America
The Good John Proctor, Jermyn Street Theatre review - Salem-set drama loses some of its power in LondonSaturday, 13 January 2024
It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it... Read more... |
The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexualityFriday, 12 January 2024
When it was published in 1976, “The Hite Report” caused such a sensation that it was translated into 19 languages and flew off the shelves in 36 countries to become the 30th best selling book of all time. Yet it’s author, Shere Hite was treated as... Read more... |
The Boys in the Boat review - a Boy’s Own true story told in formulaic styleFriday, 12 January 2024
Seabiscuit, Creed, Rocky, The Full Monty, Chariots of Fire… George Clooney’s latest directorial project is in the same vein as these earlier films, but swap Seabiscuit et al for a rowing eight. All have a format film-makers love because they... Read more... |
Night Swim review - hardly immersive horror flickMonday, 08 January 2024
The water is wild in Night Swim, the weirdly wet horror debut from director Bryce McGuire, in which a backyard bathing pool becomes the locus of all things supernatural.For a while, this mild, many-angled shocker, produced by horror impresarios... Read more... |
Priscilla review - Bluebeard suede shoesTuesday, 02 January 2024
Sofia Coppola knows a thing or two about teenage girldom. Like many of her other characters – in The Virgin Suicides, Lost in Translation, Somewhere and Marie Antoinette – the subject of her latest film, Priscilla Presley, is an ingenue living in a... Read more... |
Every Body review - heartfelt American documentaryFriday, 15 December 2023
This fascinating American documentary tackles the societal and medical treatment of the 1.7% of people born with intersex traits that leave them with sex characteristics (chromosome patterns, genitals, gonads) that aren’t obviously male or female.... Read more... |
Please Don't Destroy: Treasure of Foggy Mountain review - Dude, where's our map?Saturday, 09 December 2023
Despite an ominous title, there’s always fair weather in the debut comic adventure film featuring Please Don’t Destroy, a NYC sketch comedy trio that’s hit it big with viral videos and on the long-running NBC series Saturday Night Live. (So long... Read more... |
Monica review - sombre American dramaFriday, 08 December 2023
There’s a rich seam of folk stories about changelings, infants snatched from home and replaced with a substitute child, to the horror and bewilderment of their parents. The myth taps into parental anxieties that rear up when their offspring doesn’t... Read more... |
Eileen review - a dank fairytale film noirSaturday, 02 December 2023
As the title character in Eileen, set in a miserable Massachusetts backwater in the days before Christmas 1964, Thomasin McKenzie plays a depressed hybrid of Cinderella and Sleeping Beauty who’s awakened by a patently fake Princess Charming-cum-... Read more... |
Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the ChannelTuesday, 28 November 2023
The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition now inhabiting its labyrinthine multi-storey suite of galleries.Some of the 115 works on display require... Read more... |
Greta Van Fleet, OVO Hydro, Glasgow review - all rock and very little rollWednesday, 22 November 2023
If nothing else, you couldn’t accuse Greta Van Fleet of short-changing fans when it came to costumes or pyro. It felt like every few minutes the Michigan throwback rockers frontman Josh Kiszka was disappearing offstage, only to reappear in a variety... Read more... |
May December review - a queasy take on sexual exploitationSaturday, 18 November 2023
There’s much to admire here – May December features impressive performances from Julianne Moore and Natalie Portman, and director Todd Haynes shows his mastery of classic Sirkian style. But disappointingly, this comes across as a... Read more... |
