fri 08/11/2024

Bush Theatre

The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed Akhtar, whose big hit The P Word was also performed here at the Bush, takes this idea and complicates it – by...

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s...

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My Father's Fable, Bush Theatre review - hilarious and haunting family drama

Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the Bush Theatre is riding high. Now this venue’s latest exploration of the Black-British experience tells a really lively and emotionally deep story...

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Shifters, Bush Theatre review - love will tear us apart again

For the past ten years, Black-British playwrights have been in the vanguard of innovation in the form and content of new writing. I’m thinking not only of writers with longer careers such as Roy Williams and debbie tucker green, but also of Inua...

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Dreaming and Drowning, Bush Theatre - dense and intense monologue about Black queer identity

Kwame Owusu’s 55-minute one-hander does just what it says on the tin: it features a young student who dreams he is drowning. But its brevity is no bar to its being a dense and intense experience, worthy winner of last year’s Mustapha Matura Award....

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Feeling Afraid As If Something Terrible Is Going To Happen, Bush Theatre review - charismatic stand-up routine

The Comedian runs, bounces even, onto the stage. The audience immediately applauds. He seizes the mic and makes self-deprecatory gestures. Then he rubs the mic stand suggestively. We laugh. When he turns around we can see a laughing mouth printed on...

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Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, too

Rarely has a play's opening been so opportune. Just when it looked as if the West End was slipping into decline, along comes the smart, shrewd Backstairs Billy to allay mounting fears of late that the commercial theatre had lost all sense of quality...

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A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

The revolution in the title of AJ Yi’s new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when China’s stewardship was increasingly restricting their civil liberties. The music on the playlist serves as an...

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Invisible, Bush Studio review - engaging monologue about Brown cultural identity

The Bond film theme plays and the lights go up at the Bush’s Studio space to reveal, not a tuxedoed superspy, but a slim figure in casual clothes sitting on a raised platform. He starts his first speech, then stops, makes asides to the audience,...

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August in England, Bush Theatre review - Lenny Henry monologue lands a painful one-two

Reggae hits are already playing over the speaker system at the Bush when the audience enters, some jigging to the sounds as they find their seats. The set before us is a living room with a bright orange carpet, a squidgy tan faux leather armchair...

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Sleepova, Bush Theatre review - sweet coming of age play with a soft centre

Can a play ever be a bit too much like real life? The thought came to me while watching Matilda Feyisayo Ibini’s entertaining new play Sleepova at the Bush. This latest opening is almost a bookend to the excellent Red Pitch, premiered at the same...

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Elephant, Bush Studio review - stirring solo show from rising star Anoushka Lucas

It lasts only an interval-free 60 minutes, with an upright piano as its only prop, but Anoushka Lucas’s one-woman show Elephant in the Bush’s Studio space prompts an epic trigger warning. It will discuss “racism, Empire, colonialism, classism,...

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