thu 01/05/2025

drama

Dirty God review - an important piece of filmmaking

With the continued prevalence of acid attacks in the UK, it was only a matter of time before they became the subject of a film. Thank goodness, then, it's handled with such unflinching care as it is in Dirty God. Director and writer Sacha Polak...

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Cannes 2019: Matthias & Maxime review - a gently charming new drama

It has been ten years since Canadian auteur Xavier Dolan first debuted I Killed My Mother at the Cannes Film Festival. A decade on he returns in competition with a title that shows an evolution of his filmmaking that leaves behind many of the...

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Tucked review - dispiriting British drag queen drama

It would be great to herald this low-budget drama about an elderly drag queen and his friendship with a young gay singer-songwriter as a little gem of British indie cinema. But Tucked, which aims to be an odd-couple tale of heart-warming...

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Cannes 2019: Sorry We Missed You review - essential Loach drama

Who would have thought that Ken Loach could make a film more heart-wrenching than I, Daniel Blake? His new feature, co-written with his long-standing collaborator Paul Laverty, is a raw, angry and utterly uncompromising drama, showing that, for all...

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The Virtues, Channel 4 review - close and personal with stunning Stephen Graham

The Virtues (Channel 4) sees director Shane Meadows (Dead Man’s Shoes, This Is England) reunite with actor Stephen Graham in what is certainly their most raw and emotionally bruising project to date. Meadows returns to familiar territory, with...

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Vox Lux review – music biz drama with big ideas

Common to the recent spate of films about aspiring singers, the theme of fame’s corrupting influence is hardly new. However, actor-turned-filmmaker Brady Corbet’s Vox Lux daringly freights this biographical sub-genre with cosmic significance, as he...

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Woman at War review – timely comedy-drama about an eco-warrior with a difference

What is it about Nordic women and the environment? Hot on the heels of the London visit by Swedish teen activist Greta Thunberg – the most inspiring climate change campaigner since Al Gore – comes this timely, singular, enormously enjoyable comedy-...

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Tolkien review - biopic charms but never wows

Finnish director Dome Karukoski’s Tolkien follows the same formula of many literary biopics, with a tick-box plot of loves, friendships and hardships that forged the writing career of one the 20th Century’s greatest fantasy writers.We open at the...

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The Glass Piano, Print Room at The Coronet review – fascinating story undermined by absurdism

Often the greatest works of dramatic absurdism spring from the worst extremes of human experience, whether it’s Ionesco’s Rhinoceros responding to fascism, or Havel’s The Garden Party satirising the irrational cruelties of Prague’s Soviet occupiers...

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Chimerica, Channel 4 review - fake news, true drama

Chimerica is a stage-to-screen adaptation that has certainly kept up with the times. When it opened at the Almeida back in 2013 – a West End transfer followed, along with an Olivier award for Best New Play – Lucy Kirkwood’s drama was (very...

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Mid90s review – rise of a skate gang tyro

There’s an admirable modesty in the way Jonah Hill has approached his first film as writer-director. The popular actor (Superbad, Moneyball, The Wolf of Wall Street) has taken a low-key indie approach to Mid90s, his gently humorous coming-of-age...

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Wilderness, Hampstead Theatre review - stark portrait of modern divorce

“We don’t love you any less.” A natural sentiment to express to your child when you’re separating from your partner, but the very fact of saying it plants doubts in the child’s mind as to whether you really mean it. As the audience of Wilderness at...

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