CD: Leo Sayer - Selfie

Seventies superstar's self-produced latest fails to ignite

share this article

As cheerful as ever

For Brits below a certain age Leo Sayer is the curly haired middle-aged chap who swearily walked out of the Celebrity Big Brother house in 2007 and disappeared. However, for those around in the 1970s his diminutive dancing form, ever-ready grin and wild coiffure were a constant presence as he had pop hit after pop hit, notably the contagious, disco-friendly “You Make Me Feel Like Dancing”. He’s taken a couple of shots at returning this century, notably on the chart-topping club remix of his own “Thunder in my Heart”, but Selfie has a particularly personal sense of engagement.

This is because the album is not named for mobile phone photos but for the fact that Sayer sang and played it all himself at his home studio in Australia. An impressive feat but, unfortunately, Sayer is no Prince and Selfie is a clanger. The musical tone is varied but, from the anthemic opening title track to the bubbly dance-pop closer “Don’t Leave Me”, everything’s sonically undercooked and lacking production oomph. There’s no sense of explosiveness or vibrancy. This would be fine if it was aiming for intimacy but these songs reach for stadium status.

Lyrically there are also too many stinkers. The song “Christmas in July” is clearly just a bit of fun, about homesickness, but the lines “My extraordinary life is still on song, a lot going on/I’ve released my inner Santa and he’s dancing with the brews by the billabong in a sarong” are very heard to wear. Worse still are the moments of self-empowerment bombast, notably “One Step At a Time” which piles on cliché after cliché (“One mountain to climb… one dream and you’re set free…" etc).

To his credit, Sayer responds to the global crises he sees around him on songs such as “Occupy” (“Take back the streets/Take back your life”!) and the Graceland-esque “Refugees”, but while the intention is commendable, the results are trite. The one moment when he truly nails it is the cynical, spirited jazz shuffle of “Everybody Lies”, which is vaguely redolent of his Vaudeville-styled 1973 debut hit, “The Show Must Go On”. It is a good song and worth a listen. The rest of Selfie, not so much.

Below: Listen  to the title track of Selfie by Leo Sayer
 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Worse still are the moments of self-empowerment bombast

rating

1

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along