wed 21/05/2025

contemporary dance

Confirmation: Nacho Duato to lead St Petersburg ballet company

Confirmation today of the astonishing news from Russia - Nacho Duato will indeed become the new director of the Mikhailovsky Ballet, St Petersburg’s second company, from the New Year. The Spanish contemporary choreographer will be the first...

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Hofesh Shechter's Political Mother, Sadler's Wells

In the middle of the pulverisingly loud and utterly thrilling experience that is Hofesh Shechter’s new production Political Mother, I wished suddenly that all dancers could come and see this piece, see what clarion theatre dance can be. If the...

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The Duchess of Malfi, ENO, Punchdrunk

It's tough being a critic. There I was last night at Punchdrunk's first operatic foray, The Duchess of Malfi - put on in collaboration with the English National Opera - trying to make sense of a typically Punchdrunkian world that had been shattered...

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David Michalek: Slow Dancing, Trafalgar Square/ Nederlands Dans Theater, Sadler’s Wells

One of the most difficult questions to answer is what makes a great performer great? So much that happens on stage takes place in an eye-blink. Dancer A is "better" than Dancer B, but why? Critics talk about "line", about "extension", about how...

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European Festivals 2010 Round-Up

Istanbul, Turkey, 3-30 JuneThe 38th annual music festival in the jewelled city of culture-clash continues its strong classical showing with Radu Lupu and Lang Lang, the Borodin Quartet and Riccardo Muti conducting the Vienna Philharmonic. Equally...

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Tacita Dean: Craneway Event, Frith Street Gallery

'Against the light, the dancers appear like marionettes framed within grids of glass and steel'

Silhouetted against the sparkling waters of San Francisco Bay, a pelican surveys the scene from a quayside bollard, then takes flight. The beautiful opening shot of Tacita Dean’s Craneway Event establishes a mood of elegiac tranquility. We are at...

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The Art of Touch/ Rainforest/ A Linha Curva, Rambert, Sadler's Wells

Pieter Symonds and Jonathan Goddard in 'Rainforest': 'stirring themselves amid the LSD landscape of silver floating pillows'

There are occasionally pieces of dance that you just want not to have to scribble notes about, just to watch and enjoy through your senses, not perming it all through the verbal brain. Siobhan Davies’s The Art of Touch is one of those, and when her...

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Mathilde Monnier and La Ribot, Queen Elizabeth Hall

La Ribot and Mathilde Monnier: can't live with each other, can't live without each other, just like the election

These past five days in May have seen some fairly oddball goings-on labelled as "New Dance at the Southbank Centre". Accidentally coinciding with other oddball goings-on on the national scene, since it was booked up long ago before elections were...

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Mark Morris's L'Allegro, il Penseroso ed il Moderato, London Coliseum

In 1988 young contemporary choreographer Mark Morris, newly installed in Brussels’ munificent Théâtre de la Monnaie as resident dancemaker to succeed the Emperor of Big, Maurice Béjart, thought not just big but grandly off-beam. Instead of Béjart’s...

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theartsdesk Q&A: Meeting Pina Bausch

This week the world-renowned Tanztheater Wuppertal Pina Bausch arrives in London - for the first time, without its towering creator. Last summer the German choreographer died at the age of 68. The company intends to continue, despite the dodgy track...

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Richard Alston Dance Company, Sadler's Wells and touring

Tim Henman - brilliant and unfairly treated, or... not? Even when John McEnroe passionately enumerates Henman’s qualities, do you both nod hopefully and realistically shake your head? Because, yes, our lad may be a rare craftsman of the grass court...

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Dance 2000-9: From Ballet to Hip Hop

The Noughts were a bonanza time for builders, scientists and bureaucrats in the dance arena, throwing up numerous fine dance venues and bases, collaborating intellectually with modern choreographers, or targeting social minorities, but the blazing...

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