Australia
CD: Leo Sayer - SelfieThursday, 02 May 2019
For Brits below a certain age Leo Sayer is the curly haired middle-aged chap who swearily walked out of the Celebrity Big Brother house in 2007 and disappeared. However, for those around in the 1970s his diminutive dancing form, ever-ready grin and... Read more... |
CD: Stella Donnelly - Beware of the DogsMonday, 04 March 2019
Stella Donnelly does not suffer fools gladly. On her debut LP, she calls out all manner of bad behaviours, from crappy bosses to creepy guys, annoying family members to disappointing boyfriends. Donnelly’s very much a part of the new guard of... Read more... |
Safe Harbour, Series Finale, BBC Four review - too much message, not enough dramaSunday, 10 February 2019
Picture this. You’re sailing in the Timor Sea with family and friends on your luxurious yacht, hoiking the occasional plump fish out of the ocean to provide a ready meal washed down with Aussie plonk, when you suddenly chance across a decrepit,... Read more... |
Nolan: Australia's Maverick Artist, BBC Four review – a lust for life in all its aspectsMonday, 21 January 2019
Reckless, unstoppable, one step ahead of everyone else, a hell of a lot of fun, utterly charming, street smart – descriptions of the artist Sidney Nolan (1917-1992) poured out from colleagues, rivals, curators, art historians and dealers, not to... Read more... |
Car, Australian Chamber Orchestra, Tognetti, Milton Court review - a rattlebag of happy collaborationsThursday, 25 October 2018
Presenting the last Mozart symphonies as a three-act opera for orchestra, as Richard Tognetti and his febrile fellow Australians did on Monday, was always going to be a supreme challenge. It worked, as Boyd Tonkin reported here. Since then, the... Read more... |
The Cry, BBC One review - every parent's nightmareMonday, 01 October 2018
Following the runaway success of Bodyguard, Jed Mercurio is no doubt popping more champagne and saying “follow that”. Stepping up to BBC One’s Sunday 9pm slot is The Cry, which transports us from suicide bombs and political intrigue and instead... Read more... |
theartsdesk at the Australian Festival of Chamber Music - stratospheric performances by a tropical seaSaturday, 18 August 2018
North of Brisbane, south of Cairns and a short boat trip from the turquoise waters around the Great Barrier Reef, Townsville is the site of a north-east Australian military base. Despite its dry-tropical beachside glories, it’s not necessarily the... Read more... |
CD: Iggy Azalea - Survive the SummerSaturday, 04 August 2018
In basic creative terms of the ingredients that make it up, this is not a bad record. Hip hop production is in extraordinary period right now, and the six tracks on this EP have the best production that money can buy: woozy, narcotic, digitally... Read more... |
Picnic at Hanging Rock, BBC One review - camp girls' school gothicThursday, 12 July 2018
How many people were watching Picnic at Hanging Rock as it took its bow on BBC One? This opening episode happened to be preceded by a rival attraction on ITV. The premise of the story, set in Australia in 1900, is that almost no one sees three girls... Read more... |
Strictly Ballroom: The Musical, Piccadilly Theatre review - largely naffWednesday, 25 April 2018
A much tinkered-with show needs to go back to the drawing board, if this latest iteration of Strictly Ballroom: The Musical is any gauge. Having travelled across Sydney, Leeds, and Toronto on its extensively revised way to the West End, director-... Read more... |
Sweet Country review - hell in the OutbackWednesday, 04 April 2018
Recently the world has been entertained by the shameless amateur theatricals from some of Australia’s lavishly-paid cricketers, but Warwick Thornton’s Sweet Country transports us back to a harsher, crueller Australia, where men might have... Read more... |
Ruthless Jabiru, King's College London / Arditti Quartet, Wigmore Hall review - delicate, dedicated modernismTuesday, 13 March 2018
Ruthless Jabiru is an all-Australian chamber orchestra based in London. It is the brainchild of conductor Kelly Lovelady, who in recent years has geared the ensemble towards political and environmental concerns. Previous projects have highlighted... Read more... |
