We’ve been here before. In the first week of theartsdesk’s existence, the BBC began screening a daily drama by the name of The Cut. Daily drama has never been the BBC’s thing, unless you happen to speak Welsh and follow Pobol y Cwm, and so it proved with this online soap dished out in bite-size five-minute pieces. It was my solemn duty to issue daily reports for the first five days of The Cut's life. And now here comes Five Days, which will run eponymously till the end of the week: five episodes, one a night, till we find out whodunwhat. Will it keep you hanging on? For this second outing of Read more ...

If James Bond could survive Roger Moore and George Lazenby, there must be grounds for optimism that Sherlock Holmes will eventually recover from this brutal mauling by Robert Downey Jr, under the gaudy directorial eye of Guy Ritchie. Holmesophiles are a doughty bunch, and will probably just carry on watching Basil Rathbone and Jeremy Brett as if Mr Madonna never happened.It isn’t so much a bad film as just too much of one, and Ritchie could have done all of us a big favour by lopping 20 minutes off the 128 he has over-generously left us with. It’s the familiar saga of Hollywood bloat. Arthur Read more ...

A banner year for the Almeida Theatre continues with Rope,  director Roger Michell's taut, tense production of the 1929 Patrick Hamilton play better known from the subsequent Hitchcock film, starring a peculiarly cast James Stewart. Performed in the round - a first in my experience at this address - and without a break, the staging gradually tightens its own invisible noose around an audience sufficiently rapt that even a silly visual flourish at the very end can't sour one's enjoyment.Michell's good sense - more radical than it might sound - is to take absolutely seriously a scenario Read more ...

The best thing in Paradox so far has been the enormous explosion that provided the climax to episode one, as a train stranded on a railway bridge was incinerated by an erupting chemical tanker. A dramatic aerial shot captured an angry pillar of smoke and flames shooting hundreds of feet into the air, against a backdrop of lush Lancashire countryside.But some fine camerawork aside, this new “high-concept, high-octane investigative drama” is caught between being a conventional domestic police show and a boundary-stretching trip into the paranormal. Baffled by its own premise, it seems to have Read more ...

In Garrow's Law: Tales from the Old Bailey, writer Tony Marchant has turned to the real-life archives of the Old Bailey to find cases to illustrate the pioneering legal work of William Garrow. In the late 18th century, courtroom trials bore more resemblance to bear-baiting or witch-finding than to anything connected with justice or due process. Defendants couldn't speak in their own defence, and the notion of having counsel who could demolish dodgy witnesses or interrupt the prosecution's outrageous slanders hadn't yet caught on.Thus the stage was set for the redoubtable Garrow, who was so Read more ...

You can only assume they decided to confront the, er, generously proportioned mammal in the room. ITV launches a new police procedural starring the star of an old police procedural. Said star is a sizeable Scot with an old Toby jug of a face and, oh sod it, let’s just admit we’ve cast him because of the baggage. Yes, Cracker is back. OK, not Cracker, nor even Fitz, but a lived-in Glaswegian high-rise of a man who cracks murder cases on primetime, pausing only for the commercial breaks. It’s almost as if the young witness already knows all about Robbie Coltrane. “I’ve seen you before,” she Read more ...

Miss Marple is frequently described as “a little old lady”, but for all that she casts a giant shadow. Just ask any new actress invited to portray this most beloved of characters. When you play the spinster sleuth, you have massive shoes to fill. That has certainly been Julia McKenzie’s experience.The 68-year-old this week appeared for the first time in the part of Agatha Christie’s much-loved amateur detective. She took over the role from Geraldine McEwan, who retired last year after starring in twelve episodes as Miss Marple. McKenzie admits to jangling nerves beforehand. She was well aware Read more ...

Miss Marple is frequently described as “a little old lady”, but for all that she casts a giant shadow. Just ask any new actress invited to portray this most beloved of characters. When you play the spinster sleuth, you have massive shoes to fill. That has certainly been Julia McKenzie’s experienceThe 68-year-old this week appeared for the first time in the part of Agatha Christie’s much-loved amateur detective. She took over the role from Geraldine McEwan, who retired last year after starring in twelve episodes as Miss Marple. McKenzie admits to jangling nerves beforehand. She was well aware Read more ...