The latest in Peter Culshaw’s peripatetic radio shows is a conversation with Joe Boyd whose recent tome, published by Faber, is a magisterial sweep through global and popular music called And the Roots of Rhythm Remain. TO LISTEN TO THE SHOW https://www.mixcloud.com/MusicBoxRadioUK/the-arts-desk-with-joe-boyd-thursday-9th-january-2025/Boyd bridled when called a Zelig because “Zelig was just there and didn’t do anything” whereas he, au contraire, was definitely an active participant. He was at the sound desk when Bob Dylan shocked all by going electric at the Newport Festival in 1965 Read more ...

Four trombones, four trumpets and five saxophones, six percussionists – this Afro-Cuban inspired band packs an irresistible punch and it’s loud!  This is a big band sound that revives the glory days of Tito Puente and Dizzy Gillespie, a 1940s fusion of Latin and jazz, as incendiary as it comes. A true wonder that London should produce music of this power and vibrancy, but the New Regency Orchestra (NRO) do just that, keeping the energy going for the full length of a 90-minute set.Deep in the heart of lively Hackney Wick, throbbing with the party excitement of a Saturday night, the NRO Read more ...

Paramount added a late “old dark house” mystery comedy to Hollywood’s annus mirabilis of 1939 by teaming Bob Hope with Paulette Goddard in The Cat and the Canary, skilfully directed by Elliott Nugent. The death-trap mansion in the Louisiana bayous where family members gather to hear the reading of the deceased owner’s will – his niece Goddard inherits it – proved the perfect venue for Hope’s hilariously pusillanimous shtick.The movie was a hit, so the stars were reunited in an identikit picture, 1940's The Ghost Breakers. Adding a gangster intrigue to the genre mash-up, it was based on a Read more ...

 Brahms Lieder Anna Lucia Richter (mezzo-soprano), Ammiel Bushakevitz (piano) (Pentatone)Ein süßes Deingedenken: A Tender Memory of Thee – Lieder by Fanny and Felix Mendelssohn Kateryna Kasper (soprano), Dmitry Ablogin (piano) (TYXArt)These two recitals of German Lieder, both of them gloriously and intelligently sung, offer really interesting contrasts. Anna Lucia Richter is the better-known singer of the two and more frequently recorded. Her new album consists mostly of better-known Brahms songs. She has fabulously clear diction, and her booklet essay demonstrates quite how deeply she Read more ...

Berlin Philharmonic Horn player Sarah Willis’s Mozart y Mambo caused a stir in 2020, its mixture of Mozart and traditional Cuban music making it a bestselling crossover disc.Two years on and the second volume has just been released, the sessions held in Havana in January and April this year. As with the first album, a percentage of the proceeds will go towards raising money for new instruments for the Havana Lyceum Orchestra. We discussed the project over Zoom in August.What prompted you to record a second CD?Second albums are notoriously difficult! The mixture of Mozart and mambo proved Read more ...

The global popularity of Latin music in the past few years is almost incomprehensibly huge. 2017’s “Despacito” by Puerto Rican Luis Fonsi was the point where it became clear that Latin America – like South Korea – was now operating entirely on its own pop terms and making the rest of the world dance to its beat. And a look at global streaming charts will show consistently vast figures for artists like Brazil’s Anitta whose “Envolver” is currently the worldwide no.1 single with streams in the hundreds of millions.  All of which has altered the shape of the Anglophone pop mainstream Read more ...

If Carlos Acosta could have bottled the year-round sunshine of his native Cuba, he would have. Instead he did the next best thing and founded Acosta Danza. Seven years later, years which included a UK tour kiboshed by the first lockdown, when the company only narrowly made it on to the last plane back to Havana, the troupe is sleeker, slightly smaller, but if anything even more ebullient. The show currently touring the UK, titled 100% Cuban, may comprise only 80% new material, but it’s the full mojito in terms of sunny energy and pizzazz.The Cuban tag doesn’t only apply to the dancers. There’ Read more ...

Havana, 1993. Far away, the fall of the Soviet empire has suddenly stripped Fidel Castro’s Cuba of subsidy and protection, while the US blockade strangles options for an economic reboot close to home. State-imposed “austerity” ushers in the “Special Period”, when cuts, shortages and even hunger return. “A butterfly had fluttered its wings on the other side of the Atlantic,” as Karla Suárez’s narrator – a mathematician – puts it. The chaotic fallout that ensues strikes hard “on this island, in this unstable system”. You might expect a novel set in Havana during those bleak days to make for a Read more ...

During World War Two, President Franklin D Roosevelt described the USA as “the arsenal of democracy”. Only a couple of decades later, Fidel Castro was busily turning Cuba, only 100 miles from the US mainland, into the factory of revolution, exporting armed struggle around the world. It made his country a geopolitical player out of all proportion to its size, at the cost of violently antagonising the Americans.Castro’s militant interventions in Algeria, the Congo, Angola and El Salvador were covered in the first part of this documentary (made by factual programming specialists Brook Lapping Read more ...

Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts, interviews with musicians streamed live on her website and archived on YouTube. Willis's new album, Mozart y Mambo, is an exuberant blend of solo horn pieces by Mozart with traditional Cuban music. Recorded in Havana in January 2020, a percentage of the album’s proceeds will go towards buying instruments for the musicians of the Havana Lyceum Read more ...

Second album, second novel, second tour programme – the follow-up is always tricky. But the timing couldn’t be better for Acosta Danza, the Havana-based dance company which made its UK debut in 2017. These 20 young Cubans, handpicked by Carlos Acosta and bursting with talent, can’t know how badly the UK needs a shot of their sunny optimism right now.As before, the mode is eclectic, with a focus on the vibrant mishmash that is Cuban culture. Curiously, though, it doesn’t always arrive direct from the source. The strongest Latin American vibe on the programme comes courtesy of choreographer Read more ...

The magnificent, controversial Cuban ballerina Alicia Alonso, who asserted that she would live to 200, died yesterday in Havana, aged nearly 99. Legends are always well protected by their own mythology, yet in 2004, when attending the Havana Ballet Festival, I had a long interview with her, finding her surprisingly open and genial for such an autocratic icon.  What she had to say was fascinating as a record not only of history's sweep and ballet's charmed circles of talent, but of the gritty human being who reached the pinnacle of ballerinadom and political influence despite near Read more ...