mon 06/05/2024

Americana

Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

It all ended in great style, the 20th edition of The Transatlantic Sessions which closed out its tour at London’s Southbank Centre on Saturday. The line-up of musicians is, of course, an embarras de richesse: a house band led by Aly Bain, master...

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'Time Out of Mind' Revisited - a deep focus take on classic Dylan

The 1997 release of Time Out of Mind was the resurrection of an artist who appeared to have wandered off the reservation some years before, lost in transit on his Never Ending Tour, trailed by an army of "Bobcats" who followed him for show after...

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Albums of the Year 2022: Janis Ian - The Light at the End of the Line

One of popular music’s greatest songwriting talents released her final album back in January. The Light at the End of the Line was Janis Ian’s first album of all-new material in 15 years, and it was planned as a stage-setter for her swan-song tour,...

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Mary Gauthier, Union Chapel review - a living room concert in all but name

Mary Gauthier’s first tour in more than three years landed at London’s Union Chapel on Saturday, concluding with another sold-out gig. The venue is perfect for unplugged acts – intimate, architecturally pleasing and acoustically spot on. But cold,...

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Album: Weyes Blood - And in the Darkness, Hearts Aglow

There’s been a quiet storm of critical approval building around Weyes Blood. American singer Natalie Mering has been releasing music for over a decade but, during the last two or three years a tailwind of positive verbiage has blown her faster...

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Album: Micah P Hinson - I Lie to You

Even the jolliest number on Micah P Hinson’s new album, a banjo-pickin’, wistful campfire jig entitled “Waking on Eggshells”, has him singing, “Give me a knife, I’ll show you my vein”, alongside offers to “blow out your brain” with various firearms...

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Album: Taylor Swift - Midnights

Taylor Swift’s transitions have become imperious, from the woody hush of her collaborations with The National’s Aaron Dessner, Folklore and Evermore, to the remade reclamations of her early work. Working at pace, she has assembled an impregnable...

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Album: Lambchop - The Bible

Lambchop’s 1997 breakthrough album took its title from Michael Jackson’s Thriller. Borrowing The Bible is a more purposefully brazen gambit, as Kurt Wagner tries to locate Americans’ spiritual hearts, in a shaken, besmirched and brutalised nation....

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Album: Mark Peters - Red Sunset Dreams

The word “immersive” has, of late, been hijacked. Now used with conspicuous abandon by everyone from estate agents offering piss-poor 3-D renderings of bang average houses to fancy-dress film screenings, its true meaning has been immolated to the...

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Fleet Foxes, Islington Assembly Hall review - exceedingly alive

Just under two weeks ago, Fleet Foxes finished their US tour at the 13,000-capacity Forest Hills Stadium. Now, here they are kicking off their European dates in an auditorium attached to a North London town hall. Capacity 890. Unsurprisingly, it’s...

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Album: Loudon Wainwright III - Lifetime Achievement

Celebrating, if that is the right word, his 75th year, Loudon Wainwright III offers us his 26th studio album in 52 rollicking years, Lifetime Achievement. Though he does have one Grammy on the shelf, for 2009’s double set, Charlie Pool Project,...

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Album: Cass McCombs - Heartmind

Cass McCombs has something of the detailed, opaque depth of his late peer Jason Molina, with more taste for pop shapes under a broader musical canvas, while still in the Americana underground. The Dead’s Bob Weir, Blake Mills, Tinariwen, Noam...

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