Bach
First Person: cellist Matthew Barley on composing and recording his 'Light Stories'Tuesday, 24 December 2024
For many thousands of years, humans have turned to art to tell stories about themselves and others because it feels good. It feels good because we sense that it helps us to understand ourselves, and the sharing of these uniquely human stories brings... Read more... |
The English Concert, Bicket, Wigmore Hall review - a Baroque banquet for ChristmasMonday, 23 December 2024
Enough is as good as a feast, they say. But sometimes, especially at Christmas, you crave a properly groaning table. At the Wigmore Hall, The English Concert, directed by Harry Bicket, concluded their festive Baroque banquet with Bach’s Magnificat... Read more... |
Classical CDs: Woden, waltzes and watchmakingSaturday, 21 December 2024
Ravel: The Complete Works with Piano François-Xavier Poizat, Philharmonia/Simone Menezes et al(Aparté)Ravel was by no means a prolific composer but, including absolutely everything in his catalogue that includes piano, François-Xavier Poizat’s... Read more... |
Classical CDs: Christmas 2024Saturday, 07 December 2024
Trio Mediæval: Yule (2L)Pick of my Christmas discs is this sublime collection from Trio Mediæval on the Norwegian audiophile label 2L, reflecting yuletide’s origins in Northern European pagan culture. Imaginative and idiomatic-sounding... Read more... |
Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orchestra review - the flame that never diedWednesday, 04 December 2024
“I am not better than my fathers.” Cracked, pained, occasionally rasping, rising to a fearsome roar then subsiding to a throaty whisper, Sir Bryn Terfel’s still-formidable bass-baritone made the great vault of Wren’s Sheldonian Theatre in Oxford... Read more... |
Classical CDs: Vitamins, kings and magic spellsSaturday, 23 November 2024
Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony)Who’d have thought that Igor Levit and Christian Thielemann would be such effective partners? Levitt is one of the most... Read more... |
Bach Brandenburg Concertos, OAE, QEH review - forever youngThursday, 14 November 2024
Victims of their own success in the postwar era of well-recorded sound, the Brandenburg Concertos first arrived in the ears of listeners from my generation via glossy, plush and polished recordings by heavyweight orchestras of a sort that would have... Read more... |
Classical CDs: Mandolins, multiphonics and multiple pianosSaturday, 09 November 2024
Brahms: Piano Sonata No. 1, Schubert: Wanderer Fantasy Alexandre Kantorow (piano) (BIS)I’d previously encountered pianist Alexandre Kantorow via his exuberant set of Saint-Saëns piano concertos, sparky, lovable performances conducted by his... Read more... |
Classical CDs: Leaves, prisms and sub-bassSaturday, 26 October 2024
Schubert: Sonata in G major D. 894, Moments Musicaux D. 780, Fantasy in F minor D. 940 Maurizio Pollini, Daniele Pollini (pianos) (Deutsche Grammophon)What a superb cover image for the last recording by Maurizio Pollini (1942-2024). Pollini ‘... Read more... |
BBC Singers, BBCSO, Jeannin, Barbican review - from stormy weather to blue skiesThursday, 03 October 2024
“Bold, ambitious, and good for the sector.” So said Charlotte Moore, the BBC chief content officer, who currently earns £468,000, in March last year as she defended plans to close the BBC Singers as part of a package of swingeing musical cuts masked... Read more... |
Prom 40, St John Passion, Bach Collegium Japan, Suzuki review - finesse and feelingWednesday, 21 August 2024
Bach’s St John Passion came into the world just three centuries ago, in Leipzig at Easter 1724. This year’s Proms shower of manna from musical heaven continued with a consummately polished, sensitive and – ultimately – very moving birthday... Read more... |
Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebrationThursday, 08 August 2024
When I first started attending the Edinburgh International Festival in the 1990s, the Opening Concert (capitals intentional) was a grand Usher Hall affair on a Sunday evening; a central work of the western classical tradition to set the festival... Read more... |
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