Edinburgh Fringe
David Kettle
Bellringers, Roundabout @ Summerhall ★★★★ Dystopian climate-crisis dramas seemed ten-a-penny at the Fringe a few years back, but they’re far thinner on the ground in 2024. Which makes this deliciously elusive, oblique debut drama from Daisy Hall all the more intriguing, and valued.Clement and Aspinall appear in monk-like cassocks in a church belfry, apparently summoned by a fast-approaching storm. It’s their job to ring the tower’s bells, perhaps to alert residents of their Oxfordshire village to the impending deluge, or even act as some kind of community-protecting talisman simply by Read more ...
Veronica Lee
Grace Mulvey, Assembly Roxy ★★★ Grace Mulvey has been single for five years, she tells us at the top of the show, a matter of some disappointment to her mother back in Dublin. Even moving to London two years ago didn't change her dating status, despite the best efforts of her flatmates. But then, they're lesbians and she's straight, so maybe their advice isn't quite hitting the spot.Mulvey's debut show, Tall Baby, covers a lot of territory, but fortunately she talks at a million miles an hour: she mentions her previous career in tech, dealing with the British public in a deadend job to Read more ...
Veronica Lee
Adam Riches: Jimmy, Summerhall ★★★Adam Riches has long been famed as a performer who throws himself into his physical comedy – so much so that during the Fringe run of a previous comedy show he broke his leg. And now, with this one-man play he is on stage in tennis whites, running around and slamming down imaginary balls to a percussive soundtrack as he tells the story of Jimmy Connors, the self-proclaimed world's greatest tennis player.It's a fascinating story that even some keen tennis fans might not know. Connors retired at the age of 43, playing on well past his best days. But during Read more ...
Veronica Lee
Sheeps, Pleasance Courtyard ★★★This is the first new show that Sheeps – Liam Williams, Al Roberts and Daran Johnson  – have produced in six years, but they say The Giggle Bunch (That's Our Name For You) is their last. Having gone their separate ways some years ago, the trio have gathered together for one last time to say farewell to their fans.Keen followers will savour every minute of the show, of course, while neutral observers might pick holes in some of the hour's content. Sheeps have always played with – actually disregarded might be a better description – the rules Read more ...
David Kettle
The Sound Inside, Traverse Theatre ★★★★★ Adam Rapp’s unapologetically intricate, bookish two-hander arrives for its UK premiere at the Traverse Theatre following a successful run in New York, including no fewer than six Tony nominations. It’s not a new work, then, but its themes and its gloriously, unashamedly erudite writing make it one of the strongest offerings in the Traverse’s Fringe programme.Not for nothing do literary references ricochet back and forth across Rapp’s Ivy League thriller-cum-love story. Bella Baird is a Yale professor of creative writing, and she discovers a Read more ...
Veronica Lee
Stevie Martin, Monkey Barrel ★★★ Stevie Martin is part of the generation of comics for whom the internet is a natural home; she has racked up tens of millions of views for her work online, where she had to strut her stuff when the world went into lockdown.But having debuted as a solo comic in 2018 (after being one-third of the talented sketch group Massive Dad) she wants the thrill – and the exertion – of appearing before a live audience again, she says, so here is Clout, a tightly constructed hour of comedy full of ideas, not all of which land.Recently acquired habits die hard; Read more ...
Veronica Lee
Chris Grace, Assembly George Square ★★★★ How do you produce laughs out of grief and loss? Well Chris Grace does, and then some, in Sardines (A Comedy About Death). The American actor, well known to Fringe regulars as a member of improv group Baby Wants Candy, structures the show almost as a thought experiment; can you enjoy something when you know how it's going to end? And does art actually help us deal with a complex issue such as bereavement?In a clever conceit, he mimes drawing an oblong shape that he says is a screen, and then mimes a shape that he says is a projector – “They Read more ...
David Kettle
In Two Minds, Traverse Theatre ★★★★ Mother is finally getting her kitchen extension. It’s a lot of work, though, and it’ll take several weeks. So she’ll have to move in – temporarily – with her Daughter, in her city studio flat, while the work takes place. The relocation is smooth and straightforward, however – well, kind of, until Mother returns to her obsessive praying, and even cancels the building work itself when she gets furious at how long it’s taking.Joanne Ryan’s increasingly tense but ultimately moving two-hander from Dublin’s Fishamble theatre company might have a dramatically Read more ...
Veronica Lee
Eric Rushton, Monkey Barrel @ The Hive ★★★★ Eric Rushton tells us he has enough cash on him to return the price of one person’s ticket if they don’t like what’s about to follow. No one takes up the offer, although I suspect a few in the audience may have taken a few minutes to tune into his individual style of comedy.Essentially Real One is a shaggy dog story that uses a surreal hook – a vivid dream the comic had about the actress Margot Robbie – to examine regrets, embarrassment and a life that’s yet to take off.Rushton intersperses his account of that dream – in which he managed to Read more ...
David Kettle
The Mosinee Project, Underbelly Cowgate ★★★★In May 1950, a small US town awoke to hammer-and-sickle flags hanging from lamp-posts, its local newspaper transformed into a Soviet propaganda journal, its citizens’ firearms confiscated and handed to loyal communist troops, and – most alarmingly – its mayor detained under armed guard.It’s a fascinating and little-known byway of US history, and how the Wisconsin community of Mosinee arrived at that elaborate and eyebrow-raising simulation is the subject of the debut Fringe show from new theatre company Counterfactual. And what begins with a Read more ...
Veronica Lee
Anna Akana, Pleasance Courtyard ★★★★ If you like morbid humour, you’ve come to the right place. Asian American comic Anna Akana, a YouTube star making her Fringe debut, dives in at the deep end with It Gets Darker, which deals with, inter alia, her sister’s suicide.But before we get there, Akana sets the scene. She has returned to comedy after several years away, having left the scene because she was threatened by a long-term stalker who the LAPD told her they couldn’t arrest until he did something. As awful as it was, she acknowledges that having a stalker is great material for a comic. “My Read more ...
Veronica Lee
Jin Hao Li Pleasance Courtyard ★★★★Jin Hao Li was born in China, raised in Singapore and studied English at a Scottish university. So it’s perhaps not surprising that, in drawing on so many cultural sources, his brand of comedy should be so singular.Swimming in a Submarine, his debut Fringe show, is a deftly constructed hour in which Li mixes surreal invention, zinging one-liners, callbacks, hokey rap and some rather disconcerting audience interaction.He certainly knows how to make an impression. He comes on stage to loud metal music but then speaks  softly – which forms a great Read more ...