electronica
Barney Harsent
When International Feel label boss Mark Barrott moved from Uruguay to Ibiza, it was surely only a matter of time before he hooked up with Café Del Mar’s legendary sunset soundtracker José Padilla – inevitable even. The choice of producers to work alongside Padilla on this, his fourth album, is far from predictable however – in fact it’s inspired. Alongside Padilla himself and Barrott are Henning Severud (Telephones), Jan Schulte (Wolf Müller) and Lewis Day (Tornado Wallace). Padilla is in good company here – a fact he has been keen to acknowledge himself.On first listen, this seems Read more ...
Barney Harsent
The mysterious figure of Man Power has been making waves for a while now. A series of mixes and remixes and frankly jaw-dropping EPs have seen his star rise, though his actual profile has remained obscured – largely by his hand in a series of promo shots. His true identity remains a secret. So, who is Man Power and why should you care?The first of those questions will remain unanswered. The second is, in any case the more important. You should care because this is clever music aimed at the head, heart and feet, made by an artist capable of wringing emotion out of machines in a way that, if I’ Read more ...
Barney Harsent
Hot Chip are a band who have, over the years, brought a different personality to the hedonistic house party – one that often seems caught halfway between the kitchen and the designated dancefloor. This, their sixth album, sees them trying to edge their way towards the latter while questioning their place – and relevance – in the wider musical firmament.Things kick off well enough with “Huarache Lights”, a song strong enough even to bear the weight of a hamfisted First Choice sample and hackneyed Daft Punk-esque vocoder and still cross the finishing line smiling. Similarly, the fidgity bounce Read more ...
Barney Harsent
Back in the Seventies, in between keeping an eye out for the unwanted attentions of radio DJs and waiting for punk, the internet or colours to happen, there was real beauty if you knew where to look. By which I mean telly, of course. From the haunting fairground tones of the introduction to schools programme Picture Box, to the rolling sci-fi thrill of The Tomorrow People theme, it seemed that, far from not wanting to scare the horses, these oddball music makers would have sampled their galloping retreat and used it as a rhythm track for an animated short about a deaf boy and his magic snail. Read more ...
Barney Harsent
So, what I’m probably supposed to do when reviewing Django Django’s new album, Born Under Saturn, is mention the sleeper-hit success of their 2012 self-titled debut. I’m then definitely supposed to do a funny and find some suitable similes before summing up with something pithy and sage. The trouble is, I’m stuck here grinning like an idiot while thoughts flit in and out without ever finding room to land. Melodies can do that to you – stop you thinking and drag you into the moment, where meaningful reflection is all but impossible. Like being really pissed, but without the hangover. What Read more ...
Guy Oddy
In his recent theartsdesk interview, Squarepusher (or Tom Jenkinson to his mum) stated: “A subtle wave of conservatism has washed gently across electronic music over the last five years. One of the things the new record smashes against is that.” On this he really isn’t kidding, and Damogen Furies is unlikely to be heard as mood music to your shopping experience in any high street stores in the foreseeable future. Hardcore rave sounds bump up against abrasive electro and abstract funk in a powerful tempest that is far from chilled out.Opening track “Stor Eiglass” suggests an imaginary remix of Read more ...
Thomas H. Green
In 2004 the era-defining dance duo Orbital supposedly went their separate ways. In fact, they merely took a four-year sabbatical. Three years later one half of the sibling pairing, Paul Hartnoll, released his debut solo album, The Ideal Condition. It was a lush affair, demonstrating a rich, warm musicality which hinted where Orbital’s melodic chops came from. It didn’t sell but was the best thing either Orbital brother, together or separately, had done in years. The revitalised Orbital then released two further albums, the latter of which, Wonky, was a gem, its closing number, “Where Is It Read more ...
Kieron Tyler
Very often, the greatest impact comes without shouting. Subtlety can have a power lingering longer than the two-minute thrill of a yell. So it is with Bridges, the eighth album by Eivør. In the past, the Faroese singer-songwriter has collaborated with Canada’s Bill Bourne, the Danish Radio Big Band and Ireland’s Donal Lunny, and taken turns into country and jazz. Bridges builds on her last album though, 2012’s Room, as further evidence that she is now more focused than ever.Bridges is an all English-language album. It opens with the elegiac “Remember Me”: the song asks “Will I leave a Read more ...
Barney Harsent
After waiting a quarter of a century for Blancmange’s last album, 2011’s Blanc Burn, this new offering, effectively a Neil Arthur solo project, almost feels like a rush release. There’s a much changed visual aesthetic – gone is the stylised, Fifties cover kitsch, replaced by something much more stark and impenetrable. Now, I know you shouldn’t judge a book by its cover, but what about CDs?This new collection is certainly darker, but, before we address that, let’s get the negative stuff out of the way. Don’t worry, it really won’t take long. So… “Useless” sounds like the Wedding Present trying Read more ...
Matthew Wright
Emily Saunders has crafted a reputation for cool, sophisticated songs blending Brazilian themes and rhythms with a clean, precise, almost Scandinavian delivery. On this, her second album, she includes electronic sounds and distorted vocals, moulding the typical Latin aesthetic to her own musical identity with great confidence. Saunders composes music and lyrics, and also produces, so has been able to build a soundworld both unified and unique. Her lyrics are much more substantial than is frequently the case in these genres: a slickly rhymed combination of dense, highly coloured imagery Read more ...
Barney Harsent
There’s a danger in an artist having their work reinterpreted that the end result will be little more than a rough outline of the original. Look at Metallica’s axe job on the Velvet Underground for instance. Still, on the bright side, at least they increased the band’s "reach" to include jocks and morons.Following a series of live shows over the last few years, Throbbing Gristle alumni and art-dance legends Chris & Cosey were inundated with requests for recordings of the live versions of old songs and ended up complying, dressing up their back catalogue for a night out on the tiles.So, Read more ...
Kieron Tyler
It’s the kind of care-worn venue that’s obviously seen some history. The walls are plastered with handbills for uncompromising bands like Billy Childish’s The Headcoats and America’s God Bullies. Some nosing reveals that it opened in 1983 and Green Day played here in 1993 while paving the way to conquering the world. 1000FRYD – “tusanfrid” if you’re Danish – is low-ceilinged, narrow, tiny and has a stage which would struggle to hold a band with more than five members.In Britain, 1000FRYD would be considered a “toilet venue” with all the downsides that brings but here in Denmark, despite the Read more ...