BFI
Tim Cumming
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up there with Perfomance and That’ll Be The Day.Like those films, it has grittiness running through it like barbed wire through a stick of Blackpool rock. It’s raw and dark; very dark. Not glam at all. And wrapped up in its singular brilliance is the grim rather than glam fact that Slade in Flame tanked at the box office and almost tanked the career of the band it – sort of – celebrated.There was one DVD release in the Noughties, which now goes for around £200 on Amazon. But Read more ...
Pamela Jahn
One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been described as a director of "slow cinema", which she regards as a compliment.Kulumbegashvili's intention is to create an imaginative space that uncovers the truths behind patriarchal expectations and misogyny, without ever limiting the viewer's experience or agency. Characterized by carefully crafted but disorienting compositions, her storytelling is fiercely confrontational.Her second feature, April, combines revealing social realism with Read more ...
Helen Hawkins
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie and stablemate of the fictive biopic 20,000 Days on Earth, about Nick Cave, from the same film-makers. It’s one part arty documentary to two parts music video, both a daughter’s tribute to her mother and a singer’s elaborate way of promoting her latest album.Its subject, Geraldine Flower, was the aptly surnamed daughter of an Australian father and Dubliner mother who spent the years of her prime – the Swinging Sixties and discontented Seventies – relocating from Read more ...
graham.rickson
All We Imagine as Light focuses on the lives of three women in contemporary Mumbai; as shown by director Payal Kapadia, the city is arguably the film’s fourth major character. Kapadia eschews convention, her metropolis painted in muted colours with dark skies and heavy rain a constant.We first see Prabha (Kani Kusruti) on the long journey home to the cramped flat she shares with her younger colleague Anu (Divya Prabhu); as in many western cities, their key worker salaries aren’t sufficient to allow them to live a reasonable distance to their city centre hospital.Kusruti is an extraordinary Read more ...
Helen Hawkins
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output. So while there are no overt political allusions in director Dea Kulumbegashshvili’s April, at its core you sense a tacit and urgent debate about how to square your conscience with the “rules” that govern the country’s conduct.The heroine of the piece is Nina (Ia Sukhitashvili), an actual heroine of a sort. She’s an OB/GYN hospital doctor who risks her career by dispensing contraceptive pills and performing (illegal) abortions in remote villages for women in Read more ...
graham.rickson
Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught in the middle, and it is impossible to choose between the evils”. Toshiro Mifune’s nameless rōnin pitches up a run-down village purely by chance, tossing a stick in the air at a fork in the road to choose which direction to take.Though taking place in mid-19th century Japan, the sets reflect Kurosawa’s love of classic westerns, the scruffy buildings facing onto a dusty main street. The presence of a dog carrying a severed hand is a bad omen, a dispute over Read more ...
graham.rickson
Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various styles within a single film. Though highly rated by Japanese critics, this 1963 adaptation of an Ed McBain 87th Precinct crime novel has been long overlooked, High and Low taking in corporate politics, familial tensions and a thrilling race to catch an enigmatic villain.Kurosawa regular Toshiro Mifune plays Kingo Gondo, a senior executive at National Shoes. He's at odds with other board members seeking to cut costs by producing cheap, short-lived footwear (“shoes must Read more ...
Helen Hawkins
The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It belongs to the actor playing Oedipus, presumably, Rami Malek. This is as near to a close-up of the title character as we get.Co-directing, Matthew Warchus and choreographer Hofesh Shechter have created a claustrophobic Thebes, dazzled by the sun and water-less. Its only features are a microphone stand and a lit dais, both of which rise from the floor as needed. To begin with, the backdrop lighting turns a flaming tangerine, fading to a pallid lilac by the end. For long Read more ...
Nick Hasted
Kurosawa’s 1949 thriller probes post-war morality in a Tokyo whose ruins and US occupation mostly remain just out of shot, in a heatwave causing mistakes and madness. The theft of callow detective Murakami (Toshiro Mifune)’s police pistol on a crowded trolleybus and his guilty hunt for what becomes a murder weapon provide the narrative, and sharp-featured young Mifune’s coiled performance, alternating mimed grace with feline fierceness, is the arrow carrying it to its bruising conclusion.Kurosawa and Mifune are still defined in the West by Rashomon and Seven Samurai, breakthrough Fifties Read more ...
graham.rickson
Someone told me recently that Netflix subscribers can view just 22 films made before 1980. I've no idea if this is true (please correct me if not), but it’s certainly a reason to continue watching and collecting films on physical discs. Plus, there’s the bonus features, booklet notes, commentaries and deleted scenes, all things which you won’t find on streaming services. Here’s my pick of the year’s Blu-ray releases, in no particular order:Jerzy Kawalerowicz’s Pharaoh (Second Run) is an eye-popping Egyptian epic from 1966. Filmed mostly in the deserts of Uzbekistan with scores of Soviet Read more ...
Nick Hasted
The Oblong Box is a phantom 1969 follow-up to Michael Reeves’ Witchfinder General, sharing star Vincent Price and much cast and crew, after the brilliant young British director’s OD forced his dismissal days before shooting. It also began replacement Gordon Hessler and co-writer Christopher Wicking’s own Price-starring horror sequence, notably the bizarre, Mod anti-fascist Scream and Scream Again (1970), placing this obscure film at a packed cult crossroads.Witchfinder General’s savage account of Matthew Hopkins’ 17th century East Anglian rampage had been dragooned into AIP’s Poe-Price cycle Read more ...
Nick Hasted
This other major work by the writer of the English folk horror landmark The Blood on Satan’s Claw (1971), Robert Wynne-Simmons, is more restrained than that unsettlingly erotic, dreadful conjuring of rustic demons and collective evil. He argues on his sole directorial feature’s Blu-ray debut that it isn’t folk horror at all, simply an Irish folk tale in pre-Famine days “when magic had a value”.The Outcasts (1982) is earthed in the boggy mud and lush green of West Ireland, where innocent Maura (Mary Ryan) is bullied by her siblings in a stone home seemingly pulled from the ground. Read more ...