fri 18/01/2019

Berlin

Dietrich: Natural Duty, Wilton's Music Hall review - elegy for one

Getting the look right is half the battle: in that, Peter Groom's one-time-Captain Marlene Dietrich is a winner from the start. The looks at the audience nail it too, heavy-lidded and lashed but transfixing, charismatic, winning instant complicity....

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Suspiria review - kindly, slow-motion grand guignol

The first Suspiria was a sensation, and spectacularly, monomaniacally new. Its young heroine Susie Bannon’s ride from an innately hostile airport through eldritch woods in which a panicked girl ran from her destination, the Markos Academy of Dance,...

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Berlin Station, More 4 review - spooks in Euroland

It’s eight years since Richard Armitage’s character Lucas North died in Spooks, but now Armitage is back undercover as CIA agent Daniel Miller in Berlin Station. Mind you, it’s already been touch and go – Miller was shot in in Berlin’s Potzdamer...

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Prom 69, Skride, Boston SO, Nelsons / Proms at...Cadogan Hall 8, Berlin Philharmonic Soloists review - sophisticated limits

Crazy days are here again – many of us are lucky not to have been born when the last collectve insanity blitzed the world – and nothing in Shostakovich seems too outlandish for reality. On the other hand, there's a growing movement to liberate his...

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Prom 67, Boston Symphony Orchestra, Nelsons / Prom 68, Berlin Philharmonic, Petrenko review - frenzy and finesse

Did the earth move for us? You bet. Sunday’s two Proms brought fabled visitors to the Royal Albert Hall – first the Boston Symphony Orchestra, then the Berlin Philharmonic for their second concert – but our august guests dispensed with all polite...

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Prom 66, Wang, Berlin Philharmonic, Petrenko review - intense perfection

Setting aside any reservations about a slight overall timidity in repertoire choices - no problems with that last night - this year's Proms have worked unexpectedly well, above all with their weekend strands. The trump card with the usual roster of...

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Mission: Impossible - Fallout review - brilliant summer blockbuster

This is the second Mission: Impossible movie written and directed by Christopher McQuarrie, the first time any director has been called back for an encore on the series. He did a smart job on 2015’s Rogue Nation, but this time he has pulled out...

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CD: Lotic - Power

An extraordinary musical movement has been bubbling over from the far left field into the public consciousness in the last couple of years. A very loose international alliance of musicians like Elysia Crampton, GAIKA, Ziúr, Arca, Rabit, Yves Tumor,...

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Berlin to Broadway with Kurt Weill, Opera North, City Varieties Music Hall review - life as a cabaret

Peer at the small print and it’s clear that Berlin to Broadway with Kurt Weill is actually a spruced-up repackaging of a show originally devised by Gene Lerner and arranger Newton Wayland, about whom Opera North’s programme tells us nothing. The...

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Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship...

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Berlin Philharmonic, Rattle, RFH review - everything but inscape

Questions of interpretation apart, Simon Rattle has yet again proved the great connecter, this time in concerts separated by just over a month. Having set his seal on his new, galvanizing partnership with the London Symphony Orchestra by asserting,...

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10 Questions for Sharon Smith of Arts Collective Gob Squad

Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly...

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