Everything Harmony, is stuffed with references. “Sweet Vibration” is rooted in The Left Banke’s “She May Call You up...

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Album: Justice - Hyperdrama

Justice are a couple of super-suave rock star analogues. Leathers and aviators, yes, but with a very Parisian insouciance. Their music is the same. It has a rocker-friendly je-ne-sais-quoi, but air-brushed with the glitzy sci-fi futurism one might...

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Music Reissues Weekly: Linda Smith - I So Liked Spring, Nothing Else Matters

Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or New York-based Linda Smith it was, according to this column, “stunning” and “significant.” Until this point,...

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theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check out the reviews, then check out your local record shop! See you amongst it.THEARTSDESK ON VINYL’S CHOICE CUT OF RECORD STORE DAY APRIL...

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Album: Paraorchestra with Brett Anderson and Charles Hazlewood - Death Songbook

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about death, or the death of love, about loss, about anxiety.” Suede’s Brett Anderson, on board for this endeavour,...

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Album: Maggie Rogers - Don't Forget Me

For the past almost two years, Maggie Rogers has taken an unexpectedly special place in my heart and musical tastes. Upon reviewing her previous album, Surrender, because of the difference in style and sound to my usual tastes I was caught...

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Julia Holter, EartH Theatre review - loosening up can take time

“Betsy,” a voice shouts from the audience as the encore begins. The request for “Betsy on the Roof,” from Julia Holter’s 2015 Have You in my Wilderness album, is met – it was already in the set list – but only after “Les Jeux to You” is performed....

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Album: Nia Archives - Silence is Loud

At 24, Bradfordian Nia Archives has already clearly marked out her musical territory.While many of her Gen Z contemporaries have embraced the rave, jungle and drum’n’bass sounds of the early-mid 1990s, she’s done it more wholeheartedly than most:...

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