Brighton
Album: Steve Mac - Bless This Acid HouseFriday, 05 May 2023Some rock bands base their career around being musically fluid, an ever-changing what-will-they-do-next? conundrum. Others, such as, famously, Motörhead and The Ramones, simply go on doing their thing, honing it, repeating ad infinitum, with an... Read more... |
Album: Black Honey - A Fistful of PeachesWednesday, 22 March 2023There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie rock, tuneful, full of vim, but the lyrics speak of someone deeply troubled. The mood is, perhaps, best summed up by “Rock Bottom” which... Read more... |
Carly Rae Jepsen, Brighton Dome review - iridescent disco hooks to get you dancingThursday, 16 February 2023If I’m honest, venturing out into a misty Brighton night with my Tweens for their first proper gig (we won’t count Olly Murs – they were children then) felt somewhat trepidatious.I was buoyed by seeing other parents in the same situash, and... Read more... |
Sacre, Circa Contemporary Circus, Brighton Festival review - an astonishing assortment of lifts and throws, daring and strengthMonday, 30 May 2022Sacre isn’t your average big-top show. Created by Brisbane-based company Circa, this is modern circus meets contemporary dance – a conceptual deconstruction of the traditional experience, represented in a show of impressive strength, with real... Read more... |
The Great Escape 2022, Brighton review - sunshine, queues, and thrilling new bandsMonday, 16 May 2022My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he... Read more... |
Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternativesSaturday, 14 May 2022Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “... Read more... |
The Patient Gloria, Brighton Festival review - an electric exploration of the control and manipulation of womenSaturday, 14 May 2022The psychology of female desire in 1960s California, was a field awash with voyeurism and exploitation. This brilliant play uncovers not only the bizarre story of Gloria Szymanski, but catholic hypocrisy and everyday sexism too, with a nod to third... Read more... |
Unchain Me, Brighton Festival review - Dostoevsky-inspired theatre through the streets of BrightonThursday, 12 May 2022To take to the streets in Brighton in pursuit of a superior political ideology isn't unusual. What is unusual is that some of the young folk currently lurking about the Brighton Museum are part of dreamthinkspeak, an immersive theatre company taking... Read more... |
Melt Yourself Down, Patterns, Brighton review - ballistic double sax punk attackFriday, 04 March 2022“As you’ve noticed, I’m really terrible at talking between the songs,” announces Melt Yourself Down singer Kushal Gaya, two-thirds of the way through the gig. He is. But it really doesn’t matter; the genre-uncategorizable London six-piece smash... Read more... |
Album: Sea Power - Everything Was ForeverThursday, 10 February 2022The former British Sea Power’s seventh album draws on deep reserves of melancholy and ecstasy. Several songs sound like elegies for Yan and Neil Wilkinson’s recently deceased parents. The band’s emotional heart – sometimes missed beneath the... Read more... |
Madness and Squeeze, Brighton Centre review - enjoyable annual December nostalgia rompWednesday, 08 December 2021Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of... Read more... |
OMD/Scritti Politti, Brighton Centre review - an engaging, ebullient good timeThursday, 18 November 2021A persistent moan of this writer in recent years, about gigs attended by those his own age (54) and up, is that, however good the band is, the audience are stationary, staring, semi-catatonic. They don’t twitch or move, facing stage-wards earnestly... Read more... |