adaptation
Laura de Lisle
Medea is the original crazy ex-girlfriend: the wronged woman who takes perfectly understandable revenge on the man who made her life hell. In Blueprint Medea, a new adaptation premiered at the Finborough Theatre in May 2019 and available on YouTube until 2nd August, writer-director Julia Pascal gives us a 21st-century reworking of Euripides’ tragedy. This Medea (Ruth D’Silva) is a Kurdish freedom fighter who’s come to England on a dodgy passport; working illegally as a cleaner, she meets Jason (Max Rinehart) – or Mohammed, to his Iraqi-immigrant parents. They move in together and Read more ...
Owen Richards
Scooby fans have waited over 50 years for a proper big screen adaptation of everyone’s favourite cowardly dog (sorry Cartoon Network’s Courage). The 2003 live-action version starring Matthew Lillard and Sarah Michelle Gellar failed to capture the paranormal-busting mystery of the TV series, and although the follow-up Monsters Unleashed recreated the classic villains, it was still a slog. But with a new CGI adventure from the studio behind The Lego Movie and the underrated Smallfoot, could Scoob! finally be the film Mystery Inc. deserve?Well, the plot certainly tries to squeeze in as many Read more ...
Jill Chuah Masters
It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare commodity these days.Andy (Charlize Theron) leads a band of renegades who use their immortality to thwart crime. Their secret power makes them outcasts, so their existence is increasingly threatened by surveillance and modern technology. A new immortal, Nile (KiKi Layne), joins their ranks at the exact moment that their freedom is most threatened. Read more ...
Laura de Lisle
Birdsong, Sebastian Faulks’ best-selling First World War novel, has been adapted quite a few times in its twenty-seven years. First came the TV series in 2012, starring Eddie Redmayne and Clémence Poésy; then there was Sir Trevor Nunn’s 2010 stage production for the hundredth anniversary of the Battle of the Somme. This new digital Birdsong coincides with the anniversary as well, but otherwise it’s quite unlike the others – and, indeed, unlike any other pre-pandemic play.The effort to produce a socially distanced show must have been monumental. Brought together in less than six weeks, Read more ...
David Nice
In her surprisingly self-revealing collection of essays and interviews Frantumaglia (Neapolitan dialect word for a disquieting jumble of ideas), the writer who calls herself Elena Ferrante often ponders the metamorphosis from novel to film. “The real problem for a director,” she writes, “is to find solutions, the language with which to get the truth of the film from that of the book, to put them together without one ruining the other and dissipating its force.” Her trusted collaborator Saverio Costanzo achieved that in his fluid, poetic-gritty adaptation of My Brilliant Friend, the first of Read more ...
Joseph Walsh
Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Over the course of seven years, and apparently 200 drafts of the first episode alone, Catton has eloquently distilled her 848-page novel The Luminaries into six 60-minute episodes for the BBC. In the process, she’s stripped away the novel’s structure and a lot of its detail to create something more appropriate for a visual medium. The result is spectacular, but very different from the original Read more ...
Owen Richards
It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s appearing on streaming service Disney+ rather than waiting for a cinematic release probably answers that question.Loosely based on Eoin Colfer’s popular novels and helmed by Kenneth Branagh, 12-year-old Artemis Fowl II (Ferdia Shaw) must save his kidnapped father by infiltrating the secret society of fairies, dwarves and goblins. Alongside his bodyguard Read more ...
Adam Sweeting
Adapted by writer-director Derek Cianfrance from Wally Lamb’s 1998 novel, this HBO production (on Sky Atlantic) presents a huge canvas for Mark Ruffalo, who plays the twin brothers Dominick and Thomas Birdsey. He had a particular interest in I Know This Much Is True, since his own brother was murdered in Los Angeles in 2008. If nothing else he deserves accolades for sheer fortitude. Thomas is a paranoid schizophrenic who suffers increasingly traumatic episodes, while Dominick’s life is lived in the shadow of his brother’s illness and what it costs him to try to protect him.The depths of Read more ...
aleks.sierz
So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the range of its output over the past decade or so. This week it’s the turn of Danny Boyle’s much-praised 2011 production of Mary Shelley’s Frankenstein, adapted for stage by Nick Dear, and starring Benedict Cumberbatch and Jonny Lee Miller, who alternate the roles of the scientist and the so-called monster on each successive evening, offering a masterclass in interpretative acting.The familiar story is told Read more ...
Normal People, BBC One review – adaptation of Sally Rooney’s novel evokes the deep cut of first love
Joseph Walsh
Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part series from the BBC and Hulu. Rooney’s plot was simple. Working-class boy Connell, who’s popular at school, catches the eye of the socially awkward rich girl Marianne, and we follow their on-off relationship from upper-sixth to university. The novel had its detractors, but for most readers the way Rooney elegantly rendered the inner lives of Read more ...
Marianka Swain
Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features key updates and wonderfully creative ideas, plus a good blend of horror and humour. With a 10+ age recommendation, this lively two-hour piece is excellent lockdown family viewing.Crucially, the production’s gender rebalancing makes this fun for all: Stevenson’s protagonist Jim Hawkins becomes a thrill-seeking, androgynous, “smart as paint” girl, Read more ...
Joseph Walsh
With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth. And it’s a hoot from start to finish. Nebbou’s sixth and most accomplished feature is an adaptation of Camille Lauren’s 2016 novel, ‘Celle que vous croyez’. Binoche is Claire, a fifty-something literature professor, with two children from a failed marriage. We meet her being interviewed by a psychiatrist, Doctor Bormans (Nicole Garcia), the Read more ...