Italy
The Duchess [of Malfi], Trafalgar Theatre review - actors imprisoned by confused time travellingFriday, 18 October 2024
John Webster’s sour, bloody tale of brotherly greed and vice has been updated by the playwright Zinnie Harris, who also directs her own text at the Trafalgar. The title has a handy [of Malfi] added. But do we really know where we are? Or which... Read more... |
Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauceFriday, 11 October 2024
Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an amaretto voice that wheedled like a child and seduced like a witch. Half a century on, there must be a heck... Read more... |
Il trittico, Welsh National Opera review - welcome back (but not a good sign)Tuesday, 01 October 2024
This revival of Puccini’s Trittico a mere three and a half months after it was first shown on the Millennium Centre stage seems to bear witness to WNO’s current financial uncertainty. In effect, it reduces their 2024 repertory to half what it was a... Read more... |
Rigoletto, Welsh National Opera review - back to what they do bestMonday, 23 September 2024
We were of course lucky to get this new WNO Rigoletto at all. If it weren’t for the fact that, in the end, the company’s wonderful chorus and orchestra couldn’t wait to get back to doing what they do best, and accepted a modest glow of light at the... Read more... |
Prom 71, Seong-Jin Cho review - refined Romantic journeysFriday, 13 September 2024
Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised Art of Fugue will have to wait. Korean pianist Seong-Jin Cho, a past winner of the Chopin Prize,... Read more... |
The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent productionWednesday, 21 August 2024
On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side... Read more... |
Edinburgh Fringe 2024 reviews: Heartbreak Hotel / The Gummy Bears' Great War / The CeremonySaturday, 03 August 2024
Heartbreak Hotel, Summerhall ★★★★ If the show’s title leaves you expecting schmaltz and dodgy Elvis impressions – well, you might be disappointed, and possibly pleasantly surprised. This quietly powerful two-hander from New Zealand-based... Read more... |
Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with historyMonday, 29 July 2024
It’s been a long time since the Whitechapel Gallery has presented three seriously good exhibitions at the same time. Already reviewed are Gavin Jantjes’ paintings on show in the main gallery. He is now joined, in gallery 2, by Dominique White,... Read more... |
ll Segreto di Susanna/Pagliacci, Opera Holland Park review - on with the motley, out with the fagsThursday, 18 July 2024
Could “Cav and Pag” give way to “Sue and Pag”? As a double-bill partner for Leoncavallo’s backstage shocker Pagliacci, Opera Holland Park have scheduled not the standard Cavalleria Rusticana but an entirely different one-act work. Premiered in... Read more... |
Il Trittico, Welsh National Opera review - another triumph for a hard-pressed companyMonday, 17 June 2024
It’s somehow typical of the Welsh National Opera I’ve known now for the best part of sixty years that it should confront its current funding difficulties with brilliant productions of two of the more challenging works in the repertory.The company’s... Read more... |
Album: Jack Savoretti - Miss ItaliaThursday, 16 May 2024
It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds, hinted that his musical DNA bestrode early-Seventies Los Angeles, those Topanga Canyon strummers and such, but... Read more... |
La Chimera review - magical realism with a touch of FelliniFriday, 10 May 2024
Italian director Alice Rohrwacher (The Wonders, Happy as Lazarro), ploughs a charmingly idiosyncratic furrow that might be described as magical realism, combining as it does vivid depictions of rural communities with shafts of fantasy and fable... Read more... |
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