Chopin
Pavel Kolesnikov, Fidelio Orchestra Café review – a Chopin cosmosMonday, 27 July 2020
There is genius not only in the rainbow hues of Pavel Kolesnikov’s playing but also in the way his chosen programmes resonate. He’s given us interconnected wonders from across the centuries, but chose to focus on the greatest of composers for the... Read more... |
Classical CDs Weekly: Chopin, Rimsky-Korsakov, John Bullard, Fred ThomasSaturday, 13 June 2020
Chopin: Études Sonya Bach (piano) (Rubicon)Chopin’s solo piano études helped push the genre into uncharted territory. He would have practiced examples by Czerny and Clementi in his youth, but his own Op. 10 and Op. 25 sets make far more... Read more... |
Gautier Capuçon, Yuja Wang, Barbican review - spellbinding moments in circumscribed programmeTuesday, 14 January 2020
Why go to hear a cello-and-piano recital in a large hall, and a rather unsatisfying programme (delayed without explanation for 15 minutes, incidentally) spotlighting a transcription of a work which was created for the violin? Two good answers would... Read more... |
Classical CDs Weekly: Jupiter String Quartet, Bruce Levingston, Paul McCreeshSaturday, 13 July 2019
An English Coronation Gabrieli Consort & Players/Paul McCreesh, with Gabrieli Roar and Simon Russell Beale (Signum)The snatch of ambient noise before this set’s first item, coupled with the Gabrieli Players’ performance, could convince the... Read more... |
The Firebird triple bill, Royal Ballet review - generous programme with Russian flavourThursday, 06 June 2019
You can’t accuse the Royal Ballet of lightweight programming: the three juicy pieces in the triple bill that opened at the Royal Opera House on Tuesday add up to a three-hour running time. That’s a lot of ballet for your buck. Whether they actually... Read more... |
Grosvenor, Doric String Quartet, Milton Court review – a night to rememberTuesday, 12 February 2019
Imagine for a moment that you are at, say, the Derby. It’s pretty good. But then in flies Pegasus, the mythical winged horse. What happens?We need to talk about these rare moments of almost inexplicable magic in concerts, because unless I’m... Read more... |
Classical CDs Weekly: Adventures in Sound, Tora Augestad, Ashley FrippSaturday, 02 February 2019
Adventures In Sound (él records)Dipping in and out of this highly desirable box set recalls 1950s sci-fi visions of the future, looking forward to a time when we'd all be driving flying cars and living under a benevolent one-world government.... Read more... |
Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard mastersTuesday, 18 December 2018
Two successive nights, two contrasted solo keyboard recitals at the Wigmore Hall: not great for the knees but marvellous for the soul. On Saturday the Tehran-born, US-raised harpsichordist Mahan Esfahani continued a mammoth project: he has been... Read more... |
Katharine Kilalea: OK, Mr Field review - architecture and alienation on the Cape Town coastSunday, 24 June 2018
Modern novels with an architectural theme have, to say the least, a mixed pedigree. At their finest, as in Thomas Bernhard’s Correction, the fluidity and ambiguity of prose fiction mitigates, even undermines, the obsessive planner’s or designer’s... Read more... |
Chopin's Piano, Tiberghien, Kildea, Brighton Festival review - mumbled words, magical musicThursday, 17 May 2018
First the good news: Cédric Tiberghien, master of tone colour, lucidity and expressive intent, playing the 24 Chopin Preludes plus the Bach C major and the C minor Nocturne in the red-gold dragons' den of the Royal Pavilion's Music Room. Then the... Read more... |
Nikolai Lugansky / Pavel Kolesnikov, Wigmore Hall review - lucidity and depth from two master pianistsTuesday, 01 May 2018
Reaching for philosophical terms seems appropriate enough for two deep thinkers among Russian pianists (strictly speaking, Kolesnikov is Siberian-born, London-based). In what Kant defined as the phenomenal world, the tangible circumstances, there... Read more... |
Alexander Melnikov, Wigmore Hall review - three pianos, four monsterworksThursday, 18 January 2018
Living-museum recitals on a variety of historic instruments pose logistical problems. Telling The Arts Desk about his award-nominated CD of mostly 19th-century works for horns and pianos, Alec Frank-Gemmill remarked on the near-impossibility of... Read more... |
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