fri 11/10/2024

Bach

Classical CDs: Innocence, experience and time travel

 Brahms: The Four Symphonies, Piano Quartet No. 1 (orch. Schoenberg) Luzerner Sinfonieorchester/Michael Sanderling (Warner Classics)Some like their Brahms thick and dark. Others, well, will like what we get here, a more transparent, less...

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St John Passion, Polyphony, OAE, Layton, St John's Smith Square review - defiant performance reveals Bach masterpiece anew

The turbulence and agitation of betrayal could be felt from the word go in this galvanising performance of the St John Passion, which administered a jolting urgency to Bach’s radical portrayal of the Easter story. The work will be 300 years old next...

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Tenebrae, Short, St John’s Smith Square review - Bach and MacMillan soulfully joined, until the end

Tenebrae in tenebris: put more plainly, a top choir that’s anything but shadowy, except when it needs to be, doing its bit for the darkness of Maundy Thursday. The thoughtful plaiting of Bach motets with three Tenebrae Responsories and other works...

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Classical CDs: Canons, castles and a converted chapel

  In Márta’s Garden Katharina Weber (piano) (Intakt)The Márta of the title of this solo piano album by many-faceted Swiss pianist, composer and teacher Katharina Weber (b. 1958) is Márta Kurtág (1927 -2019). Weber first got to know the...

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Bach Christmas Oratorio, Monteverdi Choir, EBS, Gardiner, St Martin-in-the-Fields review - soul-piercing song and dance

Across three and a half decades, John Eliot Gardiner’s 1987 recording of Bach’s Christmas Oratorio with his Monteverdi Choir and English Baroque Soloists spoiled one for live performances. Not that many of those weren’t equally fine and alive in...

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Bach Christmas Oratorio (Parts 1-3 & 6), Britten Sinfonia, Polyphony, Layton, Barbican review - glorious riposte to Arts Council axe

What do you do when your high-achieving ensemble has just been dealt a brutal, capricious blow, but you have the most joyfully festive work in the repertoire on your seasonal agenda? To say that the Britten Sinfonia came out with all trumpets (and...

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Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistry

The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open for the latest crowd-funded event organised by Through the Noise. This 13th Noisenight – which brings...

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Classical CDs: Masses, maths and memories

 Secret Love Letters – music by Franck, Szymanowski, Chausson and Debussy Lisa Batiashvili (violin) Giorgi Gigashvili (piano), Philadelphia Orchestra/Yannick Nézet-Séguin (DG).The concept and the packaging had made me far too sceptical. Once I...

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Mulroy, Aurora Orchestra, Kings Place review - old and new worlds of song

You invariably come away from an Aurora Orchestra concert with ears refreshed and mind revived. As a storm swept across London on Sunday, the audience at Kings Place enjoyed their own cleansing wind in the form of this genre-spanning gig in the “...

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Boris Giltburg, Wigmore Hall review - power and grace in elegies and monuments

A double-sided A4 sheet is better than a programme online only – the default for several London venues now – but the Wigmore Hall missed a vital trick in failing to tell us what Boris Giltburg intended in a transcendental sequence which should have...

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The Goldberg Variations, De Keersmaeker, Kolesnikov, Sadler's Wells review - keyboard harmony and atonal dance

Jean-Guihen Queyras and five dancers of Anne Teresa De Keersmaeker’s Rosas company in the Bach Cello Suites was a thing of constantly evolving wonder. So too is Pavel Kolesnikov’s ongoing dialogue with Bach’s Goldberg Variations, different every...

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Prom 57, Bach Mass in B Minor, OAE, Butt review - passion and precision

A strong team of musical chefs can blend and spice Bach’s mighty Mass in B Minor in a variety of different ways, and still prepare a feast to savour. We don’t know exactly why Bach felt compelled to bundle his decades of genius into this late...

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