fri 17/01/2025

ballet

Serenade & Giselle, Bolshoi Ballet, Royal Opera House

We’re getting used to expecting the extraordinary from Natalia Osipova - and then getting some more. With her impish face and farouche capriciousness, with a spring like a high-jumper and shoulders like a swimmer, she is without doubt the most...

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theartsdesk in Milan: The Farce of Romeo and Juliet at La Scala

How often has one sat at a first night at the opera or ballet, groaning at missed cues, horrors with costumes, disasters with lighting:  one thinks they should surely have got it right by this time? And the rest of the evening is somehow...

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Coppélia, Bolshoi Ballet, Royal Opera House

Coppélia is the name of the doll in the ballet-comedy - not that of the heroine, who is a bad pixie named Swanilda, a girl of youthful capriciousness but a heart of gold. What you hope for when you go to see this usually rather quaint 19th-century...

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Reconstructing Ballet's Past 2: Master Restorer Sergei Vikharev

When Russia was plunged into Revolution in 1917, a chief balletmaster inside the Imperial Ballet in St Petersburg feared the worst. It was not simply the death of Tsars he feared, but the death of all culture associated with them, including the...

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Gala programme, Mikhailovsky Ballet, London Coliseum

Le Halte de Cavalerie: 'A Clouseau-like performance from Andrei Bregvadze's Colonel (right) saves the show'

The Mikhailovsky Ballet is full of surprises. Predictably for a Russian company it brought a gala programme yesterday - unpredictably, it brought a rare example of St Petersburg 19th-century ballet comedy and a new commission of contemporary ballet...

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Q&A Special: Choreographer Slava Samodurov

Slava Samodurov: 'Choreography doesn't have laws so far. It's a more unstable and free creative art'

Choreography is a mystery art. How it happens - or indeed what happens - is as elusive to define as pinning down a brainstorm. There is no solid stuff, no rules, no pre-formed maxims, everything moves; the choreographer goes into a studio, finds...

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Swan Lake & Giselle, Mikhailovsky Ballet, London Coliseum

It would be tough for any Russian ballet company to come into worldly, balletwise London just ahead of the great Bolshoi, but the Mikhailovsky Ballet make a very pleasing impression in their first week at the Coliseum with a pretty and historically...

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Reconstructing Ballet's Past 1: Swan Lake, Mikhailovsky Ballet

You need very little for a Swan Lake. Tchaikovsky’s music, white swan-girls, a mooning boy, and 32 fouettés for the ballerina in black. That's about it, isn't it? Every traditional Swan Lake we see now is a sort of balletic pizza - a musical base...

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Bolshoi tour - confirmation at last

The Royal Opera House ticketline is taking a while to catch up - last Friday's Moscow castings are now confirmed in London - but various inconsistencies are cropping up. The full confirmed casting list is below.While it is a fact of life that dancer...

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Royal Ballet School Matinee, Royal Opera House

The annual tradition that is the Royal Ballet School Matinee at Covent Garden isn’t just some prestige indulgence for the nervous parents of ballet children fortunate enough to survive the militaristic training and dogged enough to want to continue...

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The wonders of Delibes

Before Covent Garden's performance of Manon the other day, I had always presumed I'd rather have my eyes out than listen to an entire opera by Massenet. How wrong I was. This Saturday I hope to be proved wrong again, when my colleague on theartsdesk...

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Joseph Cornell & Karen Kilimnik, Sprüth Magers London

The gallery has been turned into a little girl’s dressing-up closet. The walls are painted midnight blue and dusted with glitter. Ballet shoes, made for small feet, and a discarded tutu are to be found in a decorous pile on the floor. There are...

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