tue 22/05/2018

Brahms

Ibragimova, Tiberghien, Wigmore Hall review – light, bright and melodic Brahms

The Brahms violin sonatas make a perfect spring evening recital. The Second and Third were inspired by a summer retreat, but all three are light, bright and with direct melodic appeal. Violinist Alina Ibragimova and pianist Cédric Tiberghien...

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theartsdesk in Bremen: 150 years of A German Requiem

They did things differently in 1858. Between the movements of Brahms's surprising new Requiem in the Biblical German of Martin Luther, resounding in Bremen's Romanesque Cathedral on Good Friday, came "Erbarme dich" from Bach's St Matthew Passion,...

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Robin Ticciati on conducting Brahms: 'trying to understand the man through his music'

Edinburgh, October 2015. Robin Ticciati is still flying high from a remarkable performance of Brahms's First Symphony, the start of an intended cycle with his Scottish Chamber Orchestra in his seventh season as principal conductor. After a...

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theartsdesk at the Lucerne Easter Festival: Haitink, Schiff and an alternative Passion

Anyone passionate about great conducting would jump at the chance to hear 89-year-old Bernard Haitink giving three days of masterclasses with eight young practitioners of the art, his eighth and possibly last series in Lucerne (though he's not...

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Classical CDs Weekly: Brahms, Sterndale Bennett, Fieri Consort

Brahms: Piano Concerto No. 2, Strauss: Burleske Joseph Moog (piano), Deutsche Radio Philharmonie/Nicholas Milton (Onyx)It's not you, it's me. That’s probably what I'd say to Brahms in attempting to explain why I generally prefer his craggy D minor...

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Classical CDs Weekly: Brahms, Janáček, George Martin, Dmitry Masleev

 Brahms: Clarinet Sonatas, Janáček: Sonata (arr. Brill) Shirley Brill, Jonathan Aner (piano) (Hänssler Classic)Brahms's pair of clarinet sonatas are the epitome of autumnosity, were such a word to exist. Pipe-and-slippers music, which isn't...

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Christian Tetzlaff, Lars Vogt, Wigmore Hall review - lyrical Brahms from veteran duo

Sonata no 1 – Sonata no 2 – Sonata no 3 – that’s barely a recital programme, it’s just a list. Fortunately, violinist Christian Tetzlaff and pianist Lars Vogt (pictured below by Neda Navae) have good musical reasons for presenting the Brahms violin...

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Classical CDs Weekly: Brahms, Granados, Steven Isserlis

 Brahms: Symphony No. 2, Tragic Overture, Academic Festival Overture Deutsche Kammerphilharmonie Bremen/Paavo Järvi (RCA)Paavo Järvi and the Deutsche Kammerphilharmonie’s scintillating Beethoven cycle hasn't received the acclaim it deserves in...

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Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

The Vienna Philharmonic makes a beautiful sound, no question about that: the question is what to do with it. Michael Tilson Thomas has some ideas, but they are mostly low-key. He is currently touring with the orchestra, and seems to have been chosen...

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Prom 54 review: Kavakos, Filarmonica della Scala, Chailly - cool Milanesi mute Roman exuberance

Last night was one of those rare occasions when I'd rather have heard Respighi's gaudy-brilliant Roman Festivals than Brahms's Violin Concerto. It wasn't just that concerts like Charles Dutoit's 2014 Prom had shown us that the Italian's Roman...

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Prom 26 review: Frang, Power, Deutsche Kammerphilharmonie Bremen, Järvi – fire and air from a crack team

Before reuniting us in high spirits with a pair of much-loved old friends, Mozart's Sinfonia Concertante and Brahms's Second Symphony, the Deutsche Kammerphilharmonie Bremen under Paavo Järvi at the Proms took us into a darker, and unexpectedly...

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Prom 20 review: Hough, BBCPO, Wigglesworth - towards the light fantastic

Romantic concerto, contemporary work, classical symphony: it's a common format at the Proms, but not usually in that order. Both David Sawer's 1997 firework The Greatest Happiness Principle and Haydn's ever-radical Symphony No. 99, sharing a light-...

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