Good Morning, Midnight is the 1939 Jean Rhys novel portraying an alienated woman moving through the present while being confronted with, but not necessarily recognising, her own past. In the book, Sasha Jensen wanted to be acknowledged but also unseen. Good Morning, Midnight the album is the first by Becky Becky, the new persona of Gemma L Williams, who previously recorded as Woodpecker Wooliams. She said goodbye to that guise at a show where she performed naked. The novel's alienation reverberates throughout the album.On Good Morning, Midnight, she is joined by Peter Mason, formerly of Fence Read more ...

Liars are well known for trying different musical styles. In times past, we’ve had the punk funk of 2010’s "Proud Evolution", the industrial noise of 2007’s “Dear God”, 2006’s freak folk “The Other Side of Mt Heart Attack” and the psychedelic garage rock of 2008’s “Freak Out”, to name a few. On their last album, 2012’s WIXIW, Liars tentatively dipped their collective toe into the world of electronica. Mess sees the band expand on this by giving their keyboards a good kicking, dropping their guitars and coming out with some seriously dark electronic sounds, reminiscent of Black Strobe’s Read more ...

It's hard to countenance sometimes that there was an era where Marc Almond could have been a bona fide, chart-smashing pop star. His ability to parlay the archest of high camp and the most grotesque of low life into something digestible by genuine mass culture was, from the very beginning, quite uncanny.There was always a sulphurous whiff of something downright Luciferian about him, yet enough fragility to make the act seem all too real – an infinitely more convincing and intriguing character than more recent more self-conscious attempts at “transgressive” pop like the gallumphing vaudeville Read more ...

It’s a good thing After the Disco turned up in the post last November. Initial listens suggested it as a slight follow up to 2010’s eponymous debut. Living with the new album and allowing it to bed in was obviously the way to go. Unfortunately, repeated revisits haven’t revealed any depth or much to grab onto. The thin gruel that is After the Disco isn’t a worthy successor to Broken Bells and is nothing its creators Danger Mouse and James Mercer should be proud of. Yet more listens raise the questions of what this is for and why did they bother?After the Disco is propelled by either chugging Read more ...

Finland’s Jaakko Eino Kalevi, who played his debut British show last November, heads up theartsdesk’s latest regular round-up of what’s come down from the north. A spellbinding display of individualistic pop, the London outing coincided with the arrival of his first non-Finnish release, the Dreamzone EP.Deadpan and stood at his ancient synth, he was accompanied by a drummer and sax player. The rhythms rarely deviated from the beat of Michael Jackson’s “Billie Jean”. The hollow sax evoked Chris Rea or the white-bread soul-pop of Hall & Oates. The whole enfolded like dub. Kalevi barely Read more ...

White noise saturates the air. At mind-melting volume, it shifts through the aural spectrum to settle on the bass end. A voice begins yelling angry-sounding gobbets. The words are unintelligible. The stage is in darkness. Gradually, it becomes possible to make out the source of this impassioned diatribe. It’s a non-descript, white, bespectacled young man in a T-shirt. This nerdy fellow stops for a moment. So does the accompanying noise. Then his guitar-toting accomplice piles on slab after slab of noise. The experience is akin to the melding of an industrial garbage compactor, a concrete Read more ...

There's something about the partnership of Vince Clarke and Andy Bell that seems to automatically generate sweetness. This collection of half originals and half Christmas classics is really quite dark, quite a bitter look at winter and the Christmas spirit – but somehow, Clarke's fizzing synth work and Bell's ever-distinctive voice give it all a sugar frosting, just like pretty much all of their work.But then that's been their strength and downfall throughout their existence. The longest running of Clarke's musical partnerships, Erasure never seemed to ever quite get the critical kudos of Read more ...

 William Onyeabor: World Psychedelic Classics 5 – Who is William Onyeabor?A primitive drum machine rattles out a Latin rhythm. Keyboards begin. The gaps between the repetitive spirals of notes are plugged by blobs of fat synth. A disembodied yet warm voice sings “Good name is better than silver and gold. And no money, no money, no money, no money can buy good name.” The melody nods towards Kraftwerk’s “Computer World”. The music is as intense as early Marshall Jefferson and the whole suggests Tom Tom Club.William Onyeabor's “Good Name” is compelling and electrifying: minimal and Read more ...

The glam pop duo’s new album heralds a striking change of direction away from their trademark stadium disco towards a more intimate, cinematic sound. A seductive collection of character studies inspired by film noir, books and song lyrics, this 10-track album is heavy on atmosphere and light on sequins. Exquisitely woven together, it’s inspired by the like of French crooner Jacques Brel, Bon Iver and Leonard Cohen. On this their sixth album, Goldfrapp appear mellow and restrained, leaving the world of glossy pop and BDSM-inspired costumes firmly behind.It’s a marked contrast to their Read more ...

There have been those who have uncharitably suggested that Crystal World is in fact a sixth Ladytron album rather than the solo debut of the band’s frontwoman, Helen Marnie. It’s an easy, if lazy, conclusion to jump to when said album flirts with many of the same electro-dreampop calling cards and features a bandmate on production credits, but take a trip into Marnie’s world and there is plenty to set it apart.Curiously it’s on the vocals that the differences become most obvious. This is still the same Marnie of the sometimes sultry, sometimes glacial persona she adopts on the best known of Read more ...

AlunaGeorge deserve to be lauded as one of this year’s great singles bands solely on the strength of “Attracting Flies” and “White Noise”, their collaboration with electro outfit Disclosure. The London duo - featuring the purring vocals of Aluna Francis and George Reid’s sassy production - have been gaining attention in all the right places over the past 12 months, which gives their delayed debut a lot to live up to.That the big, distorted hook and kiss-off chorus of "...Flies", so perfect in its subtlety, are the catchiest things on Body Music is a little misleading. It means that the first Read more ...

At the risk of coming over a bit Daily Mail, my, hasn’t she grown up? I refer not to the career management decisions that have seen the former Disney Channel star turned head Belieber handed dubious photoshoots and sexed-up roles in Harmony Korine films, but rather to the fact that on Stars Dance the just-shy-of-21-year-old sounds about 35.It’s a well-established pattern, so it’s hard not to be cynical: child star reborn with raunchy new image; a first video (featured below) replete with writhing, heavy breathing and lyrics with a suitably subjugated message despite the appearance of sexual Read more ...