comedians
Mark Kidel
Jacques Tati is probably the most famous French comic of all time. Monsieur Hulot is one of those well-loved outsiders, rebels by default rather than vocation and melancholy clowns pitted against the conventions of bourgeois society and the false promises of progress.The latest in the BFI’s very thorough re-releases of Tati’s major works include Mon oncle (1958) (the second Hulot which followed his celebrated holiday adventures), an eccentric's critique of modernist excess, and the earlier Jour de fête (1949), in which he plays François, the bicycle-riding postman, persuaded by his fellow- Read more ...
Kieron Tyler
Being dead – however recently – doesn’t necessarily mean reputations are immune from being rewritten or trampled on. Best Possible Taste was scheduled just before another channel’s documentary on Kenny Everett's fellow TV personality and BBC DJ Jimmy Savile, which raised allegations of his sexual assault of minors. Savile has been dead a year. Everett for seventeen.“We must construct our own universe,” Everett was told by his wife Lee in the latest BBC Four bio-drama based around the private lives (and pain) of Britain’s popular entertainers. Everett was lucky to get this treatment. That Best Read more ...
Veronica Lee
Now here's a thing. Why would you invite one of his generation's most acclaimed classical actors, who is also a huge star of popular culture, to make his debut as a light entertainer in that most clichéd role, a quiz-show host? Well, when that individual is David Tennant, a brilliant Hamlet and a former Doctor Who, you are guaranteed to attract some new viewers and it gives a neat reboot to what is a very tired format: a bunch of comics answering soft questions (in this case about the history of comedy) but in actuality being given a chance to trot out jokes and anecdotes.So is he up to the Read more ...
Karen Krizanovich
There are two kinds of people in this world: those who think The Three Stooges are funny and those who just don’t get it. People in the first category are much better people. In real life, The Three Stooges were three vaudevillians - Moe Howard, Curly Howard, Larry Fine and latterly Shemp Howard, Joe Besser and Curly Joe DeRita - famous for what is now called "extreme slapstick". Their career ran from approximately 1930 to, in various incarnations, the 1970s and their short films have not been off American TV since they first were broadcast in 1958. So, for the generations who grew Read more ...
Jasper Rees
Not everyone likes Lee Evans and his bespoke brand of simian gurning and jerky rubberised motion. But he is very much to the taste of a majority of the comedy-going classes. Few other stand-ups – you can count them on one hand – could spend a season touring the UK’s soulless edge-of-town arenas and not have to worry about performing to empty banks of raised seating. Evans tore into two sets of an hour each last night at Wembley Arena without, apparently, a thought of conserving any energy for the five nights still to come and the long list of bookings beyond. Such is his hypnotic hold that Read more ...
Jasper Rees
Lee Evans (b 1964) has been doing his brand of unruly physical comedy on stage since his teens. In recent years, however, he has laid to rest the perception, held since he won the Perrier at Edinburgh in 1993, that he is an effing and blinding reincarnation of gormless Norman Wisdom. He has played Hamm in Endgame followed by Leo Bloom in The Producers and then one of the two gunmen in Pinter’s The Dumb Waiter. He surprised critics and audiences alike with the depth and subtlety of his acting and the mercurial brilliance of his gift for musical comedy. But his job, he insists, is stand-up, and Read more ...
ash.smyth
A couple of summers back, I spent an entire term with an idling history teacher who watched, in his many, many free periods, the entire back catalogue of QI on his laptop. And gave us running updates. Much as we mocked him for his pseudo-intellectual thumb-twiddling, in a staff room full of chat about timetables, syllabuses and the iniquities of the tuck shop, the regular injection of dorky trivia – and the entrenched and bitter arguments it provoked – was very welcome.That said, I cannot now tell you for certain whether the word “hello” was really invented along with the telephone, or if Read more ...
ash.smyth
From Edinburgh to London and back, via Tatooine and Port Talbot, Rich Hardcastle has photographed playwrights and magicians, burlesque dancers and rugby captains, and regularly adorned the covers of The Big Issue, FHM and The Sunday Times Culture section. Along the way, though, the 40-year-old Londoner has missed no opportunity to shoot the great and the good-humoured, has documented Karl Pilkington’s idiocy abroad, and has produced the pictures for the illustrated book of Extras. Photographing funny faces, it turns out, is something of a specialism – and this month, his portrait of Rob Read more ...
ash.smyth
Being hailed as “the comedian’s comedian” is all well and good after you’re dead; but – as is often the way with great artists – it didn’t much help to pay the bills while Bill Hicks was walking and talking.Early on in Matt Harlock and Paul Thomas’s new 100-minute semi-animated biopic, Hicks’s sometime colleague and boyhood best friend, Dwight Slade, makes the claim that: “Society cherishes its funny people.” Perhaps that’s true now, if we’re talking about stadium comedy; perhaps that’s true if everyone can agree on a working definition of “funny”. But if this documentary showed anything, it Read more ...
howard.male
“Oh my Gaaaad, you guys are crazy! That’s terrible. How could you say that?” exclaimed Shooting Stars contestant Brigitte Nielsen, unfortunately reinforcing our preconception that Americans just don’t get us Brits and our irony. Although it’s not really irony that Vic and Bob deal in, it’s a kind of vaudevillian surrealism. And they’ve shrewdly worked out that you can say just about anything to anyone as long as its impact is softened by its carefully crafted absurdity and the fact it’s been delivered by two loveable smirking heirs to Eric and Ernie’s twin thrones.If surrealism was, as Comte Read more ...
Jasper Rees
Tim Minchin, the Australian minstrel comedian, is known by his catweazel hair, thickly kohled eyes and dazzlingly witty songs bashed out at a grand piano about, among other things, the debatable existence of the Almighty. Lately his repertoire of tricks has been expanding. He has toured his show with a full orchestra, he wrote the songs for the RSC's rapturously received stage adaptation of Roald Dahl's Matilda (which comes to the West End this autumn) and on Saturday he is hosting the first ever Comedy Prom. Resuming theartsdesk's series featuring the summer reading habits of significant Read more ...
Adam Sweeting
Wage-slave purgatory in three different flavours is the subject of Seth Gordon's comedy, as his trio of downtrodden leads decide that the only way to break free from remorseless professional abuse is by murdering their respective bosses. George Cukor this ain't - in fact, Gordon has succeeded in making Carry On up the Khyber look like a revered art-house masterpiece - but as long as you leave your brain in "Park", there are just enough laughs to drag you to the closing credits.Jason Bateman plays Nick, a dogged corporate yes man at Comnidine Industries who deludes himself that his boss VP Read more ...