Austria
10 Questions for Irina NalisThursday, 19 March 2020
Normally we'd put a descriptor - "cellist", "film maker", "techno producer" for example - in the title of this interview, but for Irina Nalis there isn't space. Like, "10 Questions for psychologist, ministerial adviser, festival founder,... Read more... |
Beethoven: 1808 Reconstructed, Aimard, Philharmonia, Salonen, RFH review - a feast in fading lightTuesday, 17 March 2020
Like it or not, we live – as Beethoven did – in interesting times. In place of the revolutions, wars and occupations that convulsed the cities he knew, we now confront a silent, invisible foe that breeds an equal terror. Hence the empty seats in the... Read more... |
Downhill review - American remake wanders off-pisteSaturday, 29 February 2020
It’s hard to believe that Jesse Armstrong (Succession, Veep) co-wrote the screenplay for this feeble American remake of Swedish director Ruben Ostlund’s Force Majeure (2014). Where Force Majeure is subtle, dark and original (never have electric... Read more... |
Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessibleFriday, 14 February 2020
It’s not uncommon for playwrights to begin their careers by writing what they know, to co-opt a frequently quoted precept about authorial inspiration. So it’s among the many fascinations of Leopoldstadt that Tom Stoppard, at the age of 82, should... Read more... |
Denis Kozhukhin, QEH review - lyric mastery and subtle eleganceThursday, 30 January 2020
In Beethoven anniversary year, there will probably be many more "Moonlight"s, meaning the Sonata, than the real thing (though we've been lucky to see the crescent in close conjunction with Venus these past two nights). Not many pianists would dare... Read more... |
A Hidden Life review - Nazism stoically refusedSaturday, 18 January 2020
Terrence Malick returns to his former greatness following three features of unscripted, all-star poesy, with this sombre biopic of sainted Austrian conscientious objector Franz Jägerstätter (August Diehl). A farmer who refused to swear the Hitler... Read more... |
Classical CDs Weekly: Elgar, Scarlatti, Vienna Philharmonic OrchestraSaturday, 18 January 2020
Sheku Kanneh-Mason: Elgar London Symphony Orchestra/Simon Rattle (Decca)Sheku Kanneh-Mason’s debut album included a brilliantly punchy account of Shostakovich's Cello Concerto No 1 alongside various odds and sods. This second CD repeats the... Read more... |
Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstractionFriday, 06 December 2019
Music and visual art, at least at the highest level, should go their own separate ways; put them together, and one form will always be subordinate to the other. A composer being inspired by an artist's work, or vice versa, is something else... Read more... |
Leonskaja, Ferschtman, Várdai, Wigmore Hall review - direct line to Schubert's geniusMonday, 07 October 2019
From the epic-lyric heaven storming of Beethoven's last three piano sonatas to the lyric-epic dances on the volcano of Schubert's two late piano trios isn't so big a leap, especially when you have the clairvoyant poise between colossal and intimate... Read more... |
Prom 60: Ax, Vienna Philharmonic, Haitink review - moving mountains at 90Wednesday, 04 September 2019
His movements are minimal (perhaps they always were). A more intense flick of the baton, a sudden wider sweep of the expressive left hand, can help quicken a tempo, draw extra firepower from the players, but Bernard Haitink's conducting is still the... Read more... |
'A product not only of his era but also of his travels': Ian Page on Mozart's cosmopolitan educationMonday, 08 July 2019
When Mozart was an established composer living in Vienna during the final years of his short life, a young student seemingly came to him to seek his advice. The would-be young composer said that he was planning to write a symphony, and asked Mozart... Read more... |
Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review - ferocious Mahler 9 without inscapeThursday, 21 February 2019
Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a Vienna Philharmonic Mahler Ninth Symphony, least of all under the purposeful control of Ádám Fischer. Less well known here than his... Read more... |
