electronica
CD: AYBEE - The OdysseySaturday, 29 October 2016
Berlin's electronic music world has been traditionally been very white. Sometimes, as with the inward-looking minimal techno of the 2000s, it could feel painfully so. Obviously a city can't really help the nature of its demographic, but monoculture... Read more... |
CD: Moby & the Void Pacific Choir - These Systems Are FailingWednesday, 12 October 2016
Moby’s last proper album, not including the ambient affair he released via a free download from his LA restaurant earlier this year, was Innocents in 2013. It was a rich yet melancholic affair, the culmination of some years when a sober Moby, no... Read more... |
Tubular Brass play Tubular Bells, Howard Assembly Room, LeedsMonday, 26 September 2016
Sandy Smith’s brass band transcription of Tubular Bells is an improbable triumph. He draws heavily on composer David Bedford’s 1970s orchestral arrangement, along with Mike Oldfield’s two recorded versions. Musically the work holds up very well. But... Read more... |
Reissue CDs Weekly: John FoxxSunday, 25 September 2016
In 1985, John Foxx released In Mysterious Ways: his fourth solo album since leaving Ultravox in 1979. In 1980, he had charted with “Underpass”, his first solo single. Subsequently, he charted a path where frosty, anomie-filled electropop gave way to... Read more... |
Björk, Royal Albert HallThursday, 22 September 2016
I'll be straight: I wasn't sure what to expect at this show, because I've never been a Björk fanatic as such. I loved – and saw live – The Sugarcubes as a teenager, I've raved to her Nineties Debut and Post era tracks, and I've enjoyed plenty... Read more... |
CD: Vangelis – RosettaSunday, 18 September 2016
The career of Evangelos Odysseas Papathanassiou, better known to us as Vangelis, has been as wide-ranging as it has influential. From his beginnings as one-third of the almighty Aphrodite’s Child, veering from light, classy psychedelic pop to... Read more... |
theartsdesk Q&A: Musician John FoxxFriday, 02 September 2016
“The best and most confident debut since ‘Anarchy in the UK,’” said weekly music paper Sounds of the debut single by Ultravox! “Dangerous Rhythm” had been released in February 1977. “Cosmic reggae," declared Record Mirror. Melody Maker identified a... Read more... |
Campo Sancho 2016Sunday, 07 August 2016
“Ooooh, it’s gorgeous!” exclaimed my wife-to-be as we arrived at what had been described as “an oasis in Hertfordshire.” They weren’t kidding, either. The site for the inaugural festival organised by Notting Hill Carnival stalwarts Sancho Panza... Read more... |
Detroit: Techno City, Institute of Contemporary ArtsWednesday, 27 July 2016
Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants... Read more... |
CD: Old Fire - Songs from the Haunted SouthWednesday, 27 July 2016
Honestly, you wait years for a lengthy project to come to fruition, then two turn up at once. However, while The Avalanches had to contend with people tapping their watches and sighing wearily, The Earlies’ John Mark Lapham had only his own clock to... Read more... |
CD: Black Merlin – Hipnotik TradisiMonday, 18 July 2016
Dance music has, for millions of people, become synonymous with the very worst that the human race has to offer. Preening, vain, beach-body bumholes dancing like everyone’s watching, while keeping half an eye on their camera, making sure than the... Read more... |
CD: The Avalanches - WildflowerThursday, 07 July 2016
The weight of expectation can be a terrible thing to bear. When Since I Left You, The Avalanches’ patchwork party debut, was released in 2000, there was no sense of how long it had taken to make, just a collective intake of breath at the dense... Read more... |
