cabaret
Peter Culshaw
A midwinter night’s dream at the Barbican. Those who like their pop music performed by chaps with jeans, preferably gazing at their shoes, and are attached to certain ideas of authenticity would have run screaming for the exit. The Irrepressibles were pop as icy spectacle, as dizzying melodrama, while Gabby Young & Other Animals were raiding the musical dressing-up box and emerging with bits of French chanson, German cabaret and slinky tangos, and having a ball doing it.Gabby Young’s band created their own party atmosphere and invited the audience along. Their brand of recession chic Read more ...
alexandra.coghlan
Welcome to the stinking, sprawling Bayou Mansions – the thorn in a prosperous city’s side, the “short-and-curly hair in the mouthful of sponge cake”. So cramped there isn’t even room to swing a rat (and there are plenty), so corrosive that everything here starts life as a bad smell. Forget the enchanted worlds of fable and fairy tale, this is a dystopian childhood fantasy masterminded by the select team of Kurt Weill, Kafka and the Wicked Witch from Snow White. As delicious as it is delicately malevolent, The Animals and Children Took to the Streets is a strychnine-laced gumdrop of a show, Read more ...
joe.muggs
Another week, another “fix” in the glorious cavalcade of manipulation, ill-feeling, class hatred, allegations of racism and – oh yes – singing that is The X Factor. This week it was another shift in the rules, seemingly in order to allow the judges to vote off 50-year-old Irish till operator and Shirley Bassey soundalike Mary Byrne and keep in a quantifiably worse singer, the steely-eyed and prematurely wizened teenager from Malvern, Cher Lloyd.It's the second seeming stitch-up in two weeks: last time around we witnessed the goalposts once again picked up and moved in order to get rid of 54- Read more ...
Veronica Lee
Felicity Fitz-Frisky and Hansel Amadeus Mannish (aka Laura Corcoran and Matthew Jones) describe their act as “twisted pop cabaret” but that doesn’t begin to encapsulate a show that expertly parodies modern music. An easy target, you think, but this duo bring real singing and musical talent, plus a deliciously bitchy touch to the subject.Frisky and Mannish first came to prominence at the 2009 Edinburgh Fringe, where School of Pop was a breakout hit with almost universal five-star reviews and quickly became the must-see show of the festival. Now they are touring with their follow-up show, The Read more ...
Ismene Brown
Every time I go to Sadler’s Wells now I come out wondering if there’s something wrong with my hearing, so loud and numbing are their speakers. It’s a blight on a lot of shows, but on none more so than Shoes, because this is the first major London production written by that celebrated musical witsmith Mr Richard Thomas since his Jerry Springer, The Opera, and last night I missed probably half the words that I’m guessing should be the chief merit.So is it fair for me to say how disappointed I am by the production? You may have a better acoustic seat. On the other hand, I’m guessing that a lot Read more ...
theartsdesk
You may think the very well-presented comic Stuart Goldsmith - clean-shaven and wearing sensible Merrells (“which says I’m not wearing a fleece but I own one”) - is the sort of bloke your mum always hoped you would end up marrying or having as your best friend. His show is titled The Reasonable Man, and Goldsmith is indeed utterly dependable, he tells us, plus he comes from that most nondescript of towns, Leamington Spa. But he would like to break out a bit.Stuart Goldsmith, Pleasance Dome ****
There’s more to Goldsmith, though, than good looks, an extremely likeable manner and a bright Read more ...
David Nice
Oh, those Bloomsberries: what fun they must have had at Charleston farmhouse snug under the Sussex downs - Vanessa and Clive Bell in menage with Duncan Grant, Lytton and Virginia popping in for tea... Well, maybe not, if you're allergic to the Bloomsbury school of charm. I used to be, but I've changed my mind after years of visits to the anything-goes Quentin Follies.Instigated nine years ago in memory of master craftsman and author Quentin Bell, one of Vanessa and Clive's two sons, by his textile-designer daughter Cressida, this annual summer jamboree has become a little less ad hoc and a Read more ...
alexandra.coghlan
If there was an opposite to the limitless “ever after” of fairytales, the relentlessly nullifying "nevermore" of Edgar Allan Poe’s raven would come pretty close. A deformed, sickly smiling "musical fable for adults", the ominously named Nevermore is Canadian theatre company Catalyst’s grim(m) take on the life of that greatest of storytellers, Poe himself. Had Little Red Riding Hood decided to meet the Wolf at an S&M club for a spot of burlesque (and had Nick Cave been on hand to write some songs about the encounter), Nevermore would be the result.More hauntingly macabre than any of Read more ...
miss.kittykowalski
Miss Kitty Kowalski is the stage name of a writer on The Arts Desk - read her earlier diaries here and hereCheck out theartsdesk’s guide to UK Festivals 2010
David Nice
Let me confess immediately: Debbie Reynolds didn't mean a great deal to me beyond Singin' in the Rain, warbling "Tammy" and Being Princess Leia's Mother (and believe me, she gets plenty of comic mileage out of the Carrie Fisher connection). But I knew she had a fabulous Hollywood history, and having been smitten by old troupers Elaine Stritch and Barbara Cook in London, I wondered if she could match them. Half-sashaying, half-tittupping on to deliver her own abbreviated, adapted version of Sondheim's "I'm Still Here", she immediately provoked the comparison. Did she compare? Nowhere Read more ...
Veronica Lee
It is telling that there were drama critics at the Apollo to review Camille O’Sullivan’s show, The Dark Angel. The half-French, half-Irish woman is ostensibly a singer, but so unique is her delivery that each song is a piece of theatre in its own right. My companion confessed to being just a little scared of O’Sullivan, who has a distinctive look - part vamp, part cabariste, but wholly diva. She described the singer, with her raven hair and a gash of bright-red lipstick, as “a cross between Tracey Emin and Judy Garland”, but soon warmed to her. But then O’Sullivan is a pussy cat, as evidenced Read more ...