electronica
Matthew Wright
The emergence of artists’ collectives, bristling with idealism and wacky manifestoes, is usually a sign of a vigorous cultural scene. London’s new improvised music scene enjoys several successful examples, of which Loop is perhaps the most prominent. Last night’s Loop club night at the Vortex showed the idea at its best, combining new and established acts across a range of genres.There was - in homage to Valentine’s Day? - something old, something new, plenty that was borrowed, and even something blue. The new act was the band of percussionist Bex Burch, who plays the gyilli, a Ghanaian Read more ...
Joe Muggs
In a world where everyone is expected to be a “brand”, Gilles Peterson sets some very interesting precedents. Probably best known as a radio DJ – currently on BBC 6 Music, plus his globally syndicated Worldwide show – he also remains as in demand to play in clubs as at any time in his 25-year career, he runs the Brownswood label, and has his own Worldwide Festival, currently with winter and summer editions in different locations in France plus four years running in Singapore and one in Shanghai. And somehow his individual personality remains at the heart of all of this.His annual award show Read more ...
Joe Muggs
It's an understatement to say that the massive revival of fortunes of club music in the 2010s has had its ups and downs. It's been a time of chaotic glut, of excess and spectacle – thanks particularly to the American “EDM” (electronic dance music) wave, which has seen egos, assholery and unnecessary fireworks that make the 90s UK superstar DJ era seem like a gentle Sunday afternoon stroll in the park – but also of diversification and fertility. And one particularly interesting phenomenon has been musicians who've picked up certain threads which the diminished scenes of the 1990s had left off. Read more ...
Kieron Tyler
BBC Radiophonic Workshop: BBC Radiophonic Music / The Radiophonic WorkshopThe inescapable 50th anniversary of the television debut of Doctor Who has had the side effect of drawing attention to the work of the BBC Radiophonic Workshop, the backroom outfit who created the otherworldly theme, sound effects and atmospheric colour for the series. Of course, Doctor Who was just one BBC production they worked on. The corporation allowed the Workshop to close 15 years ago, in 1998 – a not-so happy anniversary. It had been established in 1958.When the Radiophonic Workshop’s paymasters were Read more ...
Joe Muggs
The past year or two have seen a staggering return to popularity of house and techno music in the UK. For the first time since the mid-1990s, records which have grown steadily through club play over many months are breaking through into the charts on a regular basis – but just as exciting and significant are those records that remain resolutely underground. Because it's there that you start to see the real reason for the longevity of these sounds – both well over a quarter of a century old.Take Livity Sound, for example, a trio of young Bristol-based producers – Pev, Kowton and Asusu – with Read more ...
Joe Muggs
Oliver Coates is the very model of a modern musical generalist – able to jump, or ignore, the boundaries between musical categories yet retaining deep understanding of the nuances of each category or genre. He has feet firmly in both the concert hall and the artier side of the electronica world, and has collaborated broadly over recent years – though is only now emerging as a solo artist.In the classical world, his cello has taken the lead in concerto performances with the BBC National Orchestra of Wales, the BBC Scottish Symphony Orchestra and the Britten Sinfonietta, performed Music for 18 Read more ...
Lisa-Marie Ferla
This need to classify music with all sorts of made-up words might be irritating, but "toytronica" - a label frequently given to Psapp - is as succinct a description as any of the next 40 minutes after you hit "play" on their fourth album, What Makes Us Glow. The label comes from the odds and ends that the duo, made up of ex-Londonders Carim Clasmann and Galia Durant, have been known to incorporate into their signature sound, but it’s just as apt a descriptor of their playful rhythms and bursts of sweet melody.Yes, the album opens with a 17-second burst of the sombre mooing of milk-laden cows Read more ...
Kieron Tyler
No preparation is sufficient for hearing the theme to Doctor Who live. It’s obviously going to be on the menu, yet as the familiar “dung-a, dung-a, dung-a” refrain kicks off something deep and unexpected stirs within. The emotional bond with this sound and this melody is so strong it’s akin to being transported to one of the Doctor’s exotic destinations. Recreated on stage, the familiar suddenly becomes thrillingly fresh.What the BBC Radiophonic Workshop created became part of the fabric of British society. They invented the voice of the Daleks. Yet in 1998, under John Birt, the BBC closed it Read more ...
Joe Muggs
The thought of attending a dance music conference in Amsterdam frankly gave me the creeping horrors. I'd never been to Amsterdam Dance Event before, and the combination of DJ egos, business hustling and relentless partying through hundreds of club venues in a renownedly liberal city presented so many opportunities for both boredom and complete catastrophe, it just seemed like a fool's errand. But this, of course, wasn't fair. The dance music business is far more interesting than rumour and memories of the ego-bloated nineties superclub era would have it, and Amsterdam is a delightful place to Read more ...
Guy Oddy
Without doubt, 2013 has been the year of Rudimental on Planet Pop: a second number one single with “Waiting All Night”; a number one debut album with Home, hugely successful festival appearances, and plenty of TV coverage. It’s no wonder that the youth of the West Midlands (and some of their mums and dads, by the look of things) turned up to see the band in their droves at this O2 Academy show that’s been sold out for weeks. “Eagerly anticipated” doesn’t cover it.Things kicked off early with plenty of warm-up action from Joel Compass and then Shakka’s laid-back grooves and finally DJ Gorgon Read more ...
Lisa-Marie Ferla
Over the decade and a half that I’ve been writing about music, it has been my goal to distinguish between music that I just don’t like and music that is, in a more objective sense, terrible. Sometimes the line is a fine one, and - as many a Leona Lewis fan reading this site will attest - I don’t always end up on the side of it I think I am on. But even bearing that in mind, the new album from Gary Numan is a genuine puzzler: I can’t decide if it’s a sluggish, noisy, unlistenable record, packed with laughably nihilistic lyrics; or if it’s just me.To give a bit of context I should note that new Read more ...
Kieron Tyler
From no visible source, the instantly recognisable voice of Joy Division’s Ian Curtis croons the words of “Love Will Tear Us Apart”. But the lyrics aren’t in their familiar setting. Alone, he’s stripped from the band, naked and vulnerable. He’s been dead for 33 years, but this was as close as he could possibly be. Moments earlier, a string section had begun a cascading pattern that was more Bernard Herrmann than Joy Division, giving a new slant to this most familiar of post-punk musical landmarks.Live_Transmission was a bold, multi-media reconfiguration of Joy Division’s music by electronic Read more ...