sat 11/07/2020

ballet

Camille Laurens: Little Dancer Aged Fourteen review - the story of a sculpture

Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and sculptures of young girls clad in the uniform of the dance are signs of an artistic obsession that spanned a remarkable artistic career. One work in particular...

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Rob and Romesh vs Ballet, Sky 1 review - unlikely lads throw themselves in as bait

The odd-couple comedy duo is a time-tested concept, and Rob Beckett and Romesh Ranganathan have discovered a chemistry that works. Rob is the giggling excitable one, while Romesh, aided by a sleepy right eye which conveys a sense of harsh...

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the shutdown – is balletLORENT’s family-friendly dance-theatre production Rumpelstiltskin. It was...

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English National Ballet 70th Anniversary Gala, Coliseum review - a fine celebration

Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were nuts, there’d be nothing but cashews; if chocolates, there wouldn’t be a single disgusting lime-cream....

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Coppélia, Royal Ballet review - a real charmer

In featuring ordinary people and things rather than magic curses or avenging ghosts, Coppélia stands apart in the canon of 19th century ballets. The only mystery about this delightful old production is why the Royal Ballet has not programmed it for...

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Concerto/Enigma Variations/Raymonda Act III, Royal Ballet review - time to cheer the corps de ballet

As a mood-lifter, it’s hard to beat the opening of Concerto. Against a primrose sky, figures in daffodil, tangerine and brick form lozenges of fizzing colour, foregrounded by a leading couple so buoyant their heels barely ever touch down. Kenneth...

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Cross Currents/Monotones II/Everyone Keeps Me, Linbury Theatre review - the Royal Ballet finds the missing link

This programme of three short works is all about influence, specifically the supposed cross currents between ballet and contemporary dance in the latter half of the 20th century. The irony is that this is the first time that the Royal Ballet has...

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Manon, Royal Opera House review - splendid start to the season

The Royal Ballet’s choice of season opener could be dismissed as safe and predictable. But as the glorious naturalistic detail of 1830s Paris unfolds in Kenneth MacMillan’s 1974 retelling, you see the reasoning. It’s only a year since the Royal...

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Cinderella, English National Ballet, Royal Albert Hall review - big, bright and bankable

It might seem odd to laud the entrances and exits of a ballet, but when it comes to stagecraft Christopher Wheeldon is second to none. You lose count of the ingenious ways he finds to shift up to 130 dancers in and out of view at the Albert Hall....

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Within the Golden Hour/Medusa/Flight Pattern, Royal Ballet review - the company shows its contemporary face

Sidi Larbi Cherkaoui has come a long way since his early days as a hip hop artist, but the outsider status is obvious even before the curtain goes up on Medusa, his first commission for the Royal Ballet and the centrepiece of a triple bill...

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She Persisted, English National Ballet, Sadler's Wells review - a must-see triple bill

She does indeed persist, that remarkable Tamara Rojo. Dismayed by the fact that, in 20 years as a dancer, she had never performed a ballet made by a woman, she mounted a triple bill called She Said, featuring only work by and about women. That 2016...

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The White Crow review - gripping depiction of the brilliance of Nureyev

Genius is as genius does, and Rudolf Nureyev made sure nobody was left in any doubt about the scale of either his talents or his ambitions. Based on Julie Kavanagh's biography Rudolf Nureyev: The Life, The White Crow pairs director and actor...

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