Christmas
Emma Smith, Pizza Express Jazz Club review - Christmas spiritedThursday, 15 December 2022
There’s much fun to be had with snow, and fun things go with it, too, such as album launches in Soho on a freezing Saturday night in December, when the rest of the country is watching England depart the World Cup in the quarter finals.Downstairs at... Read more... |
Bach Christmas Oratorio (Parts 1-3 & 6), Britten Sinfonia, Polyphony, Layton, Barbican review - glorious riposte to Arts Council axeThursday, 15 December 2022
What do you do when your high-achieving ensemble has just been dealt a brutal, capricious blow, but you have the most joyfully festive work in the repertoire on your seasonal agenda? To say that the Britten Sinfonia came out with all trumpets (and... Read more... |
Album: Debbie Gibson - WinterliciousWednesday, 14 December 2022
Those old enough will recall Debbie Gibson as a squeaky clean, flash-in-the-pan teen pop star of the late 1980s. She was globe-trottingly huge for a couple of years – a peer of Tiffany “I Think We’re Alone Now” Darwish – but then her star waned.... Read more... |
Album: Chris Isaak - Everybody Knows It's ChristmasSaturday, 10 December 2022
There’s only one problem with this album, really – if you can call it a problem – and that’s Chris Isaak’s indelible hint of David Lynch. Thanks to his “Wicked Game” being an integral part of Wild at Heart and creating an ongoing... Read more... |
Album: Neil Diamond - A Neil Diamond ChristmasThursday, 08 December 2022
Oy vey. Where to start. This is essentially painful – and I write that knowing that Neil Diamond is a genuinely nice guy and that he is now stricken with Parkinson’s. But there is no way round it: A Neil Diamond Christmas is an auditory assault.I’m... Read more... |
Album: Backstreet Boys - A Very Backstreet ChristmasWednesday, 07 December 2022
Good things don’t tend to come in slews. Slews seem to be reserved, pretty much exclusively, for the bad stuff: legal issues, school shootings, Christmas albums… And so we come, with aching predictability, to this year’s festive releases.... Read more... |
Classical CDs: Christmas discs 2022Saturday, 03 December 2022
GoldMund, Anna Veit: Mehr Oder Weniger Lametta – arrangements of Tchaikovsky, Bach, Humperdinck, Martin Luther, John Rutter (Solo Musica)What works best here are the classy, and occasionally witty and wacky brass arrangements, plus some very... Read more... |
Elf, Dominion Theatre review - hit musical revival slays it againSaturday, 26 November 2022
Just about the three toughest tricks to pull off in the theatre are making a musical, making a family show and making characters so charming that even the most cynical in the house are pulling for the little guy (or not so little in this case). So... Read more... |
Messiah, Dunedin Consort, Butt, Queen's Hall, Edinburgh - period clarity infused with loveMonday, 20 December 2021
This time last year, the moment I knew things were really bad was when the Dunedin Consort cancelled Messiah. All performances since the summer of 2020 had been online films, but Dunedin cancelled even their online Messiah because it would involve... Read more... |
Album: Norah Jones - I Dream of ChristmasWednesday, 15 December 2021
“I wanna hear the music play, I wanna dance and laugh and sway” sings Norah Jones on “Christmas Calling”, the opening track of this her first festive outing, “I wanna happy holiday for Christmas”. Doubtless when she recorded I Dream of Christmas,... Read more... |
theartsdesk on Vinyl 68: Patrik Fitzgerald, Oasis, Kathryn Williams, R.E.M., Bess Atwell and a seasonal load moreTuesday, 14 December 2021
As we ride towards the holiday break on our magic reindeer, it’s time for one last theartsdesk on Vinyl, a seasonal special that, if you scroll down, contains all the usual up-to-date music reviews but, before that, takes a look at Yuletide-themed... Read more... |
L’Enfance du Christ, Monteverdi Choir, ORR, Gardiner, St Martin-in-the-Fields review – clear-cut Christmas storyMonday, 13 December 2021
Time, place and performers gave this performance of Berlioz’s typically original “Sacred Trilogy” a special significance. Nothing in it is more striking, in choice of text and the music to illustrate it, than the scene where Hebrew refugees Mary,... Read more... |
