sun 24/11/2024

Bartók

Classical CDs Weekly: Bartók, Ligeti, Jocelyn Pook, Tchaikovsky

Bartók, Eötvös, Ligeti – Violin Concertos Patricia Kopatchinskaja (violin), Frankfurt Radio Symphony Orchestra, Ensemble Modern/Peter Eötvös (Naïve)An embarrassment of riches here - it’s hard to know where to start. The opening of Bartók’s Violin...

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Classical CDs Weekly: Mark Padmore, Lutosławski, Bartók, Denner Ensemble

 Britten: Serenade for tenor, horn and strings; Nocturne; Finzi: Dies Natalis Mark Padmore, Britten Sinfonia/Jacqueline Shave, with Stephen Bell (horn) (Harmonia Mundi)Britten’s Serenade and Nocturne are still indelibly associated with the...

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BBC Symphony Orchestra, Saraste, Barbican Hall

Is it ever a good idea to programme two symphonies by one composer in a single concert? Maverick Valery Gergiev is likely to stand alone in applying the rule to Mahler. Yet curiously his Prom marathon of two big instalments made more sense as stages...

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Classical CDs Weekly: Bartók, Tchaikovsky, Edwards, Sibelius, John Wilson

 Bartók: Violin Concerto No 2, Tchaikovsky: Violin Concerto Valeriy Sokolov Tonhalle-Orchester Zürich/David Zinman (Virgin)Bartók’s 1938 Violin Concerto No 2 seems to have garnered more respect than affection; it’s been overtaken in the 20th-...

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Davies, London Symphony Orchestra, Zhang, Barbican Hall

Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Viennese late-Romantic Zemlinsky's...

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Duke Bluebeard's Castle, Philharmonia Orchestra, Salonen, Royal Festival Hall

Sometimes the most disturbing images exist only in our imaginations - and so the questions posed in the preface to Bartók’s operatic masterpiece Duke Bluebeard’s Castle become especially pertinent: “Where did this happen - outside or within? Where...

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Q&A Special: Bass Sir John Tomlinson, Part 2

A legend on the operatic stage, Sir John Tomlinson (CBE) has sung with all the major British opera companies, made countless recordings, and for sixteen years was a fixture at Bayreuth, where he performed leading roles in each of Wagner's epic works...

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Damrau, De Maistre, Queen's Hall/ Aimard, Bamberg SO, Nott, Usher Hall, Edinburgh

What do visiting German performers add to the Edinburgh International Festival's Auld (Scotland-France) Alliance thread? Simple: when they communicate as superbly as soprano Diana Damrau and Jonathan Nott's Bambergers, the music-making works at the...

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Alina Ibragimova, Quay Brothers, Wilton's Music Hall

Nine out of 10 attempts to feed an audience's visual responses to abstract music are doomed to failure; a great communicator will always conjure stronger pictures in the listener's mind. And there's no doubt that young violinist Alina Ibragimova...

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BBC Proms: Bavouzet, London Philharmonic Orchestra, Jurowski

The world tour that the Proms offer this year touches down in no more fascinating musical country than Hungary, with three of its great composers, Liszt, Bartók and Kodály brought into the Albert Hall last night by the ever-stimulating Vladimir...

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BBC Proms: Schiff, Hallé, Elder

It was partly as penance for having missed the previous evening's Czech festival that I arena-prommed for last night's Moravian finale, to be happily strafed by the nine extra trumpets of Janáček's Sinfonietta. I hadn't quite expected to be so on...

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LPO, Jurowski, Royal Festival Hall

It was with Mahler’s Opus 1 – folkloric cantata Das klagende lied – that Vladimir Jurowski so memorably launched his role as the LPO’s principal conductor, and it was to this work that he returned last night. Four years on and he asked his audience...

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