Chopin
George Fu, St Martin-in-the-Fields review - high intellect and visceral shocksSaturday, 25 June 2022
Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at the Two Moors Festival, an avian programme which made me long to hear him play Messiaen’s complete... Read more... |
Grosvenor, RSNO, Chan, Glasgow Royal Concert Hall online review - too big for the small screenTuesday, 08 June 2021
By chance, I started watching this streamed concert shortly after hearing a live BBC broadcast of the Philharmonia playing in front of an audience for the first time in over a year. Much though I love the Royal Scottish National Orchestra, steadfast... Read more... |
Proust Night, Wigmore Hall review – the music of memoryFriday, 06 November 2020
In a bold first strike – straight to the gut, surely, for many in the audience – the Wigmore Hall’s “Proust Night” began with an old recording of the Berceuse from Fauré’s Dolly Suite. Clever. How apt that the signature tune from Listen... Read more... |
Charles Owen, Fidelio Orchestra Café review - high-profile, robust romanticsThursday, 13 August 2020
Composer Gian-Carlo Menotti once asked rhetorically what society wanted of performing artists – “the bread of life or the after-dinner mint?” There were a couple of audience members last night – unique in my experience so far of the Fidelio... Read more... |
Pavel Kolesnikov, Fidelio Orchestra Café review – a Chopin cosmosMonday, 27 July 2020
There is genius not only in the rainbow hues of Pavel Kolesnikov’s playing but also in the way his chosen programmes resonate. He’s given us interconnected wonders from across the centuries, but chose to focus on the greatest of composers for the... Read more... |
Classical CDs Weekly: Chopin, Rimsky-Korsakov, John Bullard, Fred ThomasSaturday, 13 June 2020
Chopin: Études Sonya Bach (piano) (Rubicon)Chopin’s solo piano études helped push the genre into uncharted territory. He would have practiced examples by Czerny and Clementi in his youth, but his own Op. 10 and Op. 25 sets make far more... Read more... |
Gautier Capuçon, Yuja Wang, Barbican review - spellbinding moments in circumscribed programmeTuesday, 14 January 2020
Why go to hear a cello-and-piano recital in a large hall, and a rather unsatisfying programme (delayed without explanation for 15 minutes, incidentally) spotlighting a transcription of a work which was created for the violin? Two good answers would... Read more... |
Classical CDs Weekly: Jupiter String Quartet, Bruce Levingston, Paul McCreeshSaturday, 13 July 2019
An English Coronation Gabrieli Consort & Players/Paul McCreesh, with Gabrieli Roar and Simon Russell Beale (Signum)The snatch of ambient noise before this set’s first item, coupled with the Gabrieli Players’ performance, could convince the... Read more... |
The Firebird triple bill, Royal Ballet review - generous programme with Russian flavourThursday, 06 June 2019
You can’t accuse the Royal Ballet of lightweight programming: the three juicy pieces in the triple bill that opened at the Royal Opera House on Tuesday add up to a three-hour running time. That’s a lot of ballet for your buck. Whether they actually... Read more... |
Grosvenor, Doric String Quartet, Milton Court review – a night to rememberTuesday, 12 February 2019
Imagine for a moment that you are at, say, the Derby. It’s pretty good. But then in flies Pegasus, the mythical winged horse. What happens?We need to talk about these rare moments of almost inexplicable magic in concerts, because unless I’m... Read more... |
Classical CDs Weekly: Adventures in Sound, Tora Augestad, Ashley FrippSaturday, 02 February 2019
Adventures In Sound (él records)Dipping in and out of this highly desirable box set recalls 1950s sci-fi visions of the future, looking forward to a time when we'd all be driving flying cars and living under a benevolent one-world government.... Read more... |
Mahan Esfahani / Richard Goode, Wigmore Hall review - clarity and contrast from two keyboard mastersTuesday, 18 December 2018
Two successive nights, two contrasted solo keyboard recitals at the Wigmore Hall: not great for the knees but marvellous for the soul. On Saturday the Tehran-born, US-raised harpsichordist Mahan Esfahani continued a mammoth project: he has been... Read more... |
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