wed 21/05/2025

Australia

CD: The Jezabels - Synthia

It would be easy to write off The Jezabels’ third album as style over substance. The gaudy, synth-heavy gloom-pop of Synthia seeks to catch you off guard with its sexualised sighs, sinewy rhythms and liquid melodies. It’s only on repeated listens...

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Classical CDs Weekly: Dutilleux, Prokofiev, Tchaikovsky, Amy Dickson

Dutilleux: Le Loup, and other early works Vincent Le Texier (baritone), Orchestre National des Pays de la Loire/Pascal Rophé (BIS)Henri Dutilleux's mature orchestral output can be squeezed onto a handful of CDs, so this anthology of early works...

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Forget Me Not, Bush Theatre

Past wrongs cast long shadows. Following the passing of the 1901 Immigration Restriction Act, successive Australian governments favoured migrants from English-speaking countries in what was called the White Australia policy. Between 1945 and 1968,...

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The Dressmaker

What begins as a would-be exercise in camp devolves into perfervid tosh and ultimately tedium in The Dressmaker, a belligerently over-the-top revenge drama that might just about have squeaked by as an opera - an art form better-suited to such...

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CD: The Necks - Vertigo

It seems perverse and self-defeating to record Australian piano trio The Necks. Acquiring over 25 years a reputation as the ultimate long-form improvisers, their single-take performances unfold with intricate, mesmerising drama, each one differing...

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Mad Max

From the sublime, to the mundane. Last week's insane Metal Gear Solid V gives way to this freeroaming action-adventure cash-in on the Mad Max: Fury Road film. But a threadbare plot and far too much back-and-forth in play does this game no favours....

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Our Country's Good, National Theatre

The political wheel has turned full-circle. When Our Country’s Good was premiered in 1988, it was a barely-veiled protest against Thatcher’s slash-and-burn approach to the arts in general and arts funding in particular. It couldn’t have returned at...

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Lady Anna: All At Sea, Park Theatre

If you were expecting a fusty, formal adaptation of Anthony Trollope – and one of his least known novels, to boot – Lady Anna: All At Sea will come as a breath of fresh air. Colin Blumenau’s production of Craig Baxter’s play, based loosely around...

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52 Tuesdays

An affectingly restrained Australian drama of adolescent development coloured by the repercussions of a parent undergoing gender transition, 52 Tuesdays may initially seem understated in its exploration of the balances (and imbalances) of family...

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CD: Owl & Mouse - Departures

Owl & Mouse is a name so cutesy that even the Scottish legions of twee who bloom, decade after decade, from the ashes of Eighties indie – the Pastels, Camera Obscura, Belle & Sebastian, etc – might flinch at it. And like that movement, with...

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Imagine... Frank Gehry: The Architect Says Why Can't I?, BBC One

The hook for Alan Yentob's portrait of the 86-year-old architect Frank Gehry was the initiation and progress of an enormous new building in a rough portside area of Sydney, the Dr Chau Chak Wing Building for the business school of the University of...

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Tawadros, AAM, Tognetti, Milton Court

Fusion between Christian Venice and the Ottoman east started up at least as early as the 15th century, accompanied by a superb portrait of Sultan Mehmet II attributed to Gentile Bellini (pictured below). So what Egyptian-born oud (read oriental lute...

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