Philharmonia
Hough, Philharmonia, Rouvali, RFH review - where the wild things areFriday, 27 September 2024
This autumn, the Philharmonia’s “Nordic Soundscapes” season promises music suffused with the epic vistas, and weather, of high latitudes, along with reflections on the climate crisis as it threatens the traditional bonds between nature and culture.... Read more... |
Verdi's Requiem / Capriccio, Edinburgh International Festival 2024 review - words, music, judgementTuesday, 27 August 2024
The Philharmonia’s residency was the centrepiece of the Edinburgh International Festival’s final weekend, and it’s right that the orchestra should be the focus because they were consistently the finest thing about both their Verdi Requiem and their... Read more... |
Queyras, Philharmonia, Suzuki, RFH review - Romantic journeysTuesday, 30 April 2024
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The founder-director (in 1990) of Bach Collegium Japan, a distinguished harpsichordist-organist as well as one... Read more... |
The Creation, Choirs of King's College & New College Oxford, Philharmonia, Hyde, King's College Chapel, Cambridge - sublime setting for mundane performanceMonday, 06 November 2023
“Let his words resound on high,” sings the choir in the final chorus of The Creation. In King’s College Chapel in Cambridge, it is hard not to want to look up, to admire the splendour of the largest fan vaulting anywhere in Europe. King’s truly is... Read more... |
Capuçon, Philharmonia, Bancroft, RFH review - enjoyable all-American classicsFriday, 27 October 2023
The Philharmonia’s current season, Let Freedom Ring, celebrates American music through some notably interesting programming. And although last night’s concert was very conventionally structured, with an overture, concerto and big symphony to finish... Read more... |
Prom 42: Cho, Philharmonia, Rouvali review - inflation offset by sweet oasesThursday, 17 August 2023
Chopin’s piano concertos and Strauss “symphonic fantasia” Aus Italien are young men’s music, bursting with inspired ideas, but baggy at times, hard to steer. Elgar’s In the South is up there with the mature Strauss tone poems – even if it couldn’t... Read more... |
Fröst, Philharmonia, Lazarova, Kuusisto, Southbank Centre review - congenial new works complemented by live-wire classicsFriday, 24 March 2023
Anna Clyne’s engaging First Person here led me to two of her works in a Philharmonia rainbow. She curated a woodwind-based gem of a 6pm programme of works by four women composers, herself included, and her Clarinet Concerto could only gain from two... Read more... |
First Person: Anna Clyne on composing collaborations, not battles, in her latest concertosWednesday, 22 March 2023
Collaboration fuels a lot of my music – I love the interaction that takes me outside of my natural tendencies – it’s a source of inspiration and an opportunity to see my own music and creative process through a different lens.This past season I had... Read more... |
Mahler’s Third Symphony, Philharmonia, Paavo Järvi, RFH review - phosphorescent glow, depths only glimpsedFriday, 17 March 2023
This longest, wackiest and most riskily diverse of Third Symphonies became Esa-Pekka Salonen’s personal property during his years as the Philharmonia's Principal Conductor. His successor, Santtu-Matias Rouvali, has (in)famously said he’s not... Read more... |
Philharmonia, Hrůša, RFH review - total brilliance in Bartók, Dvořák and StraussFriday, 03 February 2023
Salome was not to get her head on a silver platter: Jennifer Davis, due to sing the bloody final scene of Strauss’s opera, had been experiencing abdominal pains during her first pregnancy – mother and child are fine – and had to withdraw at a late... Read more... |
Batiashvili, Philharmonia, Shani, RFH review - Nordic mystery, Alpine tragedyFriday, 09 December 2022
Sibelius and Mahler so often figure as the irreconcilable chalk and cheese of turn-of-the-century orchestral writing that it can be a salutary experience to hear them together on one bill.For sure, the Finn – whose Violin Concerto Lisa Batiashvili... Read more... |
The Turn of the Screw, Garsington Opera review - terrors and tragedyMonday, 11 July 2022
After the long interval, as darkness falls, the screw turns in this Garsington revival more woundingly than any I can remember for Britten's most concentrated masterpiece. Evil chords, trills, cadenzas and silences from the 13 superb Philharmonia... Read more... |
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