electropop
Thomas H. Green
Rae Morris, a singer from Blackpool, has shinned up the slippery pop biz tree the modern, major label, mainstream way; ultra-managed, co-writes with Clean Bandit, support slots with George Ezra and Tom Odell, vocal collaborations with Bombay Bicycle Club, slow careful “development”. It’s plain old vocational training, really. In terms of raw, gutter-to-the-stars excitement, her career emanates the dizzy appeal of a dentist’s apprenticeship in Dorking. It is to her credit, then, that a good helping of actual character escapes onto her second album, alongside a few decent songs and one absolute Read more ...
Thomas H. Green
On paper Django Django seem a perfect band. The four-piece, half Scottish, quarter English, quarter Northern Irish, boast an indie songwriting sensibility, but filtered through a natural pop suss, an engaging sense of psychedelia, a desire to rave it up, and a ripe capacity for harmonisation. Their third album is fat with melody and interest, right from its ballistic opening title track, yet in the end, why is it eminently likeable rather than loveable?See, I keep trying to have a love affair with Django Django’s music. Their last album, Born Under Saturn (2015), sounds luscious but in the Read more ...
Barney Harsent
There are albums that reveal themselves to you, their hidden depths become apparent over time as familiarity helps one to acclimatize to the terrain. David Crosby’s Sky Trails was one such release and has stayed with me since its release.There are albums that burn with incandescent light from the get-go, albums that leave you smiling with glee as they bring warmth to your world and add light to your day. Indeed, in this category were two that, in any other year, would have been shoe-ins for my album of the year slot. The sparse, electronic experiments of Autarkic’s I Love You, Go Away Read more ...
Thomas H. Green
In the seven years since N.E.R.D last had an album out, Pharrell Williams’ profile, which was already massive, has achieved some sort of pop supernova. “Happy”, “Get Lucky” and the less loveable “Blurred Lines” have made him a megastar. He now returns with Chad Hugo, his childhood pal and production partner in one of hip hop’s defining production units, The Neptunes, and their reclusive associate Shay Haley. N.E.R.D’s original remit, when they began a decade-and-a-half ago, was to make their own R&B-marinated version of rock, but their fifth album sees raw electronic funk to the foreA Read more ...
Katie Colombus
If I found it acceptable to swear at my children, I would serenade them with Björk's "Tabula Rasa". It goes: "My deepest wish, Is that you’re immersed in grace and dignity, But you will have to deal with shit soon enough, I hoped to give you the least amount of luggage, Got the right to make your own fresh mistakes, And not repeat others' failures." It's my own personal vision of utopia, in a nutshell.The rest of the album is equally as sage, and frank - notes and noises that create a soundscape made up of early English evensong ("The Gate"), with flutters of pagan pipes and rushes of Read more ...
Javi Fedrick
For a band as big as Depeche Mode, in a venue as big the 21,000-capacity Manchester Arena, on a tour as big as their current Spirit tour, it almost doesn’t need saying that the pre-gig atmosphere is buzzing. A major presence on the British music scene since their 1981 electropop debut Speak and Spell, they’ve since tried their hand at goth, new wave, rock’n’roll, industrial music, and classical piano, all of which has helped birth this year’s politically-influenced Spirit. Now, stood before hordes of people who grew up with their music, they’d be praised no matter what they played. That doesn Read more ...
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why.SIMPLY THE BEST: THEARTSDESK'S FIVE-STAR REVIEWS OF 2017Alan Broadbent: Developing Story ★★★★★ The pianist's orchestral magnum opus is packed with extraordinary thingsArcade Fire: Everything Now ★★★★★ A joyous pop album that depicts a world in tragic freefallAutarkic: I Love You, Go Away ★★★★★ Tel Aviv producer Nadav Spiegel's latest collection is a triumph of head and heartBrian Eno: Reflection ★★★★★ Slow-motion cascades Read more ...
Thomas H. Green
Possibly named after a variety of magic mushroom, left-field Glaswegian six-piece Golden Teacher have been turning out their very strange idea of party music since 2013. Initially they did so for local freak-fostering collective Optimo but have since appeared via various outlets, finally ending up on their own eponymous label. Their sound is electronic but also organic, with percussion that rolls and sometimes has a touch of the more polyrhythmic, advanced drum circle about it. Don’t let the words “drum circle” put you off for Golden Teacher are an invigorating proposition.Heavily stewed in Read more ...
Thomas H. Green
September and October see a deluge of new releases. Everybody and their aunt puts out an album as autumn hits, so theartsdesk on Vinyl appears this month (and next) in a slightly expanded edition. As ever, the fare on offer is as diverse as possible, from black metal to Afro-funk via film and TV soundtracks. All musical life is here, ripe and waiting.VINYL OF THE MONTHThe Television Personalities And Don’t The Kids Just Love It + Mummy You’re Not Watching Me + They Could Have Been Bigger Than The Beatles + The Painted Word (Fire)Usually theartsdesk on Vinyl has a rule that the VINYL OF THE Read more ...
Javi Fedrick
Across their 17-year career, Liars have become renowned for both their genre-jumping and for making good music wherever their stylistic tent is pitched. With founding member Aaron Hemphill leaving the Los Angeles band on amicable terms earlier this year, sole Liar Angus Andrew was left with the task of maintaining their momentum, and with TFCF, he’s made a uniquely strange album that encompasses this stripped-down band in both its music and its production.Making almost unprecedented use of the acoustic guitar throughout, TFCF feels rawer and more intimate than their previous album, the dance- Read more ...
Kieron Tyler
The Some Bizzare Album was released in January 1981. Compiled by DJ Stevo, it featured twelve unsigned acts he felt represented a fresh way of approaching pop – one enabled by the availability of synthesisers and rhythm machines. Stevo was playing the new music at the nights he hosted, putting the bands on and compiling the electronic chart for the weekly music paper Sounds. After being inundated with demo tapes, he chose the ones he liked best and issued the album.From today’s perspective, the Some Bizzare Album plays out as a prescient snapshot of what would enter the mainstream. The Fast Read more ...
Kieron Tyler
True to their name, Finland’s Man Duo are male and there are two of them. The better-known half is former Helsinki tram driver Jaakko Eino Kalevi. Born Jaakko Savolainen – the Kalevi nods to his home country’s epic tale, The Kalevala – his long solo discography stretches back to 2001. That year, he made a collaborative single with Sami Toroi, who traded as Long-Sam. Following a 2012 album credited to Jaakko Eino Kalevi & Long-Sam they’re back, but as Man Duo.Orbit isn’t going to upset those familiar with Kalevi’s most recent, internationally issued, releases. On these, he’s taken a Read more ...