sun 17/11/2024

Bach

Bach Brandenburg Concertos, OAE, QEH review - forever young

Victims of their own success in the postwar era of well-recorded sound, the Brandenburg Concertos first arrived in the ears of listeners from my generation via glossy, plush and polished recordings by heavyweight orchestras of a sort that would have...

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Classical CDs: Mandolins, multiphonics and multiple pianos

 Brahms: Piano Sonata No. 1, Schubert: Wanderer Fantasy Alexandre Kantorow (piano) (BIS)I’d previously encountered pianist Alexandre Kantorow via his exuberant set of Saint-Saëns piano concertos, sparky, lovable performances conducted by his...

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Classical CDs: Leaves, prisms and sub-bass

 Schubert: Sonata in G major D. 894, Moments Musicaux D. 780, Fantasy in F minor D. 940 Maurizio Pollini, Daniele Pollini (pianos) (Deutsche Grammophon)What a superb cover image for the last recording by Maurizio Pollini (1942-2024). Pollini ‘...

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BBC Singers, BBCSO, Jeannin, Barbican review - from stormy weather to blue skies

“Bold, ambitious, and good for the sector.” So said Charlotte Moore, the BBC chief content officer, who currently earns £468,000, in March last year as she defended plans to close the BBC Singers as part of a package of swingeing musical cuts masked...

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Prom 40, St John Passion, Bach Collegium Japan, Suzuki review - finesse and feeling

Bach’s St John Passion came into the world just three centuries ago, in Leipzig at Easter 1724. This year’s Proms shower of manna from musical heaven continued with a consummately polished, sensitive and – ultimately – very moving birthday...

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Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebration

When I first started attending the Edinburgh International Festival in the 1990s, the Opening Concert (capitals intentional) was a grand Usher Hall affair on a Sunday evening; a central work of the western classical tradition to set the festival...

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theartsdesk at the Haapsalu Early Music Festival 2024 - other-worldly instruments, perfect programmes and haunting venues

The buildings, 13th-16th century, are earlier than the music (mostly Baroque). And what buildings. Non-Estonians like myself had heard that Haapsalu was a fine seaside town; but tourist publicity neglected the glory of the castle and cathedral, a...

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Bach's Mass in B Minor, Collegium Vocale Gent, Herreweghe, Barbican - masterful subtlety proves more intriguing than compelling

There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing transcendence for a sense of serene contemplation that reveals every angle of the mass’s geometrical perfection. Listening to...

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Abel Selaocoe / Dermot Dunne & Martin Tourish, Dublin International Chamber Music Festival - genius transfigures genius

No-one in the musical world could possibly surpass the communicative skills of Abel Selaocoe – pushing the boundaries of cello and vocal technique in a myriad of voices, all cohering in works of staggering breadth, getting the audience to sing at...

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Bach's Easter Oratorio, OAE, Whelan, QEH review - the joys of springtime

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter Week music with a sense of suspense and anticipation built into vocal and instrumental lines that build...

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Bach St John Passion, Dublin Bach Singers, Marlborough Baroque Orchestra, Murphy, St Ann's Church, Dublin - choral fire

Was it worth taking a risk on a more humbly presented St John Passion in Dublin after the best St Matthew I’m ever likely to hear (from Peter Whelan and the Irish Baroque Ensemble in St Patrick’s Cathedral)?The answer, post-performance, is yes:...

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Bach Passions, Dunedin Consort, Mulroy/Jeannin, St Mary's Episcopal Cathedral/Queen's Hall, Edinburgh review - twin peaks

The annual St Matthew Passion from the Dunedin Consort is one the most reliably beautiful jewels in Edinburgh’s musical year. They do the St John Passion much less frequently; in fact, this is the first time I’ve heard them do it, maybe motivated by...

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