Mendelssohn
Simon Thompson
The Edinburgh International Festival’s Queen’s Hall series ended with two very impressive debuts. Thursday morning brought the Isidore Quartet, who winningly, if slightly naively, told us that Edinburgh had a similar energy to their native New York.These four young men – the oldest member is 24 – were charm personified in the second of Haydn’s “Sun” Quartets, combining easy grace with carefree beauty, and using vibrato only discreetly to colour the sound carefully. Similarly, their take on the third of Mendelssohn’s Op 44 Quartets combined delicacy with warmth and terrific clarity of Read more ...
Boyd Tonkin
“Very traditional, but fun,” ran the verdict of one fellow-traveller as we waited for a bus outside the Royal Albert Hall on Saturday night. No one can gainsay the infectious fun that the Budapest Festival Orchestra bring to every gig. For all its musical accomplishment, Iván Fischer’s all-singing (yes, they did) if not quite all-dancing (yet) outfit never forget that they belong to a, rather elevated, branch of show business.As for the “traditional” tag, I might beg to differ. True, for their first Prom (out of three this year) they delivered a triple-decker stack of mainstream Romantic Read more ...
Kozhukhin, BBCSSO, Menezes, Usher Hall, Edinburgh review - shimmering Saariaho and moody Mendelssohn
Miranda Heggie
How apt that on her first visit to Scotland, Italian-Brazilian conductor Simone Menezes would lead the BBC Scottish Symphony Orchestra in a performance of Mendelssohn's Third Symphony, the “Scottish”. Though there may not be many particularly "Scottish" sounding melodies in this piece, its overall sound conjures up the brooding moods of the Scottish landscape.One scene which was particularly evident here was of an angry Atlantic, the body of water Mendelssohn would have crossed to reach the Hebrides, the group of western islands which inspired his famous overture, written at the same time Read more ...
Gavin Dixon
This concert was advertised as the completion of an Elgar symphony cycle, though in the absence of the reconstructed Third, that meant the second of two. Both were planned with interesting concerto couplings. The First Symphony was presented with the Tippett Piano Concerto earlier in the week, and early publicity for this concert promised a new piano concerto from Mark Simpson, with Icelandic pianist Víkingur Ólafsson.For reasons unspecified, that concerto failed to appear, so instead Ólafsson performed the more familiar Schumann. The result was an audience-pleasing combination, though the Read more ...
Richard Wilson
In today’s near-normal times it is easy to forget how hard COVID-19 had hit the music industry, especially for touring orchestras like the Academy of St Martin in the Fields. Masked, socially-distanced performances; streamed concerts from empty venues; and an outpouring of home-made YouTube films helped to keep musicians working and audiences culturally fed. However, there was a feeling across the industry that something more inspiring was needed.At the end of November 2020, a month into the second lockdown, the Academy asked us at One31Studio to make a film inspired by Mendelssohn’s Read more ...
Gavin Dixon
Dresden is filled with music at this time of year. The Dresden Music Festival runs through May and early June, with concerts at all the famous venues – the Frauenkirche, the Semperoper – but also recitals in smaller halls and unlikely settings.My visit also coincided with the Dresden Dixieland Festival. This is a huge outdoor event, with stages in each of the city’s historic squares. Walking through the Baroque streets, you find your footsteps synchronising with a gently persuasive bass line from some distant Sousaphone. Then you’ll turn a corner and be confronted with the abrasive tone of an Read more ...
graham.rickson
Mozart, Hummel and Vanhal – Bassoon Concertos Sophie Dervaux (bassoon/conductor), Mozarteumorchester Salzburg (Berlin Classics)The performance of the Hummel Grand Concerto for bassoon from 1805 here is just superb. French-born Sophie Dervaux (née Dartigalongue, just like the armagnac) is principal bassoon in the Vienna Philharmonic, and she has said of the instrument she plays: “What makes the bassoon special for me is this flexibility, this warmth in the sound.” Her previous CD for Berlin Classics included some classics of the French song repertoire (try the gorgeous “À Chloris” Read more ...
Ian Julier
Although the composer singled out as the flagship promotional hook for the Bournemouth Symphony Orchestra’s concert was the “Brilliant Mendelssohn”, the programme also highlighted Mozart, Schubert and Britten to complete a quartet of musical child prodigies.Nurtured in Vienna via choral, orchestral and operatic work as well as studying the violin, the Austrian-Spanish conductor Teresa Riveiro Böhm has recently been Leverhulme Conducting Fellow in partnership at the Royal Conservatoire of Scotland with the BBC Scottish SO, as well as working towards a Specialised Master’s Degree in conducting Read more ...
Sebastian Scotney
Dazzling. That was the first adjective with which the illustrious Marian McPartland described Helen Sung’s piano playing, when she had the remarkable Houston-born pianist as her guest for an episode of the NPR radio show Piano Jazz in 2006.On Quartet+ (Sunnyside), Sung is celebrating “landmark women in jazz”, including McPartland (a new arrangement of “Kaleidoscope”, the theme from the radio show, worked in with a string quartet version of “Melancholy Mood”), and also Mary Lou Williams, Geri Allen, Carla Bley, and Toshiko Akiyoshi. “True pioneers and giants all,” as Sung describes them. Read more ...
David Nice
The heading may be a bit misleading. There were no vocalists at this year’s ingeniously adapted East Neuk Festival – live events held exclusively in the big space of the Bowhouse, St Monans, to a compulsorily limited audience – and the only rain was that which pelted down on the roof of the venue during the most intimate moments of Beethoven’s D major Quartet, Op.18 No.3, with the Castalian Quartet valiantly persisting. But all the players in the six concerts I heard sang from the heart, as any good instrumentalist should, and the weather was wildly varied, with four seasons in rapid Read more ...
graham.rickson
Osvaldo Golijov: Falling Out of Time Silkroad Ensemble (In a Circle Records)Along with many others, I was beguiled by DG’s recording of Osvaldo Golijov's Pasión Según San Marcos a decade ago, an exuberant Latin American take on Bach. After which Golijov slipped under the radar. There’s an illuminating article on The New York Times website where the composer explains the reasons for his disappearance, revealing that while he never actually stopped composing, “the ideas felt half-baked.” Falling Out of Time marks a brilliant return to form, this substantial song cycle based on David Read more ...
graham.rickson
Mendelssohn: Octet, Enescu: Octet Gringolts Quartet & Meta4 (BIS)Mendelssohn began work on his delicious Octet at the age of 16. He’d been composing for several years previously, though this work, along with the equally miraculous overture to A Midsummer Night’s Dream, sounds like the work of a composer who's found their voice. Getting the tone right in performance is tricky, mostly in terms of balancing youthful exuberance with enough gravitas. This collaboration between Ilya Gringolts’ Zurich-based quartet and Finland’s Meta4 gets things right. The first movement tempo isn’t too Read more ...