BBCSO
Prom 33, Schultz, Reuter, BBCSO, Farnes review - powerful Brahms RequiemWednesday, 08 August 2018
The heart of Prom 33 was Brahms’s massive German Requiem, a piece that eschews Christian dogma and Day-of-Judgment terrors for a humanism focusing on consolation of the bereaved. It feels very much like a requiem for our times as much as the... Read more... |
Proms 25 / 26 review - Russian masters, noodling guitar, late-night perfectionFriday, 03 August 2018
Sometimes the more modestly scaled Proms work best in the Albert Hall. Not that there was anything but vast ambition and electrifying communication from soprano Anna Prohaska and the 17-piece Il Giardino Armonico under Giovanni Antonini, making that... Read more... |
Prom 19, Ten Pieces review – creative format engages young audiencesMonday, 30 July 2018
Children’s concerts are a tricky business, but the BBC has hit on a good formula with its Ten Pieces project, now in its fifth year. Ten works are chosen for their diversity and accessibility, and these become the basis for education projects... Read more... |
Prom 12, Weilerstein, BBCSO, Canellakis review - energetic 20th century classicsTuesday, 24 July 2018
Shostakovich’s First Cello Concerto combines the composer’s usual angst and nerviness with a sardonic humour, right from the opening bars, where the cello and orchestra seem to be playing in contradictory keys. At last night’s Prom, cellist Alisa... Read more... |
Classical CDs Weekly: Bernstein, Bruckner, SchmittSaturday, 19 May 2018
Bernstein: On the Waterfront Royal Liverpool Philharmonic Orchestra/Christian Lindberg (BIS)There's much to enjoy in this Bernstein compilation, the first recorded collaboration between trombonist Christian Lindberg and the Royal Liverpool... Read more... |
Dead Man Walking, Barbican review - timely and devastating meditation on human violence and forgivenessWednesday, 21 February 2018
You have to wonder why it has taken this long. Jake Heggie’s Dead Man Walking premiered in San Francisco back in 2000 and has since been performed over 300 times across the world, staged everywhere from Cape Town to Copenhagen. Only now, 18 years on... Read more... |
BBCSO, Pons, Barbican review - love hurts in vivid Spanish double billSaturday, 20 January 2018
This was an evening of Iberian highways re-travelled, but with a difference. At the beginning of 2016, the centenary of Spanish master Enrique Granados's untimely death, two young pianists at the National Gallery shared the two piano suites that... Read more... |
Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in gloryMonday, 08 January 2018
Twelfth Night, Epiphany, call it what you will, is one reminder that there's continuity after the turn of the year. Another was Sakari Oramo's final Sibelius-plus concert with the BBC Symphony Orchestra - a predictable triumph given that the... Read more... |
Classical CDs Weekly: Adams, Schubert, BBC LegendsSaturday, 23 December 2017
The John Adams Edition Berliner Philharmoniker, conducted by John Adams, Gustavo Dudamel, Alan Gilbert, Kirill Petrenko and Sir Simon Rattle (Berliner Philharmoniker)That the Berlin Philharmonic can release a lavish four-disc collection of music by... Read more... |
Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbican review - Finnish psychedeliaMonday, 11 December 2017
After Sakari Oramo's dazzling Sibelius rattlebag with the BBC Symphony Orchestra on the centenary day of Finnish independence, things weren't looking so good for Esa-Pekka Salonen and the Philharmonia at half time last Thursday (★★★). Then along... Read more... |
Johnston, BBCSO, Oramo, Barbican review - sheer adrenalin in early SibeliusThursday, 07 December 2017
As the Parliament of the Autonomous Grand Duchy of Finland within the Russian Empire declared independence on 6 December 1917, Sibelius had his head down working on the third version of his Fifth Symphony, the one so hugely popular today. He tried... Read more... |
Batiashvili, BBCSO, Oramo, Barbican review - electricity in Sibelius and HillborgThursday, 30 November 2017
Even given the peerless standards already set by Sakari Oramo and the BBC Symphony Orchestra in their Sibelius cycle, this instalment was always going to be the toughest, featuring the most elusive of the symphonies, the Sixth, and the sparest, the... Read more... |
