wed 30/04/2025

Barbican

Faust, BBC Symphony Orchestra, Yamada, Barbican Hall

It's rare for demanding though not, I think, unduly cynical orchestral musicians to wax unanimously lyrical about a new conducting kid on the block. But that's what happened at the 2009 Besançon International Conducting Competition when BBC Symphony...

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Dialogues des Carmélites, Guildhall School of Music & Drama

Let's begin at the end. Isn't the nuns-to-the-scaffold scene which concludes Poulenc's ultimate testament of doubt and faith the deepest, most heart-wrenching finale in all opera? It even has the edge over Richard Strauss's Rosenkavalier trio and...

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Brian Ferneyhough Day, Barbican Centre

Earlier this month something happened to me that's never happened before. Brian Ferneyhough's Sixth String Quartet roughed-up my critical faculties and left them for dead. I couldn't tell you what had happened, why, in what order,...

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The Blue Dragon, Barbican Theatre

Elegant eloquence: Tai Wei Foo dances up an emotional storm

Forked lightning glimpsed through an aeroplane window, a silken dancer spilling stars in a snow-filled sky, a dragon tattoo etched on a man’s back: we’ve grown to expect seductive alchemy of images from the work of Quebecois master of visual theatre...

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Evgeny Kissin, Barbican Hall

Word was that four strings had broken in rehearsals. One had snapped only half an hour before the start of last night's Liszt-fest at the Barbican. It meant one of two things: either pianist Evgeny Kissin had finally switched off the safety-first...

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Cory Arcangel, The Curve, Barbican

Cory Arcangel is firmly keeping all his balls on the ground

It is probably a worrying sign when the computer games of your youth become the historical butt of a conceptual art joke. Digital artist Cory Arcangel, who appropriates video-game technology, repurposes and redesigns it, has installed 14 10-pin...

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The Creole Choir of Cuba, Barbican

The Creole Choir of Cuba burning brightly on behalf of their ancestors

As a world music critic one gets used to the stream of superlatives that generally arrive in the wake of whatever big new act is being plugged. World music promoters have a particularly hard job because they don’t just want to preach to the...

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Joan As Police Woman, Barbican

Joan Wasser, who operates under the name of Joan As Police Woman, has probably seen all sorts in her time, having played with Antony Hegarty and Rufus Wainwright and dated the late Jeff Buckley. But even she was thrown by an inappropriate comment...

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Vogt, BBC Symphony Orchestra, Bělohlávek, Barbican Hall

As Mahler symphonies rain down from heaven - or flare up from hell, according to your viewpoint - in this second anniversary year, it's wise to choose carefully. But why earmark Jiří Bělohlávek's performance of the Sixth above the likes of Gergiev,...

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Antonioni Project, Barbican Theatre

Putting the mic into Michelangelo Antonioni: Marieke Heebink as Lidia and Hans Kesting as Giovanni

Back in the early 1960s, anyone with half a curious cultural brain in their heads would take themselves off to small fleapit cinemas like The Academy or the Classic in Oxford Street (now defunct). There you could catch the latest European art...

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The Kingdom, London Symphony Orchestra, Elder, Barbican Hall

So Starbucks-like is its reach, so tarnished its modern legacy, it's easy to overlook just how brilliant the ideology of Christianity is. How seductively counterintuitive the idea of a God who was not just a man but a bum of a man must have seemed....

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The Irrepressibles, Gabby Young & Other Animals, Barbican

The Irrepressibles: Chamber-poptastic

A midwinter night’s dream at the Barbican. Those who like their pop music performed by chaps with jeans, preferably gazing at their shoes, and are attached to certain ideas of authenticity would have run screaming for the exit. The Irrepressibles...

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