BFI
Best of 2023: FilmTuesday, 26 December 2023
Numbers indicate if entries are listed in order of preferenceSaskia BaronAnatomy of a FallBrokerFallen LeavesJoylandKillers of the Flower MoonOtto Baxter: Not a F**ing Horror StoryReturn to SeoulSt OmerScrapperA Thousand and OneThe reason I go to... Read more... |
Powell and Pressburger: A Celtic storm brewingWednesday, 20 December 2023
“Nothing is stronger than true love,” a young laird says to a headstrong young woman in Michael Powell and Emeric Pressburger’s I Know Where I’m Going! (1945), his voice heard above the sounds of wind and waves. She replies, “No, nothing.”Even as... Read more... |
Michael Powell: a happy time with Bartók’s BluebeardTuesday, 19 December 2023
In his final years Michael Powell mooted the possibility of a Bartók trilogy. He wanted to add to the growing popularity of his work on Bluebeard’s Castle, the deepest of one-act operas, an idea he had previously rejected of filming the lurid "... Read more... |
DVD/Blu-ray: 23 Seconds to EternityTuesday, 14 November 2023
The KLF are endlessly fascinating. There’s never been a “pop group” like them. From the late Eighties into the early Nineties, they treated music, especially electronic dance music, as a laboratory for lunatic experiment. Unlike most avant-garde... Read more... |
Powell and Pressburger: the glueman comethSaturday, 11 November 2023
The shop assistant turned World War Two Land Army girl Alison Smith, clad in a summer dress on the sabbath, steps through a glade onto a hilltop track above the village of Chillingbourne in Kent. It’s the same road once taken by medieval... Read more... |
Michael Powell interview - 'I had no idea that critics were so innocent'Tuesday, 24 October 2023
Michael Powell fell in love with his celluloid mistress in 1921 when he was 16. It’s a love affair that he’s conducted for 65 years. At 81, he’s not stopped dreaming of getting behind the camera again. At Cannes this year he hinted at plans to make... Read more... |
Powell and Pressburger's 'The Red Shoes' - art and nothing butSaturday, 21 October 2023
Nobody ever forgets The Red Shoes (1948) because it’s a movie that seems to change the way an audience experiences cinema. A story about a diverse group of individuals collaborating to make art, the film is itself a wonderful example of the process.... Read more... |
They had a good war: Powell and Pressburger's no-nonsense heroinesWednesday, 18 October 2023
In the current reappraisal of Michael Powell and Emeric Pressburger, what to make of the depiction of women in their key films, that striking tribe of Isoldes with chestnut hair and passionate natures?Powell (1905-90), a man of Kent whose love for... Read more... |
'Glorious, isn't it?' Michael Powell and Emeric Pressburger's Subversive CinemaWednesday, 18 October 2023
Announcing “A Michael Powell and Emeric Pressburger production” or, alternatively “A Production of the Archers”, an arrow thuds into the centre of a roundel. Whether in black and white or colour, that famous rubric not only conflates the auras of... Read more... |
Blu-ray: BranniganTuesday, 17 October 2023
Brannigan begins in arresting fashion, Dominic Frontiere’s funky theme playing over leery close ups of the titular hero’s Colt revolver. Directed by Douglas Hickox and released in 1973, this was the only film starring John Wayne which wasn’t shot in... Read more... |
London Film Festival 2023 - a mixed bag of dramas and documentariesTuesday, 10 October 2023
The London Film Festival continues to pull in an eclectic selection of films from all over the world. And it’s from the countries not known for their movie industries that some of the most impressive and engaging films have emerged.Goodbye Julia... Read more... |
Blu-ray: TargetsTuesday, 03 October 2023
Targets (1968), Peter Bogdanovich’s first feature is generally regarded as a great film. And yet, it came out of a mixture of false starts and opportunism. Could it be that its unique quality, the elements which make it stand out in the history of... Read more... |
