fri 15/11/2019

drawing

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Now in her mid-seventies, Anna Maria Maiolino has been making work for six decades. Its a long stretch to cover in an exhibition, especially when the artist is not well known. Perhaps inevitably, then, this Whitechapel Gallery retrospective seems...

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

It is a commonplace to describe Leonardo as an enigma whose genius, and perhaps even something of his character, is revealed through his works. But as his works survive only in incomplete and fragmented form, it is drawing, the practice common to...

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Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

Paper is traditionally the medium though which artists think. Stray thoughts and experiments can be quickly tried out, pushed further or jettisoned. There are no penalties for starting something which goes wrong or transforms into something else...

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Franz West, Tate Modern review - absurdly exhilarating

Franz West must have been a right pain in the arse. He left school at 16, went travelling, got hooked on hard drugs which he later replaced with heavy drinking, got into endless arguments and fights, was obsessed with sex and, above all, wanted to...

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David Shrigley talk, Brighton Festival review - comedic stroll through a career in art

As the Brighton Festival 2018 draws towards its closing weekend, its Guest Director, the artist David Shrigley, has committed to an illustrated talk about his work that “will contain numerous rambling anecdotes but not be in the slightest bit boring...

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Naum Kleiman: Eisenstein on Paper review - a lavish journey into the unconscious

"From drawing, via the theatre, to the cinema". Naum Kleiman's  introductory qualification of Sergey Eisenstein's own self-perceived line in his Film Form is one that he follows in a necessarily selective and well-organised biography of the...

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Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

What was it about the privileged male Victorian/Edwardian British writer that led to such a fantastical outpouring of books for children that were to embed themselves so thoroughly that they have stayed with their readers into adulthood? All when...

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When Bowie and Boyd hoaxed the art world

In 1994 the art magazine Modern Painters invited fresh blood onto its editorial board. The new intake included a novelist, William Boyd, and a rock star, David Bowie. "That’s how I got to know him," says Boyd. "We’d sit at the table with all these...

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Best of 2015: Art

From weaselly shyster to spineless drip, the biographies of Goya’s subjects are often superfluous: exactly what he thought of each of his subjects is jaw-droppingly evident in each and every portrait he painted. Quite how Goya got away with it is a...

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Drawing in Silver and Gold: Leonardo to Jasper Johns, British Museum

Unlike Venice, where colour reigned supreme among artists such as Titian and Veronese, Florence was the city where drawing – disegno – was held up as the cornerstone of the artist’s education. Think of the well-defined musculature of Michelangelo’s...

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Grayson Perry: Provincial Punk, Turner Contemporary

Imagine if broadcasters thought the only living pop star worth giving air time to was Lady Gaga. Imagine – the horror. It would be wall-to-wall Gaga for the foreseeable future. And then imagine if the only living contemporary artist commissioning...

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Modigliani, Estorick Collection

Modigliani’s short life was a template for countless aspiring artists who, in the period after his death in 1920, were only too willing to believe that a garret in Montmartre and a liking for absinthe held the secret to creative brilliance. While...

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