indie
Guy Oddy
No-one needs to be told that 2019 was a year which saw the UK, USA and many other countries looking somewhat at unease with themselves. Inevitably, this filtered down into much of the music that was produced under these conditions. Even Peter Perrett – a man not known for his political pronouncements – sang of how “The so-called Free World stands for evil incarnate” on the storming “War Plan Red” from his superb second solo album, Humanworld.The album that really held up a mirror to 2019, however, came from Imperial Wax, the band predominantly consisting of the remaining members of the Fall’s Read more ...
Kieron Tyler
It’s not about spontaneity. Bar switching the order of a couple of songs at the beginning and during the encore, the set was the same as a couple of days earlier in Paris. And, just-before that, in Turnout, Belgium. The first UK date on Mark Lanegan and his band’s European tour didn’t deviate much – odd other songs have cropped up during this excursion – from what they’ve been doing since hitting the trail in the last week of October.Instead, it’s about reiterating what Mark Lanegan is about. The gruffness. The lack of chit-chat – beyond a couple of acknowledgments, he limited himself to one Read more ...
Kieron Tyler
Despite their name, U-Bahn are from Melbourne. Instead of looking to Germany for their musical inspiration, their minds are on a vintage band from Ohio. “Beta Boyz”, the first track on their eponymous debut album, reassembles the key elements of Devo’s version of “(I Can’t Get no) Satisfaction”. The chicka-chicka tick-tock guitar is present. So too are the throat-swallowing Mark Mothersbaugh vocals, the rotating tin-can drums and primitive synth.Next up, “Turbulent Love” does a similar job by hybridising Devo’s “Mongoloid” and “Whip it”. “War of Currents” borrows from the de-evolutionist's “ Read more ...
Kieron Tyler
In the liner notes to the new reissue of 2001’s All is Dream, Mercury Rev’s Jonathan Donahue says it is “a weird astral album musically, and yes the symbolism lyrically runs many layers down and deep – different coloured layers of rock, soil and ash on an archaeology dig.”More straightforwardly, Mercury Rev’s other mainstay Grasshopper explains “All is Dream was a continuation of ideas we hatched during recording [previous album] Deserter’s Songs – and [its predecessor] See You on the Other Side – but we were bolstered by the excitement that Deserter’s Songs generated.”All is Dream was Read more ...
Jonathan Geddes
If this is what Sam Fender can provoke on a Monday night, then Lord knows the reaction he generates at a weekend. A chart topping album and sold out tour may mean the Geordie is firmly at pop’s top table now, but it was still impressive the sheer delirium his arrival onstage appeared to generate, a status that lasted throughout the brisk hour or so that followed.Although a youthful crowd, there were older generations in attendance too, perhaps a reflection of the fact that Fender’s influences tap into a cross-generational appeal. There is little point in pretending the 25 year old is re- Read more ...
Kieron Tyler
A 55-minute set without an encore. Songs bleeding into each other. No announcements, no talking from the stage. A constantly moving frontman seemingly channelling a yen to merge Merce Cunningham moves and tai-chi. A band who, barring the odd grin from one of the guitarists, focus on what they are doing without expression. An absence of “please-like-me” posturing.Then there’s the music. In high gear from the moment the stage is taken, it’s a motorik-bedded onslaught systematically augmented with crescendos and mounting power. Beyond the Krautrock influence, other nods are made: New Order when Read more ...
joe.muggs
For all they've inspired swathes of the most crushingly mundane music of the modern age from Sheeran on down, Coldplay have always been at their best at their most grandiose. That is, when they shake off Chris Martin's I'm-a-normal-bloke schtick and let their romanticism – in melodies, arrangements and fairytale lyrics – fly free. So it sounded promising when it emerged they were releasing a double album full of global influences: maybe they're really going to go for it this time?In the event, at 53 minutes, Everyday Life is actually shorter than some of their single albums. And for Read more ...
Kieron Tyler
The contemporary context of the Netherlands’s Iguana Death Cult is clear. Their blues-edged garage rock exists in a continuum encompassing Amyl and The Sniffers, The Chats, King Gizzard & The Lizard Wizard and Oh Sees. Nude Casino is more measured than the first and second bands, less eclectic than the third and fourth but nonetheless is in tune with a pancontinental reductiveness where the bracing live experience – and relentless touring – is seemingly more important than finessing what’s caught on tape.Nude Casino, their second album, is hobbled by a flat, one-size-fits-all production Read more ...
Lisa-Marie Ferla
Pumarosa picked the perfect time of year to launch their second album into the world: its skittish drums, claustrophobic melodies and haunted vocals are the perfect soundtrack to witching season. But the horrors that inspired Devastation are far more personal: frontwoman Isabel Muñoz-Newsome was diagnosed with cervical cancer the week the band’s 2017 debut was released, with the band playing Glastonbury mere weeks after her surgery.With that back story in mind, you’d be forgiven for thinking tracks like “Fall Apart”, “Lose Control” and “Devastation” are primed to tell a particular story - but Read more ...
Thomas H. Green
Michael Kiwanuka looks set to conquer. His previous two albums set him up as the sensitive singer-songwriter who tips his hat to the muscular soul music of Bill Withers and Curtis Mayfield; the lone troubadour who’s clearly listened to more than a smidgeon of tough-edged indie in his time. Iggy Pop kept playing him on BBC Radio 6. The people at HBO used his “Cold Little Heart” as the theme for their flagship Hollywood star series Big Little Lies. In this light, and because his momentum doesn’t falter, Kiwanuka could be his Back to Black-style commercial monster.The Winehouse comparison is apt Read more ...
Jonathan Geddes
Familiarity evidently does not breed contempt, at least in the case of Hot Chip and Glasgow. This was the band’s third appearance on Glaswegian soil since April, and what a glorious, life-affirming evening it was. They arrived with a fine new album to promote in the shape of “A Bath Full of Ecstasy”, and both new and old songs alike were imbued with fresh energy here, aided by a crowd evidently buzzing on Saturday night adrenaline (and in some cases, quite possibly certain other substances).The band themselves were hardly reticent either. They still look a mild mannered bunch, albeit ones Read more ...
Kieron Tyler
It’s unfortunate that LAHS’s opening track is titled “Holding Pattern” as the album only achieves lift off with its ninth cut “Light Yearly”, a chugging workout with spiralling guitar and echoes of Sixties folk rock if it were refracted through an opaque crystal. Up to this point, the fourth album by Los Angeles quartet Allah-Las has drifted through a series of sparse, undernourished songs – including “Roco Ono”, a meandering instrumental – which draw a thread between Luna, All Things Must Pass George Harrison and Peruvian band We All Together.Notwithstanding “Pleasure” and “Prazer Em Te Read more ...